{"title":"sE Electronics","description":null,"products":[{"product_id":"se-electronics-bl8-half-cardioid-boundary-microphone","title":"sE Electronics BL8 Half-Cardioid Boundary Microphone","description":"\u003cp\u003eThe sE Electronics BL8 is a professional half-cardioid boundary microphone built for capturing kick drums, stage floors, grand pianos, room ambience, and other demanding sources. Its low-profile form allows it to sit inside a kick drum or mount discreetly on a flat surface where a conventional stand-mounted microphone may be impractical. It is designed for engineers, musicians, venues, and production teams that need a durable condenser microphone with flexible tone-shaping controls.\u003c\/p\u003e\u003cp\u003eFor kick drum use, the BL8 is engineered to reproduce low frequencies accurately while retaining the attack needed to define the beater and drum shell. It can be used as an inside-kick microphone on its own or paired with an external kick microphone such as the sE V KICK. The selectable Classic and Modern character settings provide alternate low-mid shaping for studio or live-sound applications, while the center setting retains a neutral response.\u003c\/p\u003e\u003cp\u003eThe BL8 uses the same hand-crafted small-diaphragm true-condenser capsule platform as the sE8, including a 1\/2-inch capsule with an ultra-thin 3-micron gold-sputtered diaphragm. This design supports detailed transient capture for percussive instruments and natural recording on piano, room, and ambience duties. Its half-cardioid boundary pattern is intended for placement against a surface, helping it capture the source and surrounding acoustic space from a low-profile position.\u003c\/p\u003e\u003cp\u003eTransformerless Class-A circuitry and low-noise electronics give the BL8 substantial headroom for loud sources. A switchable 10 dB or 20 dB attenuation pad helps prevent overload at the connected microphone preamp or audio interface, and the microphone is rated for up to 163 dB SPL with the 20 dB pad engaged. A switchable 80 Hz or 160 Hz low-cut filter can reduce rumble, footfall noise, and excess low-frequency buildup when appropriate.\u003c\/p\u003e\u003cp\u003eThe BL8 is a practical upgrade for systems that need one microphone to cover kick-in, floor, piano, speech, conference, and room-miking roles. It requires standard 48 V phantom power and connects through a balanced 3-pin XLR connection. Its capsule system is compatible with the optional sE8 omni capsule, and the housing is compatible with the optional Kelly Shu Flatz Isolation System for secure inside-kick mounting.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHalf-Cardioid Boundary Pattern:\u003c\/strong\u003e Supports low-profile placement on floors, inside kick drums, and other flat surfaces.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrue-Condenser sE8 Capsule:\u003c\/strong\u003e Uses a hand-crafted small-diaphragm capsule for detailed transient response.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClassic And Modern Voicings:\u003c\/strong\u003e Provides alternate low-mid shaping for kick drum applications.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable Low-Cut Filter:\u003c\/strong\u003e Offers 80 Hz and 160 Hz filtering to manage rumble.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10 dB And 20 dB Pad:\u003c\/strong\u003e Helps accommodate high-SPL instruments without overloading connected inputs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInterchangeable Capsule System:\u003c\/strong\u003e Accepts the optional sE8 omni capsule for alternate pickup behavior.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe BL8 has an all-metal housing with a dent-resistant grille and gold-plated XLR contacts. Its low-profile enclosure measures 139 x 95 x 28.5 mm, making it suitable for placements where clearance is limited. The microphone weighs 538 g and is designed for regular stage, touring, studio, and installed-use environments.\u003c\/p\u003e\u003cp\u003eConnect the BL8 to a microphone preamp, mixer, or audio interface using a balanced XLR-to-XLR microphone cable and enable 48 V phantom power. For kick drum use, begin with the 10 dB pad as recommended in the manual, then select the pad, low-cut, and character setting to suit the source and connected preamp. Two internal mounting points allow installation on a surface, wall, ceiling, or grand piano lid with screws that are not included.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669429444678,"sku":"BL8","price":215.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/81rNP3yuF3L.jpg?v=1784501497"},{"product_id":"se-electronics-bl8-omni-omnidirectional-boundary-microphone","title":"sE Electronics BL8 omni Omnidirectional Boundary Microphone","description":"\u003cp\u003eThe sE Electronics BL8 omni is a low-profile omnidirectional boundary microphone for speech, room ambience, stage-floor use, grand piano capture, and similar recording or sound-reinforcement applications. Its boundary format allows it to sit discreetly on a flat surface while capturing a broad, natural sound field. It is suited to studios, performance venues, boardrooms, houses of worship, and conferencing installations.\u003c\/p\u003e\u003cp\u003eThe BL8 omni uses a hand-crafted small-diaphragm true-condenser capsule derived from the sE8 omni platform. Its 1\/2-inch capsule uses an ultra-thin 3-micron gold-sputtered diaphragm for detailed transient response. The microphone is specified for a neutral, well-balanced response across a 20 Hz to 20 kHz frequency range.\u003c\/p\u003e\u003cp\u003eTransformerless Class-A circuitry, high sensitivity, and low-noise electronics support clean capture across quiet and loud applications. The microphone provides 143 dB SPL handling with no pad engaged, rising to 163 dB SPL with its 20 dB pad selected. This makes it practical for ambience and speech duties as well as louder stage or instrument sources.\u003c\/p\u003e\u003cp\u003eThree underside controls provide useful setup flexibility before the signal reaches a mixer, preamp, or audio interface. A switchable low-cut filter can reduce rumble and footfall noise, while the 10 dB and 20 dB attenuation settings help prevent input overload. The Character switch offers Classic and Modern voicings, with a neutral center setting for unshaped capture.\u003c\/p\u003e\u003cp\u003eThe BL8 omni can also be adapted as needs change. It accepts the optional sE8 cardioid capsule, which is not included, for more directional applications. Its standard 3-pin XLR output requires 48V phantom power from a compatible microphone input or external phantom-power supply.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOmnidirectional Boundary Pickup:\u003c\/strong\u003e Captures speech, room tone, piano, and stage ambience from a low-profile surface-mounted format.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003esE8 Omni Capsule:\u003c\/strong\u003e Hand-crafted 1\/2-inch true-condenser capsule supports detailed, balanced audio capture.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh-SPL Capability:\u003c\/strong\u003e Switchable pad supports sources up to 163 dB SPL.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLow-Cut Filter:\u003c\/strong\u003e Selectable 80 Hz or 160 Hz filtering helps control rumble and footfall noise.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCharacter Voicings:\u003c\/strong\u003e Classic, Modern, and neutral settings provide useful tonal-shaping options.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInterchangeable Capsule System:\u003c\/strong\u003e Compatible with the optional sE8 cardioid capsule for alternate pickup needs.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe BL8 omni has an all-metal housing, a durable dent-resistant grille, and gold-plated XLR contacts. Its compact 139 x 95 x 28.5 mm footprint helps keep the microphone unobtrusive on tables, floors, piano lids, and other flat surfaces. The housing is designed for dependable use in installed, studio, and touring environments.\u003c\/p\u003e\u003cp\u003eConnect the microphone to a balanced XLR microphone input that supplies 48V phantom power according to IEC 61938; a TRS connection cannot pass the required phantom power. For permanent mounting, the enclosure provides two mounting points accessible after removing the grille, and mounting screws are not included. Use the low-cut, pad, and Character switches to suit the source, room, and available preamp headroom.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669429477446,"sku":"BL8 omni","price":215.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/811S6skeONL.jpg?v=1784501537"},{"product_id":"se-electronics-dm1-dynamite-inline-microphone-preamp","title":"sE Electronics DM1 Dynamite Inline Microphone Preamp","description":"\u003cp\u003eThe sE Electronics DM1 Dynamite is an active inline microphone preamp designed to raise the level of passive dynamic and passive ribbon microphones before the signal reaches a mixer, audio interface, or microphone preamp. It supplies a fixed 28 dB gain boost for microphones whose output may be too low for a preamp to handle comfortably. Its slim XLR inline form keeps the signal booster close to the microphone chain without requiring a separate desktop unit.\u003c\/p\u003e\u003cp\u003eThis preamp is intended for podcasters, recording musicians, broadcast users, and live-sound operators working with passive microphones. It can help provide more usable signal level from low-output dynamic or ribbon mics while allowing the downstream preamp to operate with less added gain. The DM1 requires a 48 V phantom-power source to operate, but it is not intended for condenser microphones or active ribbon microphones.\u003c\/p\u003e\u003cp\u003eThe DM1 is built around a Class-A, transformerless circuit with selected FET components. Its dedicated output buffer is designed to maintain its specified 28 dB gain across connected loads and provide a low-impedance output. This configuration is also intended to support longer balanced cable runs with reduced susceptibility to RF interference, buzz, and hum.\u003c\/p\u003e\u003cp\u003eWith a specified frequency range of 10 Hz to 120 kHz and an output-noise specification of 9 µV A-weighted, the DM1 is designed for a neutral, wide-bandwidth signal path. Its maximum output level is rated at 8.3 dBV at 0.5% THD. The result is a compact gain stage suited to preserving the working character of a compatible passive microphone rather than functioning as an EQ or tone-shaping device.\u003c\/p\u003e\u003cp\u003eThe DM1 fits between a passive microphone and a phantom-powered microphone input using standard 3-pin XLR connections. It is a useful upgrade path when a microphone setup needs more clean level but the existing interface or mixer has limited available gain. Because it is an active device, correct connection and stable 48 V phantom power from the receiving preamp, mixer, or interface are essential.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFixed 28 dB Gain:\u003c\/strong\u003e Raises the signal level from compatible low-output passive microphones.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePassive Mic Compatibility:\u003c\/strong\u003e Designed for passive dynamic and passive ribbon microphones.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClass-A FET Circuit:\u003c\/strong\u003e Uses a transformerless Class-A design with selected FETs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDedicated Output Buffer:\u003c\/strong\u003e Maintains consistent gain and supports long balanced cable runs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e48 V Phantom Powered:\u003c\/strong\u003e Draws operating power from a compatible phantom-powered microphone input.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGold-Plated XLR Connectors:\u003c\/strong\u003e Provides durable 3-pin male and female XLR connections.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe DM1 uses a slim, rugged all-metal housing with a premium finish for studio, broadcast, and stage use. It measures 19 mm in diameter and 95.5 mm long, making it easy to place inline with an XLR microphone cable. Gold-plated XLR connectors provide the microphone-side and preamp-side connections.\u003c\/p\u003e\u003cp\u003eConnect the passive dynamic or passive ribbon microphone to the DM1, then connect the DM1 to a balanced microphone input on a preamp, mixer, or audio interface that supplies 48 V phantom power. Turn on phantom power at the receiving input and set the downstream preamp gain for the desired level. Do not use the DM1 with condenser microphones or active ribbon microphones that require phantom power for their own operation.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669429542982,"sku":"DM1","price":79.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/61jIJ33H49L.jpg?v=1784501580"},{"product_id":"se-electronics-dm1-black-inline-microphone-preamp","title":"sE Electronics DM1 BLACK Inline Microphone Preamp","description":"\u003cp\u003eThe sE Electronics DM1 BLACK is an active inline microphone preamp made to add usable level to passive dynamic and passive ribbon microphones. It installs directly in the XLR signal path between the microphone and a mixer, audio interface, or standalone mic preamp. Its fixed gain helps low-output microphones reach a stronger level before the receiving preamp must be turned up aggressively.\u003c\/p\u003e\u003cp\u003eThis compact booster is suited to podcasting, voice-over work, recording, broadcast setups, rehearsal rooms, and live sound systems using passive microphones. It requires a connected preamp, mixer, or interface that supplies 48 V phantom power. The DM1 uses that phantom power to operate, while it is intended only for microphones that do not themselves require phantom power.\u003c\/p\u003e\u003cp\u003eThe DM1 BLACK supplies 28 dB of gain with a neutral, balanced operating character intended to preserve the connected microphone's natural sound. Its dedicated output buffer is designed to keep the gain consistent across connected loads. The low-impedance output is also intended to support longer balanced cable runs while helping reduce susceptibility to RF interference, buzz, and hum.\u003c\/p\u003e\u003cp\u003eIts Class-A, transformerless FET circuit is engineered for low-noise microphone signal boosting. The preamp has a 10 Hz to 120 kHz frequency range rated at -0.3 dB, allowing it to accommodate the full bandwidth of common voice and instrument microphone applications. With a maximum output level of 8.3 dBV at 0.5% THD, it is designed for proper gain staging into standard microphone preamp inputs.\u003c\/p\u003e\u003cp\u003eThe DM1 BLACK is a practical upgrade for a passive mic setup when the existing preamp lacks sufficient clean gain. Its slim cylindrical body fits in-line without requiring rack space, external power supplies, or controls. Use it with a quality balanced XLR cable and set the receiving preamp's gain for the desired recording or live level.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFixed 28 dB Gain:\u003c\/strong\u003e Raises the output level of low-output passive microphones before the mic preamp.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePassive Mic Compatibility:\u003c\/strong\u003e Designed for passive dynamic and passive ribbon microphones.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClass-A FET Circuit:\u003c\/strong\u003e Uses selected FET electronics and a transformerless signal path.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDedicated Output Buffer:\u003c\/strong\u003e Maintains consistent gain across connected load conditions.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e48 V Phantom Powered:\u003c\/strong\u003e Operates from P48 phantom power supplied by the connected preamp.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGold-Plated XLR Connectors:\u003c\/strong\u003e Provides durable, balanced 3-pin microphone connectivity.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe DM1 BLACK uses a slim, rugged all-metal housing with a matte-black finish. Its cylindrical enclosure measures 19 mm in diameter and 95.5 mm in length, making it easy to place at the microphone end of an XLR cable or in-line elsewhere in a balanced mic connection. Gold-plated XLR connectors and the road-ready metal construction are intended for studio and stage use.\u003c\/p\u003e\u003cp\u003eConnect the microphone to the DM1's female XLR input, then connect the DM1's male XLR output to the microphone input of a mixer, interface, or mic preamp. Turn on 48 V phantom power at the receiving device so the DM1 can operate. Do not use it with condenser microphones or active ribbon microphones, because those microphones also require phantom power.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669429575750,"sku":"DM1 BLACK","price":84.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/61ftH21yhoL.jpg?v=1784501618"},{"product_id":"se-electronics-dm2-tnt-inline-microphone-preamp","title":"sE Electronics DM2 TNT Inline Microphone Preamp","description":"\u003cp\u003eThe sE Electronics DM2 TNT is an active inline microphone preamp made to raise the output of passive dynamic and passive ribbon microphones before they reach a mixer, audio interface, or dedicated mic preamp. It is useful when a microphone needs more clean level than a connected preamp can comfortably provide on its own. The compact DM2 installs directly in the microphone signal path with standard XLR connections.\u003c\/p\u003e\u003cp\u003eTwo selectable gain settings provide either +15 dB or +30 dB of boost, allowing the unit to suit a range of voice, instrument, broadcast, and live-sound sources. Its dedicated output buffer is designed to maintain consistent gain regardless of the connected load. This helps provide a strong, manageable signal to the following mic preamp.\u003c\/p\u003e\u003cp\u003eThe DM2 TNT also provides eight selectable load settings spanning 50 ohms to 10 megaohms. This lets users match the unit more closely to a passive microphone and explore how loading affects its response. The controls are especially useful with microphones whose sound changes noticeably with different impedance loads.\u003c\/p\u003e\u003cp\u003eIts Class-A circuit uses specially selected high-grade FETs and is designed for low-noise operation. The published frequency range extends from 10 Hz to 120 kHz, while the maximum output level is rated at 9.5 dBV at 0.5% THD. This makes the DM2 TNT a practical gain-stage addition where clean level and flexible loading are priorities.\u003c\/p\u003e\u003cp\u003eThe preamp requires 48V phantom power from the connected mixer, interface, or mic preamp, but it is intended only for passive microphones. It does not pass phantom power to the microphone, making it appropriate for passive ribbon microphones as well as passive dynamic models. It should not be used with condenser microphones or active ribbon microphones that require phantom power themselves.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDual Gain Settings:\u003c\/strong\u003e Select +15 dB or +30 dB of inline microphone gain.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEight Load Settings:\u003c\/strong\u003e Adjust loading from 50 ohms to 10 megaohms.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClass-A FET Circuit:\u003c\/strong\u003e Provides a low-noise active gain stage for passive microphones.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDedicated Output Buffer:\u003c\/strong\u003e Supports consistent gain and low-impedance signal delivery.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e48V Phantom Powered:\u003c\/strong\u003e Operates from P48 supplied by compatible downstream equipment.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGold-Plated XLR Connector:\u003c\/strong\u003e Provides durable three-pin microphone signal connections.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe DM2 TNT uses a slim all-metal housing with a premium blue finish for regular studio, broadcast, and stage use. It measures 19 mm in diameter and 95.5 mm long, with a weight of 80 g. Gold-plated three-pin male and female XLR connections support an inline installation between the microphone and the downstream preamp.\u003c\/p\u003e\u003cp\u003eConnect the DM2 directly to a passive dynamic or passive ribbon microphone, then connect its output to a mixer, audio interface, or mic preamp that supplies 48V phantom power. Use a miniature screwdriver to select the desired gain and load settings. For a starting point with many mixers and interfaces, the manufacturer recommends a load setting in the 1.5 kOhm to 2.7 kOhm range.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669429608518,"sku":"DM2","price":144.56,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/71vSaUyQWYL.jpg?v=1784501661"},{"product_id":"se-electronics-dm2-black-inline-microphone-preamp","title":"sE Electronics DM2 BLACK Inline Microphone Preamp","description":"\u003cp\u003eThe sE Electronics DM2 BLACK is an active inline microphone preamp designed to raise the output of passive dynamic and passive ribbon microphones. It installs directly between the microphone and a mic preamp, mixer, or audio interface. It is intended for situations where a passive microphone needs more clean level before the receiving preamp.\u003c\/p\u003e\u003cp\u003eTwo selectable gain settings provide either +15 dB or +30 dB of boost. This lets users choose a moderate level increase for louder sources or additional gain for quieter voices and instruments. The DM2 requires 48V phantom power from the connected preamp, mixer, or interface to operate.\u003c\/p\u003e\u003cp\u003eThe DM2 TNT design includes eight selectable load settings spanning 50 ohms to 10 megaohms. This adjustment allows the preamp's input load to be matched to different passive microphones and used to explore their response. sE Electronics recommends beginning around 1.5k to 2.7k ohms with many typical mic preamps and audio interfaces.\u003c\/p\u003e\u003cp\u003eA Class-A circuit with selected FETs and a dedicated output buffer is used for signal amplification. The buffer provides a low-impedance output intended to support longer balanced XLR cable runs while helping reduce susceptibility to RF interference, buzz, and hum. Its published frequency range extends from 10 Hz to 120 kHz at -0.3 dB.\u003c\/p\u003e\u003cp\u003eThe DM2 BLACK uses a slim all-metal body with a matte-black finish, making it suitable for studio, broadcast, podcast, and stage signal chains. Gold-plated 3-pin XLR connections provide direct microphone input and balanced output connectivity. It is not for condenser microphones or active ribbon microphones, which require phantom power at the microphone itself.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSelectable Gain:\u003c\/strong\u003e Choose +15 dB or +30 dB of inline gain.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEight Load Settings:\u003c\/strong\u003e Adjust input loading from 50 ohms to 10 megaohms.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePassive Mic Compatibility:\u003c\/strong\u003e Designed for passive dynamic and passive ribbon microphones.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClass-A FET Circuit:\u003c\/strong\u003e Provides active gain with a transformerless design.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDedicated Output Buffer:\u003c\/strong\u003e Delivers a low-impedance balanced output for connected preamps.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e48V Phantom Powered:\u003c\/strong\u003e Draws operating power from a P48-equipped mic input.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe DM2 BLACK has a 19 mm diameter all-metal housing with a matte-black finish. Its gold-plated 3-pin XLR connectors are integrated into the inline body, with a female XLR microphone input and male XLR output. The compact format measures 96 mm long and weighs 80 g.\u003c\/p\u003e\u003cp\u003eConnect the DM2 directly to the output of a passive dynamic or passive ribbon microphone, then connect its output to a balanced XLR mic input on a preamp, mixer, or audio interface. Turn on 48V phantom power at the receiving mic input, and use a miniature screwdriver to set gain and load as needed. Do not use it with condenser microphones or active ribbon microphones.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669429641286,"sku":"DM2 BLACK","price":149.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/61HwAsC-sIL.jpg?v=1784501698"},{"product_id":"se-electronics-dm3-active-inline-di","title":"sE Electronics DM3 Active Inline DI","description":"\u003cp\u003eThe sE Electronics DM3 is a compact active inline direct box for connecting instruments and other high-impedance sources to a microphone-level XLR input. It is designed for guitar, bass, piezo-equipped instruments, keyboards, synthesizers, drum machines, and similar sources. Its inline layout connects directly to a phantom-powered XLR input, avoiding the need for a separate DI box-to-mixer XLR cable.\u003c\/p\u003e\u003cp\u003eIts 10 MΩ Ultra-HiZ input is intended to minimize loading on passive pickups and piezo sources. This helps preserve the character of instruments that can sound dull or lose level when connected to lower-impedance inputs. The DM3 also provides a dedicated Class-A output buffer for a stable balanced output feed.\u003c\/p\u003e\u003cp\u003eThe DM3 accommodates both low-output instruments and higher-level electronic sources. A recessed, switchable attenuation pad provides 15 dB or 30 dB of input reduction when a source is too hot for the connected preamp or mixer input. Its specified maximum input level reaches 49 dBV with the 30 dB pad engaged.\u003c\/p\u003e\u003cp\u003eFor noise troubleshooting, the DM3 uses a three-position ground-lift switch with Off, On, and On+ positions. The On setting is intended to help break ground loops that cause hum or buzz. The On+ setting is designed to address additional high-frequency noise such as hiss or radio-frequency interference where applicable.\u003c\/p\u003e\u003cp\u003eThis DI is suited to stage, studio, broadcast, and portable recording systems that provide standard 48V phantom power. Its locking 1\/4-inch input helps prevent accidental cable removal during use. The compact cylindrical housing can fit into a small accessory case or pocket and is practical for direct connection to mixers, audio interfaces, preamps, and stage boxes.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e10 MΩ Ultra-HiZ Input:\u003c\/strong\u003e Helps retain the natural response of passive and piezo pickups.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClass-A Output Buffer:\u003c\/strong\u003e Provides a buffered signal for XLR microphone inputs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable Input Pad:\u003c\/strong\u003e Reduces hot input signals by 15 dB or 30 dB.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThree-Position Ground Lift:\u003c\/strong\u003e Offers Off, On, and On+ noise-management settings.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLocking 1\/4-Inch Input:\u003c\/strong\u003e Helps keep an instrument cable connected during use.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e48V Phantom-Powered Operation:\u003c\/strong\u003e Runs from a compatible XLR input without batteries.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe DM3 uses a slim all-metal housing with a tiger-stripe finish and a gold-plated 3-pin male XLR connector. It measures 0.79 inch in diameter and 3.76 inches long, with a weight of 2.47 ounces. Recessed pad and ground-lift switches help reduce unintended setting changes, and the included screwdriver is used to access them.\u003c\/p\u003e\u003cp\u003eConnect the instrument or source to the 6.3 mm (1\/4-inch) TRS input, then plug the DM3's male XLR output into a mixer, interface, preamp, or stage box that supplies 48V phantom power. Use a balanced XLR microphone cable where an extension is required, and engage phantom power at the receiving input. Start with the pad disengaged, then select 15 dB or 30 dB attenuation only if the source overloads the connected input; use the ground-lift settings only as needed to address system noise.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669430460486,"sku":"DM3","price":69.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/61RFdtW6s5L.jpg?v=1784502039"},{"product_id":"se-electronics-dm3-black-active-inline-di","title":"sE Electronics DM3 BLACK Active Inline DI","description":"\u003cp\u003eThe sE Electronics DM3 BLACK is a compact active inline DI designed to connect instrument-level sources directly to a phantom-powered XLR input. It provides a practical way to feed guitars, basses, keyboards, drum machines, synthesizers, and similar sources into a mixer, stage box, or audio interface. Its inline format eliminates the need for a separate DI box and an additional XLR cable between the DI and the input.\u003c\/p\u003e\u003cp\u003eA 10-megaohm Ultra-HiZ input is intended to place minimal load on passive pickups and other high-impedance sources. This helps preserve the natural character of electric guitars, basses, piezo-equipped instruments, and vintage high-impedance microphones. The DM3 BLACK is suited to live stages, home recording, studio tracking, and portable rigs that need a compact DI solution.\u003c\/p\u003e\u003cp\u003eThe DM3 uses sE Electronics DYNAMITE technology and a dedicated Class-A output buffer amplifier. Its frequency range is specified at 10 Hz to 120 kHz within -0.3 dB, while the output noise level is rated at 1 µV JIS-A. The buffered output is designed to provide a stable signal to a microphone preamp or other XLR-equipped input.\u003c\/p\u003e\u003cp\u003eFor high-output sources, the recessed attenuation control provides 15 dB and 30 dB pad settings. The maximum input level is specified as 19, 34, or 49 dBV depending on the attenuation setting. A three-position ground-lift switch includes Off, On, and On+ positions to help address ground-loop hum and, where applicable, additional high-frequency noise or radio-frequency interference.\u003c\/p\u003e\u003cp\u003eThe matte-black DM3 BLACK uses a 6.3 mm locking input jack and a gold-plated 3-pin male XLR output. It is powered by 48V phantom power supplied from the connected XLR input, so it does not use batteries. At 95.5 mm long and 70 g, it is easy to keep in an instrument case or add to a compact stage or recording setup.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e10 MΩ Ultra-HiZ Input:\u003c\/strong\u003e Helps retain the character of passive pickups and other high-impedance sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClass-A Output Buffer:\u003c\/strong\u003e Buffers the instrument signal for connection to a microphone preamp or XLR input.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable Input Pad:\u003c\/strong\u003e Selectable 15 dB or 30 dB attenuation accommodates higher-output sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThree-Position Ground Lift:\u003c\/strong\u003e Off, On, and On+ settings help manage ground-loop and interference-related noise.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLocking 1\/4-Inch Input:\u003c\/strong\u003e Helps prevent an instrument cable from being accidentally disconnected.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e48V Phantom-Powered Operation:\u003c\/strong\u003e Draws operating power from a compatible phantom-powered XLR input.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe DM3 BLACK has an all-metal inline housing with a discreet matte-black finish. Its compact cylindrical body measures 20 mm in diameter, and the output uses a gold-plated 3-pin male XLR connector. Recessed pad and ground-lift controls are designed to reduce unintended setting changes.\u003c\/p\u003e\u003cp\u003eConnect an instrument or playback device with a 1\/4-inch instrument cable to the DM3 input, then connect the male XLR output directly to a compatible mixer, interface, preamp, or stage-box input. Enable 48V phantom power on that XLR input before use. Use the pad for overly hot source signals, and select the ground-lift setting only as needed to reduce noise in the particular system.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669430493254,"sku":"DM3 BLACK","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/61h6700r2fL.jpg?v=1784502076"},{"product_id":"se-electronics-dmproclip-dm-pro-clip-mounting-clip","title":"sE Electronics DMPROCLIP DM Pro Clip Mounting Clip","description":"\u003cp\u003eThe sE Electronics DMPROCLIP DM Pro Clip is a dedicated mounting accessory for sE DM Series inline audio devices. It is designed to support compatible units instead of leaving them suspended from connected cables. This helps create a more orderly signal chain in studio, live sound, broadcast, and location-audio setups.\u003c\/p\u003e\u003cp\u003eMade for users of the sE DM1, DM2, and DM3, the DM Pro Clip provides a purpose-built way to position these compact inline devices where they are needed. It is useful for engineers, performers, technicians, and content creators who want cleaner cable routing around microphones, stands, pedalboards, racks, or workstations. The clip itself is a mounting solution and does not alter the audio signal.\u003c\/p\u003e\u003cp\u003eIts interlocking construction allows multiple DM Pro Clips to connect together for organized multi-device setups. This is useful when several compatible inline preamps or direct boxes need to remain aligned in one location. The design supports a tidier layout while keeping each supported device accessible for setup or adjustment.\u003c\/p\u003e\u003cp\u003eThe DM Pro Clip addresses cable and connector strain that can occur when inline devices hang freely between connected equipment. Supporting the device at a stable mounting point can reduce unwanted movement within the signal chain. It is a practical accessory for permanent installations as well as temporary production rigs.\u003c\/p\u003e\u003cp\u003eFlexible mounting hardware lets the clip adapt to flat or rounded surfaces and a range of working environments. A central mounting hole accommodates screw mounting, while included reusable ties and hook-and-loop accessories support non-permanent placement. The compact 67 x 35 x 30 mm format makes it easy to incorporate into an existing professional audio workflow.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDM Series Compatibility:\u003c\/strong\u003e Designed specifically to hold sE DM1, DM2, and DM3 inline devices.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInterlocking Clip System:\u003c\/strong\u003e Multiple clips can link together to organize compatible devices side by side.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCable-Strain Support:\u003c\/strong\u003e Holds inline devices in position rather than leaving them hanging from cables.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCentral Mounting Hole:\u003c\/strong\u003e Provides an option for permanent screw-mounted installation.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAdaptable Surface Fit:\u003c\/strong\u003e Indented rear design supports placement on flat and rounded surfaces.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded Mounting Accessories:\u003c\/strong\u003e Comes with reusable ties, hook-and-loop straps, and mounting pads.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe DM Pro Clip uses a compact modular design with an interlocking mechanism for joining multiple clips. Its rear is indented to sit securely against flat or rounded mounting surfaces, and a rubber anti-slip mat provides additional stability. The design is intended to keep compatible sE inline devices supported, visible, and organized.\u003c\/p\u003e\u003cp\u003eInstall the DM Pro Clip by seating a compatible DM1, DM2, or DM3 device in the clip, then choose the mounting method that suits the rig. Use the central hole for a screw-mounted installation, or use the supplied reusable cable ties, hook-and-loop straps, rubber anti-slip mat, and hook-and-loop mat for flexible placement. It can be used on microphone stands, keyboard stands, DJ booths, pedalboards, racks, and other suitable setup surfaces.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669430558790,"sku":"DMPROCLIP","price":13.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/61wf1R2DZHL.jpg?v=1784502108"},{"product_id":"se-electronics-dual-pop-filter-microphone-pop-filter","title":"sE Electronics Dual Pop Filter Microphone Pop Filter","description":"\u003cp\u003eThe sE Electronics Dual Pop Filter is a microphone accessory designed to reduce vocal plosives before they reach the microphone capsule. It combines a professional metal pop shield with a conventional fabric membrane in one adjustable assembly. This provides a practical way to tailor pop control for spoken-word, podcast, broadcast, voice-over, and vocal-recording applications.\u003c\/p\u003e\u003cp\u003eIts hinged dual-screen construction lets the metal shield and fabric membrane be used independently or together. The metal screen is intended for transparent control of low-frequency air bursts, while the fabric layer can be added when a more traditional fabric-filtering approach is desired. This flexibility allows users to adapt the filter setup to the performer, microphone, and recording style.\u003c\/p\u003e\u003cp\u003eThe metal screen uses perforations and a slightly convex form to redirect low-frequency blasts away from the microphone path. This approach is designed to reduce disruptive plosive energy without attenuating high frequencies. The result is a cleaner vocal capture while retaining the detail of the performance.\u003c\/p\u003e\u003cp\u003eA stable gooseneck supports precise placement in front of the microphone and is designed to hold its position at different angles. This helps maintain a consistent recording setup during longer sessions or when adjusting the distance between the performer and microphone. The filter can be positioned to suit a range of studio microphone and stand arrangements.\u003c\/p\u003e\u003cp\u003eThe Dual Pop Filter is a useful upgrade for recording chains that need external plosive control without committing to only one screen material. It can complement a condenser, dynamic, or ribbon microphone setup where a suitable stand-mounted pop filter can be placed in front of the microphone. Its dual-material design gives engineers and creators a choice between metal filtering, fabric filtering, or both together.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDual-Screen Design:\u003c\/strong\u003e Uses metal and fabric screens in one hinged assembly.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThree Filtering Modes:\u003c\/strong\u003e Use metal, fabric, or both screens together.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConvex Metal Shield:\u003c\/strong\u003e Redirects low-frequency air blasts away from the microphone.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh-Frequency Preservation:\u003c\/strong\u003e Metal shield is designed not to attenuate highs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStable Gooseneck:\u003c\/strong\u003e Holds the pop filter at the selected angle.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVocal Recording Accessory:\u003c\/strong\u003e Helps reduce plosive sounds during close microphone use.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe Dual Pop Filter combines a standard fabric membrane with a professional metal pop shield on a hinged mechanism. Its metal screen has perforations and a slightly convex profile for redirecting low-frequency air blasts. The gooseneck design provides adjustable positioning while keeping the filter visually unobtrusive in a recording setup.\u003c\/p\u003e\u003cp\u003eAttach the filter assembly to a suitable microphone stand or boom using its integrated clamp, then position the selected screen between the performer and microphone. Start with the metal shield for transparent pop control, add the fabric membrane when additional filtering is wanted, and adjust the gooseneck to maintain a consistent position. Leave enough space between the filter and microphone so the screen can redirect breath bursts without contacting the microphone.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669430591558,"sku":"Dual Pop Filter","price":49.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/91YLtgSedQL.jpg?v=1784502141"},{"product_id":"se-electronics-dynacaster-dcm-6-dynamic-xlr-microphone","title":"sE Electronics DynaCaster DCM 6 Dynamic XLR Microphone","description":"\u003cp\u003eThe sE Electronics DynaCaster DCM 6 is a front-addressed dynamic XLR microphone designed for speech-focused recording, streaming, broadcasting, podcasting, and voiceover work. It combines a cardioid dynamic capsule with an integrated DYNAMITE preamp, pop filter, shockmount, and swivel stand mount. This all-in-one approach helps create a clean voice-recording setup with fewer separate microphone accessories.\u003c\/p\u003e\u003cp\u003eThe DCM 6 uses a custom dynamic capsule with a cardioid pickup pattern to focus on the person speaking in front of the microphone. Its 40 Hz to 18 kHz frequency range and speech-oriented voicing are intended to deliver clear, natural vocal reproduction. The front-addressed format makes placement straightforward for desktop booms, broadcast arms, and conventional microphone stands.\u003c\/p\u003e\u003cp\u003eA rear push button activates the built-in DYNAMITE preamp for an additional +30 dB of gain when +48V phantom power is supplied. This is useful with interfaces and mixers that may not provide ample gain for a typical dynamic microphone. With the preamp button disengaged, the DCM 6 operates as a passive dynamic microphone and does not require phantom power.\u003c\/p\u003e\u003cp\u003eFor close-miked voice capture, the integrated pop filter helps reduce plosive sounds before they reach the capsule. A removable external foam windscreen provides another layer of breath-noise and plosive control. The integrated shockmount helps isolate the capsule from handling vibration and stand-borne mechanical noise.\u003c\/p\u003e\u003cp\u003eThe DCM 6 connects through a standard 3-pin male XLR output, making it suitable for use with an XLR-equipped audio interface, mixer, recorder, or broadcast chain. Its high-swivel mount supports flexible positioning while the included thread adapter expands stand compatibility. It is a practical upgrade path for creators seeking a dynamic broadcast microphone with switchable onboard gain rather than a separate inline booster.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eIntegrated DYNAMITE Preamp:\u003c\/strong\u003e Switchable +30 dB gain can support low-output speech sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCardioid Dynamic Capsule:\u003c\/strong\u003e Focuses capture toward the front of the microphone.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFront-Addressed Design:\u003c\/strong\u003e Supports natural placement for speech and broadcast-style use.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIntegrated Pop Filter:\u003c\/strong\u003e Helps control plosive sounds during close vocal recording.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePatented Shockmount:\u003c\/strong\u003e Helps reduce vibration and handling noise at the capsule.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh-Swivel Stand Mount:\u003c\/strong\u003e Allows flexible aiming on stands and desk booms.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe DynaCaster DCM 6 uses an all-metal housing with a corrosion-free premium finish, a copper voice coil, and a neodymium magnet. Its integrated pop filter, shockmount, and stand mount keep the microphone profile compact for on-camera or desktop setups. The removable external foam windscreen can be used when additional breath-noise control is preferred.\u003c\/p\u003e\u003cp\u003eConnect the microphone's 3-pin male XLR output to a compatible balanced XLR cable and an XLR-equipped interface, mixer, or recorder. Push in the rear preamp button and enable +48V phantom power only when the extra +30 dB gain is needed; with the button out, the microphone works passively without phantom power. Use the included thread adapter as needed, then position the front of the microphone toward the speaker on a compatible stand or boom.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669430788166,"sku":"DynaCaster DCM 6","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/81s8FJXFbuL.jpg?v=1784502179"},{"product_id":"se-electronics-dynacaster-dcm-8-dynamic-microphone","title":"sE Electronics DYNACASTER DCM 8 Dynamic Microphone","description":"\u003cp\u003eThe sE Electronics DYNACASTER DCM 8 is a front-addressed cardioid dynamic microphone designed for broadcast-style voice capture, podcasting, livestreaming, recording, and instrument use. Its XLR-based design suits creators and musicians who use an audio interface, mixer, or microphone preamp rather than a USB microphone. The focused cardioid pickup pattern helps prioritize the source in front of the microphone while reducing pickup from the rear.\u003c\/p\u003e\u003cp\u003eFor voice work, the DCM 8 is built to provide a close, controlled presentation with onboard tools for adjusting the microphone's tonal starting point. Two recessed acoustic trim switches provide six available EQ configurations for tailoring low- and high-frequency character before software or console processing. This gives users practical adjustment options without requiring an external inline EQ for basic voicing changes.\u003c\/p\u003e\u003cp\u003eThe microphone includes sE's switchable DYNAMITE preamp, which provides an additional 30 dB of gain when engaged. The active mode requires 48V phantom power and is useful with interfaces or preamps that do not provide ample gain for a typical dynamic microphone. With the preamp switched off, the DCM 8 can be used as a conventional passive dynamic microphone.\u003c\/p\u003e\u003cp\u003eA DMC8 dynamic capsule with an aluminum voice coil and neodymium magnet supports a stated 20 Hz to 19 kHz frequency range. The microphone is front-addressed, making it well suited to boom-arm and desk-mounted setups where the speaker addresses the end of the mic. Its integrated capsule shock-absorption system is designed to reduce the need for a separate external shockmount.\u003c\/p\u003e\u003cp\u003eThe DCM 8 combines several useful recording accessories into its body, including an internal three-layer pop filter and an integrated stand mount with a wide swivel range. The internal pop filter is removable for cleaning, while an external windscreen is also supplied for users who prefer additional wind protection. Its all-metal housing, XLR output, included thread adapter, and boom-arm compatibility make it a practical fit for podcast, streaming, studio, vocal, and instrument-recording systems.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable DYNAMITE Preamp:\u003c\/strong\u003e Adds 30 dB of gain when powered by 48V phantom power.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCardioid Dynamic Capsule:\u003c\/strong\u003e Focuses on the source in front of the microphone.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSix EQ Configurations:\u003c\/strong\u003e Recessed acoustic trim switches tailor low and high frequencies.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIntegrated Shock Absorption:\u003c\/strong\u003e Helps reduce vibration and handling-related mechanical noise.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThree-Layer Pop Filter:\u003c\/strong\u003e Helps control plosives without an external pop filter.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFront-Addressed XLR Design:\u003c\/strong\u003e Works with interfaces, mixers, stands, and broadcast boom arms.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe DCM 8 uses an all-metal housing with a matte black finish, a gold-plated 3-pin male XLR connector, and a black external windscreen. Its front-addressed body incorporates the capsule shock-absorption system, internal pop filter, recessed control switches, and stand mount into one microphone assembly. The rear-mounted controls are recessed to help protect settings during transport and regular use.\u003c\/p\u003e\u003cp\u003eConnect the microphone to an audio interface, mixer, or microphone preamp using a balanced XLR-to-XLR microphone cable. Enable 48V phantom power only when using the DYNAMITE preamp; the active preamp mode draws 3.0 mA and requires phantom power delivered through XLR connections. Mount the microphone on a compatible stand or broadcast boom arm using its integrated mount and supplied thread adapter, then position the front of the microphone toward the speaker or sound source.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669430820934,"sku":"DYNACASTER DCM 8","price":286.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/81pvDs1FtHL.jpg?v=1784502219"},{"product_id":"se-electronics-gemini-ii-dual-tube-condenser-microphone","title":"sE Electronics GEMINI II Dual-Tube Condenser Microphone","description":"\u003cp\u003eThe sE Electronics GEMINI II is a large-diaphragm, cardioid tube condenser microphone designed for professional recording of vocals and instruments. It provides a dedicated studio microphone option for users who want tube-based character while retaining clear high-frequency detail. Its cardioid pickup pattern helps focus on the intended source and reduce pickup from the rear.\u003c\/p\u003e\u003cp\u003eThe GEMINI II is suited to vocal recording, acoustic instruments, electric guitar cabinets, drum rooms, piano, brass, woodwinds, strings, and orchestral work. Its switchable pad supports close placement and high-SPL sources, while its low-cut filter helps manage rumble, plosives, and proximity-effect buildup. This makes it adaptable for both detailed close-miking and broader room applications.\u003c\/p\u003e\u003cp\u003eIts sound design combines a 12AX7\/ECC83 input tube with a 12AU7\/ECC82 output-stage tube. The second tube performs the output-stage role typically handled by a transformer, supporting the microphone's extended high-frequency response. The result is a tube condenser design intended to balance weight and warmth with articulation.\u003c\/p\u003e\u003cp\u003eA handcrafted 1.4-inch true condenser capsule and gold-sputtered Mylar diaphragm form the core of the GEMINI II's capture system. The microphone has a 20 Hz to 20 kHz frequency range, 40 mV\/Pa sensitivity, and an equivalent noise level of 13 dB(A). Its 200-ohm electrical impedance is designed for connection to microphone preamps or audio interfaces with an input load above 1 k ohm.\u003c\/p\u003e\u003cp\u003eThe GEMINI II is a complete tube microphone system rather than a standalone XLR microphone. It uses the included floor-box power supply and 8-pin microphone cable, with the floor box connecting to a preamp, mixer, or audio interface through XLR. It is a practical upgrade path for recording setups that need a dedicated large-diaphragm tube microphone with its own external power system.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDual-Tube Circuit:\u003c\/strong\u003e Uses 12AX7 and 12AU7 tubes for tube-based input and output stages.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.4-Inch True Condenser Capsule:\u003c\/strong\u003e Handcrafted large-diaphragm capsule captures detailed studio recordings.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCardioid Polar Pattern:\u003c\/strong\u003e Focuses pickup toward the source while reducing rear pickup.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable -10 dB Pad:\u003c\/strong\u003e Helps accommodate close-miked and high-SPL sound sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e150 Hz Low-Cut Filter:\u003c\/strong\u003e Reduces rumble, plosives, footfall noise, and proximity-effect buildup.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded External Power Supply:\u003c\/strong\u003e Powers the tube microphone without interface phantom power.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe GEMINI II uses a hand-made all-metal housing, gold-sputtered Mylar diaphragm, and gold-plated XLR connector. The microphone measures 80 mm in diameter and 220 mm long, with a weight of 1,180 g. A custom shock mount, wooden presentation box, and flight case are included to support placement, storage, and transport.\u003c\/p\u003e\u003cp\u003eMount the microphone securely with the included custom shock mount and connect it to the included floor box using the supplied 8-pin cable. Connect the floor box to a microphone preamp, mixer, or audio interface with an XLR cable, then connect the IEC power cable before switching on the power supply. Do not use external +48V phantom power, and allow approximately 15 minutes of warm-up time before recording for stable tube operation.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669430853702,"sku":"GEMINI II","price":1641.76,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/81RJ6bUIlUL.jpg?v=1784502258"},{"product_id":"se-electronics-guitarf-guitar-amp-isolation-filter","title":"sE Electronics guitaRF Guitar Amp Isolation Filter","description":"\u003cp\u003eThe sE Electronics guitaRF is a guitar amplifier microphone isolation filter and dual-microphone positioning system for live performance and recording. It combines a curved Reflexion Filter-style acoustic panel with integrated microphone mounting hardware, reducing the need for separate stands and mounting accessories around a guitar cabinet. It is intended to help control bleed and nearby room reflections when close-miking amplified instruments.\u003c\/p\u003e\u003cp\u003eThis system is designed for guitarists, engineers, and live sound crews who want to use two microphones on one source while keeping their placement controlled. Its integrated mounts accommodate a large-diaphragm condenser or ribbon microphone alongside a dynamic or small-capsule microphone. This makes it practical for blending different microphone characters, such as a center-of-dust-cap dynamic mic with a ribbon aimed toward the cone edge.\u003c\/p\u003e\u003cp\u003eThe guitaRF is built to help create a more focused capture in loud rehearsal rooms, studios, and onstage environments. The filter helps reduce spill from surrounding instruments while the dual-mic arrangement supports repeatable placement. It can be useful when recording separate microphone tracks for later tonal blending and phase adjustment.\u003c\/p\u003e\u003cp\u003eIts acoustic filter uses four layers: a vented composite outer panel, acoustic-grade wool, an air gap, and inner acoustic foam. The air gap is designed to support low-frequency isolation, while the remaining layers help manage reflections around the microphones. This construction is paired with an integrated hardware assembly that adjusts across vertical, horizontal, and depth axes.\u003c\/p\u003e\u003cp\u003eThe guitaRF fits into electric-guitar, bass-cabinet, acoustic-instrument, drum, and vocal recording setups where microphone isolation is useful. The detachable base allows it to stand independently, while the filter can also mount to a compatible microphone stand. A rear cable-clip bracket helps route one or two microphone cables and reduce the chance that cable movement changes microphone placement.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFour-Layer Acoustic Filter:\u003c\/strong\u003e Uses composite, wool, air-gap, and foam layers to help manage reflections and bleed.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIntegrated Dual Mic Mount:\u003c\/strong\u003e Holds two complementary microphones for blended cabinet or instrument capture.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThree-Axis Adjustment:\u003c\/strong\u003e Adjusts microphone position vertically, horizontally, and in depth for precise placement.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePass-Through Mic Holder:\u003c\/strong\u003e Rubber-finned pass-through mount grips a dynamic or small-capsule microphone.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDetachable Floor Base:\u003c\/strong\u003e Can stand beside an amplifier or be removed for mic-stand mounting.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCable Management Bracket:\u003c\/strong\u003e Secures one or two microphone cables behind the filter to help preserve placement.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe guitaRF is hand-made by sE Electronics and combines an acoustic filter panel with dedicated microphone-positioning hardware. Its integrated design includes a threaded hanging mount for a condenser or ribbon microphone, a pass-through holder for a dynamic or small-capsule microphone, and a detachable floor base. The filter's four-layer construction uses a vented composite panel, acoustic-grade wool, an air gap, and acoustic foam.\u003c\/p\u003e\u003cp\u003eFor freestanding use, attach the vertical standoff to the filter and secure it in the base. The guitaRF can alternatively mount to a standard 5\/8-inch microphone-stand thread or a 3\/8-inch thread with the included adapter. Use the adjustment hardware to align the two microphone capsules, then attach the included rear cable clips to help keep cables from shifting the setup; conventional vertical mic stands are the recommended mounting choice.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669431017542,"sku":"guitaRF","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/81EQk4zP-IL.jpg?v=1784502296"},{"product_id":"se-electronics-isolation-pack-shock-mount-pop-filter","title":"sE Electronics ISOLATION PACK Shock Mount \u0026 Pop Filter","description":"\u003cp\u003eThe sE Electronics ISOLATION PACK combines a microphone shock mount and an integrated metal pop filter for cleaner vocal and spoken-word recording. It is designed to reduce mechanical vibration reaching the microphone while helping control plosive air bursts. The result is a more controlled recording setup without adding a separate pop screen to the mic stand.\u003c\/p\u003e\u003cp\u003eThis accessory is intended for owners of compatible sE Electronics large-diaphragm microphones, including X1 Series and sE2200 Series models. It is useful for home studios, project studios, podcast spaces, voiceover setups, and other close-miking applications. The pack gives a compatible microphone a more complete recording-ready mounting solution.\u003c\/p\u003e\u003cp\u003eThe shock mount helps decouple the microphone from stand-borne vibration, handling noise, and low-frequency rumble. Its quick-release mechanism lets the user insert or remove a compatible microphone with a twist rather than conventional mounting screws. This can make microphone changes and storage more convenient in active recording spaces.\u003c\/p\u003e\u003cp\u003eThe adjustable metal pop filter is built into the assembly but can be removed when it is not needed. Its shaped, perforated metal screen redirects low-frequency breath blasts away from the capsule area while preserving vocal detail. Unlike a fabric screen, the metal filter is durable and can be cleaned after regular studio use.\u003c\/p\u003e\u003cp\u003eThe ISOLATION PACK works as a focused upgrade for a compatible sE microphone that is being used for vocals, speech, or close recording. Pair it with a suitable microphone stand and compatible X1 Series, sE2200 Series, or Magneto microphone. It is also supplied with select sE microphone bundles, including the X1 S Vocal Pack and X1 S Studio Bundle.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eIntegrated Isolation System:\u003c\/strong\u003e Combines a shock mount and pop filter in one accessory.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQuick-Release Mount:\u003c\/strong\u003e Enables fast microphone insertion and removal with a twist.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMetal Pop Filter:\u003c\/strong\u003e Uses a durable metal screen instead of fabric.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAdjustable Filter Position:\u003c\/strong\u003e Pop filter moves vertically to suit compatible microphones.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRemovable Pop Filter:\u003c\/strong\u003e Filter can be detached from the shock mount.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompatible sE Fit:\u003c\/strong\u003e Designed for compatible X1, sE2200, and Magneto microphones.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe ISOLATION PACK uses a black shock-mount assembly with an all-metal adjustable pop filter. The metal screen is shaped to direct low-frequency air blasts to the sides rather than directly toward the microphone. Its durable construction is intended for repeated positioning and regular studio handling.\u003c\/p\u003e\u003cp\u003eInstall the pack on an appropriate microphone stand, then use the quick-release mechanism to secure a compatible microphone. Position the pop filter in front of the microphone for vocals and speech, adjusting its height as needed; remove it when a pop screen is unnecessary. This accessory is a physical mounting and filtering solution and does not require power, signal wiring, or software setup.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669431050310,"sku":"ISOLATION PACK","price":49.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/81KRSWwoFNL.jpg?v=1784502334"},{"product_id":"se-electronics-metal-pop-filter-microphone-pop-screen","title":"sE Electronics Metal Pop Filter Microphone Pop Screen","description":"\u003cp\u003eThe sE Electronics Metal Pop Filter is a studio microphone accessory designed to reduce distracting plosive bursts during vocal recording. It places a shaped metal screen between the performer and microphone to redirect sudden air blasts from sounds such as “P” and “B.” This helps keep low-frequency pops from reaching the microphone capsule while maintaining a clean recording setup.\u003c\/p\u003e\u003cp\u003eIt is suited to singers, voice-over artists, podcasters, broadcasters, and home-studio users working with stand-mounted microphones. The universal mounting bracket is intended to fit a wide range of microphone stands and recording arrangements. Its flexible gooseneck allows the screen to be placed where it is needed in front of the mic.\u003c\/p\u003e\u003cp\u003eRather than using a conventional fabric membrane, this filter uses a perforated metal mesh screen with louvered openings. The slightly convex screen design redirects low-frequency breath energy toward the sides of the filter. sE Electronics states that this approach avoids attenuating high frequencies, helping preserve vocal detail.\u003c\/p\u003e\u003cp\u003eThe Metal Pop Filter has an all-metal construction, including its screen and gooseneck, for a durable alternative to fabric pop shields. Its black finish and slim profile keep the filter visually unobtrusive in studio, podcast, and voice-recording spaces. The gooseneck is designed to hold its position at different angles after adjustment.\u003c\/p\u003e\u003cp\u003eThis accessory can be added to an existing microphone stand, boom, or vocal-recording station without changing the microphone, interface, or signal chain. It works as a practical front-end recording accessory for close vocal work where plosive control is needed before audio reaches the microphone. A separate microphone, stand, and recording equipment are required for a complete recording setup.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eLouvered Metal Screen:\u003c\/strong\u003e Redirects breath blasts away from the microphone path.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConvex Screen Profile:\u003c\/strong\u003e Guides low-frequency air energy toward the sides.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh-Frequency Transparency:\u003c\/strong\u003e Designed to avoid dulling vocal high-frequency detail.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAll-Metal Construction:\u003c\/strong\u003e Provides a durable alternative to fabric pop shields.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFlexible Gooseneck:\u003c\/strong\u003e Allows precise screen placement in front of a microphone.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUniversal Mounting Bracket:\u003c\/strong\u003e Attaches to a variety of microphone stand setups.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe Metal Pop Filter uses a black perforated metal screen, metal gooseneck, and universal mounting bracket. Its screen is louvered at an angle and formed with a slight convex shape rather than using a flat fabric membrane. The durable metal construction is intended for repeated positioning in recording environments.\u003c\/p\u003e\u003cp\u003eAttach the mounting bracket to a suitable microphone stand or boom, then bend the gooseneck to position the screen between the vocalist and microphone. Adjust the filter so it sits directly in the path of breath blasts without contacting the microphone or obstructing access to controls. The filter is intended for use with microphones and a stand; neither is included with the pop filter.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669431083078,"sku":"Metal Pop Filter","price":39.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/81gc_KzsGhL.jpg?v=1784502371"},{"product_id":"se-electronics-mp01-6p-6-pack-nylon-microphone-pouches","title":"sE Electronics MP01-6P 6-Pack Nylon Microphone Pouches","description":"\u003cp\u003eThe sE Electronics MP01-6P is a six-pack of zippered nylon pouches made to store and transport compatible microphones. It provides an organized, low-bulk way to separate microphones from cables, clips, and other gear inside a case or gig bag. The pack is intended for performers, engineers, studios, and other users who routinely move multiple microphones.\u003c\/p\u003e\u003cp\u003eEach pouch helps shield a microphone from dust, dirt, scuffs, and routine handling during storage or travel. The zippered design keeps the microphone enclosed while allowing quick access when setting up or packing down. This makes the MP01-6P a practical accessory for microphone collections used on stage, in studios, or between locations.\u003c\/p\u003e\u003cp\u003eThe MP01 pouches are made from rugged nylon fabric and are described by sE Electronics as hand-made. Their straightforward construction focuses on storage protection rather than changing the sound or operation of the microphone inside. Because they are passive storage accessories, they do not require power, wiring, or signal connections.\u003c\/p\u003e\u003cp\u003eThe pouches are designed for sE dynamic and small-diaphragm condenser microphones, including models such as the V7, V3, V7 X, V KICK, and V BEAT. Using individual pouches can help keep multiple microphones separated and easier to identify in a shared equipment case. The six-pouch quantity is useful for users building or maintaining a multi-microphone kit.\u003c\/p\u003e\u003cp\u003eThe MP01-6P fits naturally into a broader microphone storage and transport setup. Use the pouches to protect individual microphones before placing them in a larger road case, drawer, backpack, or gig bag. They are an accessory upgrade for users who need consistent storage for a group of compatible sE microphones.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSix-Pouch Pack:\u003c\/strong\u003e Includes six individual pouches for organizing multiple microphones.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRugged Nylon Fabric:\u003c\/strong\u003e Helps protect stored microphones from dust, dirt, and scuffs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eZipper Closure:\u003c\/strong\u003e Keeps each microphone enclosed during storage and transport.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHand-Made Construction:\u003c\/strong\u003e Built with attention to fit and everyday durability.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompatible sE Fit:\u003c\/strong\u003e Intended for select sE dynamic and small-diaphragm microphones.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLow-Bulk Storage:\u003c\/strong\u003e Fits easily inside larger microphone cases and gig bags.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eEach MP01 pouch uses a durable nylon exterior with a secure zipper closure and a simple professional appearance. The design is intended to protect compatible microphones from everyday storage and transport wear without the bulk of a hard case. Six matching pouches make it easier to keep a microphone collection consistently organized.\u003c\/p\u003e\u003cp\u003eNo installation, mounting, wiring, or power connection is required. Open the zipper, place one compatible microphone inside, and close the pouch before storing it in a larger case or bag. For the most practical use, keep microphones dry and clean before storage and use one pouch per microphone.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669431148614,"sku":"MP01-6P","price":25.2,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/611IvEIHhQL.jpg?v=1784502405"},{"product_id":"se-electronics-mp02-6p-leatherette-microphone-pouches-6-pack","title":"sE Electronics MP02-6P Leatherette Microphone Pouches, 6-Pack","description":"\u003cp\u003eThe sE Electronics MP02-6P is a six-pack of zippered microphone storage pouches designed to help keep compatible microphones protected between sessions, shows, and transport. Each pouch provides a compact barrier against dust, dirt, and surface scuffs. It is a practical accessory for musicians, engineers, studios, and production teams managing multiple microphones.\u003c\/p\u003e\u003cp\u003eOriginally developed to protect the polished finishes of the sE V7 Billy Gibbons Signature and V7 CHROME microphones, the MP02 format is also suited to select sE dynamic and instrument microphones. Compatible models include the V7, V3, V7 X, V KICK, and V BEAT. The tailored pouch format helps keep a microphone contained rather than loose inside a larger case or gig bag.\u003c\/p\u003e\u003cp\u003eThese pouches do not alter a microphone's sound or electrical performance; their role is organized storage and physical finish protection. The soft leatherette exterior is intended to reduce contact with dust and minor handling marks while maintaining a clean presentation. A zipper closure provides straightforward access when microphones need to move quickly from storage to use.\u003c\/p\u003e\u003cp\u003eThe MP02-6P uses vegan leatherette with a black exterior and handcrafted construction. This material gives the pouches a leather-like look while remaining easy to clean for regular touring, rehearsal, or studio use. Precise stitching and zippered closure support repeatable everyday handling.\u003c\/p\u003e\u003cp\u003eWith six pouches in one package, the MP02-6P can be used to standardize storage across a microphone locker. It works well as a complement to a larger road case, drawer system, or gig bag where individual microphones benefit from separate protection. The set is especially useful for users who keep several compatible sE handheld or instrument microphones in rotation.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSix-Pouch Pack:\u003c\/strong\u003e Includes six individual pouches for organizing multiple compatible microphones.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVegan Leatherette Exterior:\u003c\/strong\u003e Provides a leather-like finish that is durable and easy to clean.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eZippered Closure:\u003c\/strong\u003e Keeps each stored microphone enclosed during storage and transport.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHandcrafted Construction:\u003c\/strong\u003e Uses carefully finished stitching and pouch assembly for regular handling.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompatible sE Mic Fit:\u003c\/strong\u003e Suited to V7, V3, V7 X, V KICK, and V BEAT models.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFinish Protection:\u003c\/strong\u003e Helps shield microphones from dust, dirt, and surface scuffs.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe MP02-6P pouches use a black faux-leather, vegan leatherette exterior with a compact rectangular profile and zipper closure. Their handcrafted design prioritizes a clean appearance and portable protection without adding the bulk of a hard case. The listed exterior dimensions are 9.45 x 4.33 inches.\u003c\/p\u003e\u003cp\u003eNo mounting, wiring, power, or audio setup is required. Place one compatible microphone inside each pouch and fully close the zipper before storing it in a larger case, rack drawer, backpack, or gig bag. For the most organized use, assign a pouch to each microphone and keep related clips or small accessories separately unless their fit has been confirmed.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669431312454,"sku":"MP02-6P","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/71Ape5yXIKL.jpg?v=1784502446"},{"product_id":"se-electronics-mp03-wireless-capsule-pouch-thread-cover","title":"sE Electronics MP03 Wireless Capsule Pouch \u0026 Thread Cover","description":"\u003cp\u003eThe sE Electronics MP03 is a protective storage pouch and thread-cover set made for V7 MC1 and V7 MC2 wireless microphone capsules. It helps keep a detached capsule contained and protected during storage, transport, and changeovers between performances. The compact accessory is intended for performers, engineers, and production teams using compatible sE wireless capsules.\u003c\/p\u003e\u003cp\u003eThe MP03 addresses common handling risks for removable microphone capsules, including dust, surface scratches, and exposure of the mounting threads while the capsule is off its transmitter. Its fitted pouch provides a dedicated place to store one capsule rather than leaving it loose in a gig bag or equipment case. A hook-and-loop closure helps keep the pouch closed during transport.\u003c\/p\u003e\u003cp\u003eBecause the MP03 is a protective accessory rather than an audio component, it does not alter the capsule's frequency response, polar pattern, output level, or wireless-system performance. Its role is to help preserve the physical condition of the capsule between uses. This makes it a practical companion for users who routinely remove capsules from compatible handheld transmitters.\u003c\/p\u003e\u003cp\u003eThe pouch is constructed from nylon and uses a compact, lightweight format suited to mobile audio work. A padded interior and tailored fit help limit unwanted movement of the capsule inside the pouch. The included thread cover protects the capsule connection area when the capsule is not installed.\u003c\/p\u003e\u003cp\u003eUse the MP03 as part of a complete wireless-microphone care routine alongside the V7 MC1 or V7 MC2 capsule and its compatible handheld transmitter. Store the capsule in the pouch after removal, fit the thread cover before transport, and keep the accessory in a microphone case, rack drawer, or gig bag. It is an accessory upgrade for capsule protection, not a replacement capsule or wireless transmitter.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eV7 Capsule Compatibility:\u003c\/strong\u003e Designed for sE Electronics V7 MC1 and V7 MC2 wireless microphone capsules.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNylon Pouch:\u003c\/strong\u003e Durable nylon construction helps protect a stored capsule from dust and everyday handling wear.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePadded Interior:\u003c\/strong\u003e A padded, custom-fit interior helps reduce movement while the capsule is stored.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHook-And-Loop Closure:\u003c\/strong\u003e The pouch closure helps keep the capsule securely contained during transport.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThread Cover Included:\u003c\/strong\u003e A separate cover protects the capsule mounting threads when it is off the transmitter.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompact Storage:\u003c\/strong\u003e The small pouch format fits easily into a gig bag, equipment case, or accessory drawer.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe MP03 combines a black nylon exterior, padded interior, and hook-and-loop closure in a purpose-built pouch for one compatible V7 wireless capsule. Its included thread cover is designed for use with both MC1 and MC2 capsules. The accessory is intended for physical protection during storage and transport rather than for modifying microphone sound or operation.\u003c\/p\u003e\u003cp\u003eTo use it, remove the compatible V7 MC1 or V7 MC2 capsule from its handheld transmitter, install the thread cover over the capsule connection threads, and place the capsule in the pouch before closing it. Keep the pouch in a clean, dry equipment case or gig bag between performances. Confirm that the capsule is compatible with your transmitter separately, as the MP03 itself does not provide transmitter compatibility.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669431345222,"sku":"MP03","price":17.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/914rrfUvqnL.jpg?v=1784502478"},{"product_id":"se-electronics-neom-usb-cardioid-usb-condenser-microphone","title":"sE Electronics NEOM USB Cardioid USB Condenser Microphone","description":"\u003cp\u003eThe sE Electronics NEOM USB is a plug-and-play USB condenser microphone for recording, streaming, podcasting, voice chat, and mobile content creation. Its integrated USB audio interface connects directly to compatible computers and mobile devices without requiring a separate microphone preamp or audio interface. It is designed for creators who want a compact desktop recording solution with direct headphone monitoring.\u003c\/p\u003e\u003cp\u003eA 16 mm back-electret condenser capsule and cardioid pickup pattern focus capture toward the front of the microphone while reducing sound arriving from the sides and rear. This makes the NEOM USB suited to close-miked speech, vocals, acoustic instruments, and other single-source recording tasks. The microphone is side-addressed, so the speaker or performer addresses the front surface above the controls rather than the top.\u003c\/p\u003e\u003cp\u003eThe integrated converter supports 24-bit recording and sample rates up to 192 kHz. Lower supported rates are also available for typical recording and streaming workflows, including 44.1 kHz and 48 kHz. For most applications, sE recommends using 48 kHz at 24-bit resolution.\u003c\/p\u003e\u003cp\u003eFront-panel controls make it possible to set microphone gain and create a personal headphone balance without changing the signal heard by an audience. Separate Mic Level and Playback Level controls adjust the direct microphone signal and computer playback in the headphone mix. A rear 1\/8-inch headphone output provides direct monitoring, while the illuminated sE logo functions as a mute button.\u003c\/p\u003e\u003cp\u003eThe NEOM USB includes a metal desktop stand, microphone clip, thread adapter, and USB-C to USB-A cable for a ready-to-use desktop setup. The clip can be removed for use with a full-size microphone stand, making the microphone adaptable to a desk, boom arm, or studio stand. For mobile and USB-C host devices, the appropriate USB-C, Lightning, or micro-USB cable or adapter may be needed.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e16 mm Cardioid Capsule:\u003c\/strong\u003e Captures a focused front-facing source while reducing pickup from the sides and rear.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24-Bit \/ 192 kHz Audio:\u003c\/strong\u003e Supports high-resolution digital recording through its built-in USB audio interface.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirect Headphone Monitoring:\u003c\/strong\u003e The 1\/8-inch headphone output lets users monitor from the microphone rather than computer audio.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIndependent Monitor Mix:\u003c\/strong\u003e Mic Level and Playback Level controls adjust the headphone blend independently.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUSB-C Connectivity:\u003c\/strong\u003e Connects to compatible Mac, Windows, iOS, and Android devices with suitable cables or adapters.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIntegrated Shock Isolation:\u003c\/strong\u003e The internally mounted capsule helps reduce rumble and handling-related vibration.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe NEOM USB combines a 16 mm back-electret condenser capsule with an internal shock-mount system in a compact side-address microphone body. Its included desktop stand is metal and uses rubber feet to help minimize vibration transfer from the desk. The microphone also provides an LED gain indication and a logo-mounted mute control for clear operational feedback.\u003c\/p\u003e\u003cp\u003eConnect the microphone to a compatible USB-equipped computer or mobile device, then select it as the input and output device in the recording or streaming software as needed. Use the included USB-C to USB-A cable for USB-A hosts; USB-C, Lightning, or micro-USB devices require the appropriate cable or adapter. Position the front of the microphone about 6 inches from the speaker or singer, set gain so the LED does not flash red, and use a pop filter when recording vocals if desired.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669431377990,"sku":"NEOM USB","price":95.38,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/71JqASMCXqL.jpg?v=1784502516"},{"product_id":"se-electronics-rf-pro-reflexion-filter-microphone-shield","title":"sE Electronics RF PRO Reflexion Filter Microphone Shield","description":"\u003cp\u003eThe sE Electronics RF PRO is a stand-mounted portable acoustic treatment filter designed to reduce the room reflections that can reach a recording microphone. It creates a more controlled capture area behind and around the microphone, helping the direct vocal or instrument signal remain the focus. It is well suited to home studios, voice-over setups, mobile recording rigs, rehearsal spaces, and studio rooms that need additional localized acoustic control.\u003c\/p\u003e\u003cp\u003eRather than functioning as a complete soundproof booth, the RF PRO helps limit reflected sound from nearby walls and surfaces from returning to the microphone. This can be useful when recording vocals, acoustic instruments, guitar cabinets, drums, and other sources in imperfect rooms. The result is intended to be a drier, more focused recording that can be shaped further during mixing.\u003c\/p\u003e\u003cp\u003eThe RF PRO uses sE's patented nine-layer acoustic design, developed to absorb and diffuse reflections across the frequency spectrum. Its multi-layer construction is intended to avoid the uneven high-frequency-only absorption associated with simple foam shields. This makes it a practical recording accessory when the goal is controlled ambience without permanently altering the room.\u003c\/p\u003e\u003cp\u003eIts redesigned mounting hardware attaches to a microphone stand and provides pan, tilt, forward\/back positioning, and microphone placement adjustment. The included standoff lets a microphone in a compatible clip or shockmount mount to the assembly. Proper balancing keeps the combined filter and microphone weight centered above the stand for stable use.\u003c\/p\u003e\u003cp\u003eThe RF PRO can fit into a recording system alongside a favorite microphone, shockmount, pop filter, audio interface, and DAW. It is useful as a portable complement to broader room treatment, especially when a fixed vocal booth is not available. A sturdy conventional vertical microphone stand is the preferred foundation for the setup.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eNine-Layer Acoustic Design:\u003c\/strong\u003e Uses patented multi-layer treatment to manage reflected sound around the microphone.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePortable Acoustic Control:\u003c\/strong\u003e Adds localized reflection control without permanent room installation.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAdjustable Mounting Hardware:\u003c\/strong\u003e Supports pan, tilt, and forward\/back positioning for practical placement.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMicrophone Standoff:\u003c\/strong\u003e Provides a mounting point for a compatible microphone clip or shockmount.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStand-Mounted Format:\u003c\/strong\u003e Attaches to a conventional microphone stand for mobile recording setups.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBroad Recording Use:\u003c\/strong\u003e Intended for vocals, instruments, amplifiers, drums, and room-mic applications.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe RF PRO uses a durable professional-style filter and mounting assembly, with metal clamps and chromatized moving hardware components intended to reduce wear. The filter is hand-assembled by sE Electronics. Its curved enclosure places the acoustic treatment behind the microphone, where it can help manage reflections returning toward the capsule.\u003c\/p\u003e\u003cp\u003eMount the bracket securely to a sturdy vertical microphone stand, install the support rod and filter, then attach the microphone with a compatible clip or shockmount. The included thread adapter is required for 5\/8-inch U.S.-standard threaded mounts. Position the microphone capsule approximately even with the front edge of the filter, then adjust the assembly so its center of gravity remains directly above the stand.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669431410758,"sku":"RF PRO","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/913e4GMDoPL.jpg?v=1784502571"},{"product_id":"se-electronics-rf-pro-black-microphone-isolation-shield","title":"sE Electronics RF Pro Black Microphone Isolation Shield","description":"\u003cp\u003eThe sE Electronics RF Pro Black is a portable acoustic treatment filter designed to mount behind a microphone. It helps reduce room reflections that can reach the microphone during vocal, voice-over, podcast, and instrument recording. It is intended for creators working in home studios, professional rooms, and mobile recording setups.\u003c\/p\u003e\u003cp\u003eA microphone can capture reflected sound from nearby walls and surfaces in addition to the intended voice or instrument. The RF Pro Black places a curved, multi-layer acoustic barrier behind the microphone to help limit those reflections. This supports a more controlled capture before recording reaches the interface, mixer, or recorder.\u003c\/p\u003e\u003cp\u003eThe RF Pro uses sE's patented nine-layer acoustic design, developed to work across the frequency spectrum rather than concentrating only on upper frequencies. Its stated goal is balanced absorption and diffusion with minimal tonal change. Approximate coloration is specified at 1 dB.\u003c\/p\u003e\u003cp\u003eThis model is suited to vocals, acoustic guitar, guitar and bass cabinets, piano, strings, woodwinds, brass, kick drum, and room-microphone applications. It can be useful where permanent acoustic treatment is not practical or where an additional degree of isolation is desired. The filter does not replace careful microphone selection, placement, or full-room acoustic treatment.\u003c\/p\u003e\u003cp\u003eThe updated mounting hardware provides adjustable placement for the filter and microphone assembly. Pan, tilt, distance, and height adjustments help align the microphone with the shield and keep the system balanced over the stand. The RF Pro Black includes the hardware needed to mount it to a conventional microphone stand.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eNine-Layer Acoustic Design:\u003c\/strong\u003e Uses multiple acoustic layers to help manage reflections across a broad frequency range.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePortable Treatment:\u003c\/strong\u003e Adds localized acoustic control without requiring permanent room installation.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlack Finish:\u003c\/strong\u003e Features matte black acoustic fabric and a black perforated aluminum rear panel.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAdjustable Mounting Hardware:\u003c\/strong\u003e Supports pan, tilt, and positioning adjustments for practical microphone placement.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFull-Metal Construction:\u003c\/strong\u003e Uses robust metal components for repeated studio and mobile use.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBroad Recording Use:\u003c\/strong\u003e Designed for vocals and a range of close-miked instrument applications.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe RF Pro Black combines a curved acoustic screen with an all-metal mounting system. Its black version uses special matte black acoustic fabric behind a black perforated aluminum rear panel. The moving hardware components are chromatized to support low wear during adjustment.\u003c\/p\u003e\u003cp\u003eAttach the stand clamp to a sturdy conventional vertical microphone stand, then install the filter support rod and mounting assembly. Mount the microphone using its clip or shockmount and the included standoff, using the included adapter for 5\/8-inch U.S.-standard threaded mounts. Position the microphone capsule approximately level with the filter's front edge, then adjust the assembly so its combined center of gravity is directly over the stand.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669434490950,"sku":"RF Pro Black","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/913d6wIrfyL.jpg?v=1784502642"},{"product_id":"se-electronics-rf-space-microphone-reflexion-filter","title":"sE Electronics RF SPACE Microphone Reflexion Filter","description":"\u003cp\u003eThe sE Electronics RF SPACE is a portable microphone Reflexion Filter designed to reduce the influence of room reflections during recording. It mounts behind and around a microphone to help create a more controlled acoustic area in spaces that are not fully treated. It is suited to studio, home-studio, mobile-recording, podcast, and voice-over setups.\u003c\/p\u003e\u003cp\u003eRather than functioning as a complete soundproof booth, the RF SPACE is intended to manage reflections that can reach the microphone from nearby room surfaces. This can help keep the recorded source more direct and consistent when tracking vocals or instruments. Its large format also makes it appropriate for larger microphones and varied recording positions.\u003c\/p\u003e\u003cp\u003eThe RF SPACE uses sE Electronics' patented multi-layer acoustic design with deeper air gaps and multiple acoustic elements. Its construction combines absorption, isolation, and diffusion to address room influence across the frequency spectrum. The design is intended to maintain a balanced, acoustically neutral environment around the microphone.\u003c\/p\u003e\u003cp\u003eSpecialized mounting hardware provides horizontal, vertical, and tilt adjustment, with lockable positioning once the microphone and filter are aligned. The assembly can be fitted to microphone stands or drum hardware. This flexibility supports vocal tracking as well as close-miking applications on instruments, amplifiers, and drums.\u003c\/p\u003e\u003cp\u003eFor a recording setup, the RF SPACE works alongside a microphone, suitable stand, audio interface or preamp, and recording software. It is not a substitute for broader room treatment, but it can be a practical acoustic-control addition where permanent treatment is unavailable or where a portable solution is preferred. Sealable sandbags are included to help support the mic stand if needed, though sand is not supplied.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePatented Multi-Layer Design:\u003c\/strong\u003e Combines multiple acoustic layers and air gaps to help manage room reflections around the microphone.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLarge Reflexion Filter Format:\u003c\/strong\u003e Provides a larger acoustic-control surface than the RF Pro and RF-X models.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFull-Bandwidth Acoustic Control:\u003c\/strong\u003e Uses absorption, isolation, and diffusion rather than a single foam-only approach.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAdjustable Mounting Hardware:\u003c\/strong\u003e Supports lockable horizontal, vertical, and angled positioning for precise placement.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMic Stand And Drum Hardware Mounting:\u003c\/strong\u003e Lets the filter adapt to conventional recording stands and drum hardware.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHand-Built Construction:\u003c\/strong\u003e Each RF SPACE is assembled by sE Electronics at its own factory.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe RF SPACE has a semi-round, silver-and-black acoustic-screen design with a 10-layer patented Air-Gap construction. Its reported acoustic assembly includes vertically arranged bass traps, a perforated aluminum diffuser, a high-density acoustic absorber, a polycarbonate diffuser, and an isolating air chamber. The filter is hand-built and includes dedicated mounting components for stable positioning.\u003c\/p\u003e\u003cp\u003eMount the hardware securely to a sturdy conventional vertical microphone stand or compatible drum hardware, then attach the filter to the L-bracket with the supplied screws. Attach the microphone in its shockmount or clip using the included standoff, using the adapter for 5\/8-inch U.S.-standard threaded mounts. Position the microphone capsule approximately even with the filter's front edge, keep the combined center of gravity directly above the stand, and use the included sealable sandbags if additional stand support is needed.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669434884166,"sku":"RF SPACE","price":187.84,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/91TJcYcWqyL.jpg?v=1784502688"},{"product_id":"se-electronics-rf-x-portable-microphone-isolation-filter","title":"sE Electronics RF-X Portable Microphone Isolation Filter","description":"\u003cp\u003eThe sE Electronics RF-X is a portable Reflexion Filter designed to reduce the room reflections a microphone can capture during recording. It mounts behind a microphone to create a more controlled recording area in home studios and other untreated spaces. It is suited to vocal recording, spoken-word work, acoustic guitar, and drum applications.\u003c\/p\u003e\u003cp\u003eRather than functioning as a microphone or audio interface, the RF-X is an acoustic accessory that works with an existing microphone and stand. Its purpose is to help the direct sound from the performer remain more prominent relative to nearby wall and room reflections. This can support a drier, more focused starting point for recording and later mixing.\u003c\/p\u003e\u003cp\u003eThe RF-X uses sE Electronics' four-layer acoustic filter design. A vented composite outer panel, wool fabric layer, air gap, and inner acoustic foam layer work together to filter reflections across the frequency spectrum. The design is intended to minimize unwanted tonal coloration while reducing room influence.\u003c\/p\u003e\u003cp\u003eA lightweight, ventilated body makes the RF-X practical for portable and fixed recording setups. The supplied mounting hardware allows adjustment of the microphone's distance from the filter and the filter's height. This helps place the microphone capsule in an appropriate position for the source and stand arrangement.\u003c\/p\u003e\u003cp\u003eThe RF-X fits naturally into a recording system built around a microphone, mic stand, clip or shockmount, and recording interface or mixer. It is a useful acoustic add-on when a dedicated vocal booth or permanently treated room is not available. For best stability, sE Electronics designs its Reflexion Filters primarily for conventional vertical microphone stands.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFour-Layer Acoustic Filter:\u003c\/strong\u003e Combines a composite panel, wool, air gap, and acoustic foam.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVented Outer Body:\u003c\/strong\u003e Supports a lighter design while retaining a durable acoustic structure.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAdjustable Mounting Hardware:\u003c\/strong\u003e Lets you set microphone distance and filter height.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePortable Recording Control:\u003c\/strong\u003e Helps reduce room reflections around the microphone position.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMic Stand Thread Adapter:\u003c\/strong\u003e Supports European and US mic stand thread arrangements.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHand-Assembled Construction:\u003c\/strong\u003e Each RF-X is assembled in sE Electronics' factory.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe RF-X has a black, ventilated composite-panel body with a four-layer acoustic structure. Its internal layers include wool fabric, an air gap, and acoustic foam, while the outer panel is vented. The filter measures 410 x 310 x 200 mm and weighs 1.6 kg with its clamp assembly.\u003c\/p\u003e\u003cp\u003eInstall the bracket on top of a conventional microphone stand, then attach the filter with the two supplied screws. Attach the microphone in a compatible clip or shockmount using the supplied standoff, then adjust its horizontal position and the filter height. sE Electronics suggests starting with the microphone capsule approximately even with the front edge of the filter and centered vertically.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669435375686,"sku":"RF-X","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/81vhJ0t68tL.jpg?v=1784502735"},{"product_id":"se-electronics-rf-x-rb-portable-microphone-isolation-shield","title":"sE Electronics RF-X RB Portable Microphone Isolation Shield","description":"\u003cp\u003eThe sE Electronics RF-X RB is a portable microphone isolation shield designed to reduce the influence of room reflections during recording. It mounts to a microphone stand and places a curved acoustic filter behind the microphone, helping create a more controlled capture area in untreated spaces. The red-and-black RF-X RB version is suited to home studios, voice recording setups, and portable production rigs.\u003c\/p\u003e\u003cp\u003eThis filter is intended for creators recording vocals, acoustic guitar, and drums where the surrounding room may add unwanted character to a microphone signal. It does not replace full-room acoustic treatment, but it can help limit reflections arriving from behind and around the mic. Its compact format makes it practical for desktop, bedroom, and mobile recording environments.\u003c\/p\u003e\u003cp\u003eThe RF-X uses a four-layer acoustic filter construction consisting of a vented composite outer panel, wool fabric layer, air gap, and inner acoustic foam layer. This layered arrangement is designed to attenuate reflections evenly across the frequency spectrum. The result is a more direct, drier recording character with less room coloration than an unfiltered microphone position.\u003c\/p\u003e\u003cp\u003eA lightweight, vented body helps keep the RF-X manageable on a conventional vertical microphone stand. The included bracket supports adjustment of the filter height and microphone position, allowing the recording setup to be balanced and aligned for the source being captured. sE Electronics assembles each RF-X by hand in its factory.\u003c\/p\u003e\u003cp\u003eThe RF-X RB can be used with a microphone held in a clip or shockmount, making it a flexible accessory for many recording systems. It includes the filter, mounting bracket, and a microphone-stand thread adapter, while the microphone and stand are supplied separately. For a balanced setup, the filter and microphone assembly should be positioned directly over the stand.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFour-Layer Acoustic Filter:\u003c\/strong\u003e Combines composite panel, wool fabric, air gap, and acoustic foam.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVented Outer Body:\u003c\/strong\u003e Helps provide a lighter, practical portable filter design.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAdjustable Mounting Bracket:\u003c\/strong\u003e Allows filter height and microphone position adjustment.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRed-and-Black Finish:\u003c\/strong\u003e RF-X RB version uses a red acoustic-filter finish.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMic Stand Thread Adapter:\u003c\/strong\u003e Supports both European and U.S. stand thread arrangements.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHand-Assembled Construction:\u003c\/strong\u003e Each RF-X is assembled in the sE factory.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe RF-X has a semi-circular portable shield design with a lightweight vented composite body. Its acoustic filter uses four distinct layers: a vented composite panel on the outside, wool fabric, an air space, and acoustic foam on the inside. The red-and-black RF-X RB finish distinguishes this version from other RF-X color options.\u003c\/p\u003e\u003cp\u003eInstall the bracket on top of a conventional microphone stand where a microphone clip or shockmount would normally attach, then secure the RF-X to the bracket with the supplied screws. Attach the microphone in its clip or shockmount using the included standoff, then adjust the microphone horizontally and the filter vertically. sE recommends starting with the microphone capsule approximately even with the front edge of the RF-X and centered vertically with the filter, then fine-tuning position as needed.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669435441222,"sku":"RF-X RB","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/91AVgUDXbsL.jpg?v=1784502772"},{"product_id":"se-electronics-rf-x-wb-microphone-reflection-filter","title":"sE Electronics RF-X WB Microphone Reflection Filter","description":"\u003cp\u003eThe sE Electronics RF-X WB is a portable microphone reflection filter designed to reduce room reflections around a microphone during recording. It creates a more controlled area behind and around the mic, helping voice and instrument tracks sound less affected by an untreated room. The white RF-X WB is suited to home studios, podcast spaces, voice-over setups, and mobile recording rigs.\u003c\/p\u003e\u003cp\u003eThis filter is intended for creators recording vocals, acoustic guitar, and drums, as well as other close-miked sources. It helps reduce the audible influence of nearby walls and hard surfaces rather than replacing full-room acoustic treatment. Used with thoughtful microphone placement, it can help capture a more direct and manageable source signal.\u003c\/p\u003e\u003cp\u003eThe RF-X uses a four-layer acoustic filter system built from a vented composite outer panel, wool fabric, an air gap, and inner acoustic foam. This layered construction is designed to address reflections across the frequency spectrum instead of relying on foam alone. The result is a more controlled recording environment with minimal added tonal coloration.\u003c\/p\u003e\u003cp\u003eA lightweight vented body and redesigned clamp assembly make the RF-X practical for desktop and stand-mounted recording setups. The mounting hardware allows adjustment of microphone distance and filter height, so the microphone can be positioned for the source and recording style. Its compact format makes it easier to move between rooms than a fixed vocal booth.\u003c\/p\u003e\u003cp\u003eThe RF-X WB installs on a microphone stand and works as part of a complete recording chain with a microphone, appropriate mic clip or shockmount, audio interface or preamp, and recording software. It is a useful upgrade for a basic home-recording setup when room reflections are more noticeable than desired. For the most stable setup, use a conventional vertical mic stand and keep the combined microphone and filter assembly balanced over the stand.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFour-Layer Acoustic Filter:\u003c\/strong\u003e Combines composite, wool, air-gap, and foam layers to reduce room reflections.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVented Composite Panel:\u003c\/strong\u003e Forms the durable outer layer of the acoustic filter system.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAdjustable Hardware:\u003c\/strong\u003e Lets you set microphone distance and filter height for placement flexibility.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLightweight Vented Body:\u003c\/strong\u003e Supports easier repositioning in home and mobile recording environments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHand-Assembled Construction:\u003c\/strong\u003e Each RF-X is assembled by hand in the sE factory.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThread Adapter Included:\u003c\/strong\u003e Supports installation on microphone stands using the supplied adapter.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe RF-X WB has a white finish and a four-layer curved shield structure. Its acoustic assembly uses an outer vented composite panel, wool fabric layer, air-gap layer, and inner acoustic foam layer. The body is designed to be lightweight while retaining a durable, vented construction, and the included mounting bracket uses a redesigned clamp assembly.\u003c\/p\u003e\u003cp\u003eAttach the bracket to a stable vertical microphone stand, then secure the filter to the bracket with the supplied bolts. Attach a microphone in a compatible clip or shockmount to the remaining mounting point, then adjust the microphone position and filter height as needed. sE recommends positioning the microphone capsule approximately even with the front edge of the RF-X and balancing the complete assembly directly over the stand.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669435572294,"sku":"RF-X WB","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/81m0hIPE42L.jpg?v=1784502814"},{"product_id":"se-electronics-rn17-cardioid-small-diaphragm-condenser-mic","title":"sE Electronics RN17 Cardioid Small-Diaphragm Condenser Mic","description":"\u003cp\u003eThe sE Electronics RN17 is a small-diaphragm condenser microphone designed for detailed studio and live sound capture. It is supplied with a cardioid capsule for focused pickup of a source while reducing pickup from the sides and rear. The RN17 is suited to engineers, musicians, and production teams that need a compact XLR microphone for close or spot miking.\u003c\/p\u003e\u003cp\u003eIts cardioid response and 20 Hz to 20 kHz frequency range make it a practical choice for acoustic guitar, piano, strings, woodwinds, percussion, drum overheads, and choir work. The microphone is built to capture fast transients and fine high-frequency detail while retaining a full low-frequency presentation. A 131 dB maximum SPL rating at 0.5% THD allows it to be used on many high-level acoustic and percussion sources.\u003c\/p\u003e\u003cp\u003eThe RN17 was developed as part of the sE Electronics and Rupert Neve collaboration. Its design combines a hand-crafted true-condenser capsule with a full-scale custom transformer designed for the microphone. This transformer-based circuit is intended to provide headroom, defined midrange detail, and balanced low-frequency response.\u003c\/p\u003e\u003cp\u003eThe included cardioid capsule is the standard configuration for this single-microphone package. An omnidirectional capsule is available separately for applications where a more open pickup pattern is preferred. This gives users an upgrade path without replacing the microphone body.\u003c\/p\u003e\u003cp\u003eFor practical recording setups, the RN17 connects through a standard 3-pin XLR output and requires 48V phantom power. A dedicated shock mount is included to help reduce vibration transferred through a microphone stand. The microphone, wooden box, metal case, thread adapter, and user manual provide a complete protected starting package for studio or stage use.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCardioid Capsule:\u003c\/strong\u003e Focuses capture on the intended source and helps reduce surrounding pickup.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrue Condenser Design:\u003c\/strong\u003e Provides the sensitivity required for detailed instrument and ensemble recording.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCustom Rupert Neve Transformer:\u003c\/strong\u003e Supports balanced output, headroom, and a full-frequency presentation.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGold-Sputtered Diaphragm:\u003c\/strong\u003e Designed for rapid transient response and high-frequency detail.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e48V Phantom Power:\u003c\/strong\u003e Works with compatible XLR microphone preamps, mixers, and audio interfaces.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCustom Shock Mount:\u003c\/strong\u003e Helps limit stand-borne vibration and handling noise during recording.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe RN17 uses a hand-crafted true-condenser capsule, an unusually substantial transformer housing, and a matte black finish intended to remain visually unobtrusive on stage or in the studio. Its microphone body measures 200 mm long, with a 44 mm transformer diameter and 17 mm capsule diameter. A wooden box and metal case are included for storage and transport.\u003c\/p\u003e\u003cp\u003eMount the RN17 in its included custom shock mount on a stable microphone stand, using the included thread adapter when needed. Connect its 3-pin male XLR output to a compatible microphone preamp, mixer, or audio interface, then supply 48V phantom power. Use the supplied cardioid capsule for focused spot miking, or add the separately available omnidirectional capsule when a more open pickup pattern is needed.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669435605062,"sku":"RN17","price":999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/71swgbvM-TL.jpg?v=1784502859"},{"product_id":"se-electronics-rn17-cardioid-15mm-condenser-capsule","title":"SE Electronics RN17 Cardioid 15mm Condenser Capsule","description":"\u003cp\u003eThe SE Electronics RN17 Cardioid is a replacement and expansion capsule made specifically for the RN17 small-diaphragm condenser microphone. It provides a cardioid pickup pattern for recording a focused source while reducing pickup from the sides and rear. This single capsule is intended for owners of an RN17 microphone body, not as a standalone microphone.\u003c\/p\u003e\u003cp\u003eIts compact 15 mm gold-sputtered diaphragm is designed for fast response to transients and detailed high-frequency capture. The cardioid pattern suits close and spot miking applications where source focus and off-axis rejection are useful. It is a practical option for acoustic instruments, percussion, vocals, piano, and drum overhead use.\u003c\/p\u003e\u003cp\u003eThe capsule is a true-condenser design, hand-crafted and individually tuned for consistency. A brass housing provides a durable physical structure and helps shield the capsule from electrical interference. When installed on the compatible RN17 body, it supports the RN17 system's 20 Hz to 20 kHz frequency range.\u003c\/p\u003e\u003cp\u003eWith the RN17 microphone system, the cardioid capsule is specified for 131 dB maximum SPL at 0.5% THD and an 18 dB equivalent noise level. These characteristics make it suitable for detailed recording work as well as many live-sound microphone applications. The RN17 microphone body supplies the required phantom-powered electronics and XLR output connection.\u003c\/p\u003e\u003cp\u003eThis capsule is useful as a replacement cardioid option or for expanding an existing RN17 setup. It can also support a matched multi-microphone workflow when used with compatible RN17 equipment. The optional RN17 omnidirectional capsule is sold separately for users who need a more open pickup pattern.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eRN17-Specific Fit:\u003c\/strong\u003e Designed for use with the SE Electronics RN17 small-diaphragm condenser microphone.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCardioid Pickup:\u003c\/strong\u003e Focuses on the intended source while reducing off-axis sound pickup.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15 mm Diaphragm:\u003c\/strong\u003e Gold-sputtered diaphragm supports detailed transient and high-frequency reproduction.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrue-Condenser Design:\u003c\/strong\u003e Provides the operating characteristics of the compatible RN17 condenser system.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHandcrafted Construction:\u003c\/strong\u003e Individually tuned capsule construction supports consistent performance.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBrass Housing:\u003c\/strong\u003e Durable housing helps provide shielding from electrical interference.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe RN17 Cardioid capsule uses a compact brass housing and gold-sputtered diaphragm construction. Its brass finish is distinct from the matte-black finish of the complete RN17 microphone body. This product is the capsule only; it does not include an RN17 microphone body, shock mount, cable, or stand mount.\u003c\/p\u003e\u003cp\u003eInstall the capsule only on a compatible SE Electronics RN17 microphone body according to the RN17 system instructions. The completed RN17 microphone connects to a microphone preamp or audio interface through XLR and requires 48 V phantom power. Use the cardioid capsule for close instrument, vocal, percussion, piano, and overhead placements where directional pickup is preferred.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669435637830,"sku":"RN17 Cardioid","price":269.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/819aMo2vRQL.jpg?v=1784502900"},{"product_id":"se-electronics-rn17-cardioidp-matched-pair-microphones","title":"sE Electronics RN17 Cardioid(P) Matched Pair Microphones","description":"\u003cp\u003eThe sE Electronics RN17 Cardioid(P) is a factory-matched stereo pair of small-diaphragm condenser microphones for professional recording and live-sound capture. It is designed for applications that benefit from accurate transient response, controlled cardioid pickup, and consistent stereo performance. Typical uses include acoustic guitar, piano, drum overheads, percussion, strings, woodwinds, choir, and orchestral recording.\u003c\/p\u003e\u003cp\u003eEach RN17 uses a hand-crafted true-condenser cardioid capsule and a gold\/Mylar diaphragm design. The compact diaphragm is intended to respond quickly to detailed high-frequency material while retaining a balanced midrange and low-frequency presentation. Its cardioid pattern helps focus on the intended source while reducing pickup from the rear.\u003c\/p\u003e\u003cp\u003eA full-scale transformer custom-designed by Rupert Neve is a defining part of the RN17 design. The transformer is substantially larger than those commonly used in small-diaphragm microphones and contributes to the microphone's available headroom and balanced output character. Each microphone connects through a standard 3-pin XLR output and requires 48V phantom power.\u003c\/p\u003e\u003cp\u003eThis Cardioid(P) package is intended for stereo microphone techniques where close matching between channels matters. The pair's transformers and cardioid capsules are factory-matched for tolerance, supporting consistent level, tonal balance, and stereo imaging between the two microphones. A precision stereo mounting bar is included for convenient paired placement.\u003c\/p\u003e\u003cp\u003eThe RN17 pair can also be expanded with optional omnidirectional capsules, sold separately. This gives an owner the option to adapt the microphones for more open or ambient recording approaches without replacing the complete system. With shock mounts, storage accessories, and a flight case included, the set is suited to studio installations and portable professional recording rigs.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFactory-Matched Stereo Pair:\u003c\/strong\u003e Matched transformers and cardioid capsules support consistent stereo recording.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHand-Crafted True Condensers:\u003c\/strong\u003e Individually made capsules provide the RN17's cardioid capture format.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGold\/Mylar Diaphragms:\u003c\/strong\u003e Compact diaphragm construction supports fast transient response.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCustom Rupert Neve Transformer:\u003c\/strong\u003e Full-scale transformer design supports balanced output and headroom.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e48V Phantom Powered:\u003c\/strong\u003e Works with microphone preamps and interfaces supplying P48 power.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExpandable Capsule System:\u003c\/strong\u003e Optional omnidirectional capsules are available separately for alternate pickup.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe RN17 uses a matte-black microphone body with a large-diameter transformer housing and a slim capsule section. Each microphone measures 200 mm long and weighs 320 g. The matched-pair package includes two custom shock mounts, a wooden presentation case, empty capsule canisters, a precision stereo bar, and a flight case.\u003c\/p\u003e\u003cp\u003eConnect each microphone to a balanced XLR microphone input on a preamp, mixer, recorder, or audio interface, then enable 48V phantom power only after the connections are secure. Mount the microphones in the included shock mounts or on the included stereo bar for coincident or spaced-pair techniques as appropriate for the source. The optional omnidirectional capsule is purchased separately and can be used when a less directional pickup pattern is preferred.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669438423110,"sku":"RN17 Cardioid(P)","price":699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/71IFAV0xZQL.jpg?v=1784503233"},{"product_id":"se-electronics-rn17-omni-omnidirectional-capsule","title":"sE Electronics RN17 Omni Omnidirectional Capsule","description":"\u003cp\u003eThe sE Electronics RN17 Omni is an interchangeable omnidirectional capsule made specifically for the RN17 small-diaphragm condenser microphone. It changes the RN17 from its standard cardioid configuration to an omnidirectional pickup pattern, allowing the microphone to capture sound from all directions. This makes it a practical expansion for engineers who need a more open representation of an instrument, ensemble, room, or performance space.\u003c\/p\u003e\u003cp\u003eDesigned for studio and live-recording applications, the RN17 Omni capsule is suited to room miking, overhead use, orchestral recording, acoustic ensembles, and ambient capture. Its omnidirectional response is intended to provide an even, natural presentation of the surrounding sound field. Because it is a replacement capsule rather than a complete microphone, it requires an sE Electronics RN17 microphone body.\u003c\/p\u003e\u003cp\u003eThe capsule uses an externally polarized true-condenser design with a 15 mm gold-sputtered diaphragm. This small diaphragm is designed for fast transient response and detailed high-frequency capture, while the omnidirectional pattern supports a broad and consistent pickup area. When installed on an RN17 body, the system is specified for a 20 Hz to 20 kHz frequency range.\u003c\/p\u003e\u003cp\u003eEach RN17 Omni capsule is hand-crafted, individually tuned, and calibrated for consistency. The precision-machined brass housing adds durable physical protection and helps shield the capsule from interference. For stereo recording, matched pairs of RN17 Omni capsules are also available separately.\u003c\/p\u003e\u003cp\u003eThe RN17 Omni is a focused upgrade path for existing RN17 owners who want an additional polar pattern without purchasing another complete microphone. It mounts to the RN17 through its dedicated screw connection and uses the microphone body's electronics, transformer, XLR output, and phantom-power supply. The retail package contains one omnidirectional capsule only.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eRN17-Specific Compatibility:\u003c\/strong\u003e Designed exclusively for the sE Electronics RN17 small-diaphragm condenser microphone.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOmnidirectional Pattern:\u003c\/strong\u003e Captures sound evenly from around the microphone for open, ambient pickup.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15 mm Gold-Sputtered Diaphragm:\u003c\/strong\u003e Supports detailed high-frequency capture and fast transient response.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrue-Condenser Design:\u003c\/strong\u003e Uses an externally polarized capsule design for accurate signal capture.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIndividually Tuned Capsule:\u003c\/strong\u003e Each capsule is hand-crafted and calibrated for consistent performance.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBrass Housing:\u003c\/strong\u003e Precision-machined brass construction provides durability and interference shielding.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe RN17 Omni uses a silver, precision-machined brass housing designed for professional recording environments. Its compact capsule format is made to integrate directly with the modular RN17 microphone system rather than function as a standalone XLR microphone. The housing protects the condenser element while retaining the RN17 platform's interchangeable-capsule design.\u003c\/p\u003e\u003cp\u003eTo use it, remove the installed capsule from a compatible RN17 microphone body and attach the RN17 Omni using its dedicated screw mount. The completed RN17 microphone connects to a mic preamp or mixer through the RN17 body's 3-pin XLR output and requires 48 V phantom power. Use the omni capsule for room, ensemble, orchestral, overhead, and ambience applications where broad pickup is preferred over cardioid isolation.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669438488646,"sku":"RN17 Omni","price":349.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/81GfqZLxHfL.jpg?v=1784503269"},{"product_id":"se-electronics-rn17-omnip-matched-omni-capsule-pair","title":"sE Electronics RN17 Omni(P) Matched Omni Capsule Pair","description":"\u003cp\u003eThe sE Electronics RN17 Omni(P) is a factory-matched pair of omnidirectional replacement capsules made specifically for RN17 small-diaphragm condenser microphones. It lets existing RN17 owners change from the standard cardioid configuration to true omni pickup without replacing their microphone bodies. This pair is intended for stereo recording setups where an open, spatial capture is preferred.\u003c\/p\u003e\u003cp\u003eIts omnidirectional pattern is suited to room miking, orchestral and ensemble work, percussion, and overhead applications where natural ambience is part of the recording. Omni pickup captures sound around the microphone rather than concentrating primarily on the front of a source. That makes these capsules useful when a less focused and more environmental perspective is desired.\u003c\/p\u003e\u003cp\u003eEach capsule uses a gold-sputtered miniature diaphragm and an externally polarized true-condenser design. The compact diaphragm is designed for fast transient response and detailed high-frequency reproduction. The result is a neutral, open capture character intended to preserve spatial information and source detail.\u003c\/p\u003e\u003cp\u003eThis RN17 Omni(P) package contains two capsules selected as a factory-matched pair. The capsules are individually tuned and calibrated for close consistency, helping support stable stereo imaging when used on a pair of RN17 microphone bodies. It is an appropriate upgrade path for engineers who already own an RN17 stereo setup and need an omnidirectional option.\u003c\/p\u003e\u003cp\u003eThe capsules are housed in brass for durability and shielding against interference. They are not complete microphones and do not connect directly to a mixer or interface on their own. Install each capsule on a compatible sE Electronics RN17 microphone body, then connect the completed microphones with balanced XLR cables to inputs that provide 48 V phantom power.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFactory-Matched Pair:\u003c\/strong\u003e Two capsules are selected and calibrated for consistent stereo use.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrue Omni Pattern:\u003c\/strong\u003e Captures a broad, natural sound field around each microphone.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGold-Sputtered Diaphragm:\u003c\/strong\u003e Supports fast transient response and detailed high-frequency capture.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrue-Condenser Design:\u003c\/strong\u003e Uses externally polarized condenser capsule construction for RN17 microphones.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRN17 Compatibility:\u003c\/strong\u003e Expands compatible sE Electronics RN17 microphone bodies with omni pickup.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBrass Housing:\u003c\/strong\u003e Provides durable construction and shielding against interference.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eEach RN17 Omni capsule is hand-crafted, individually tuned, and built in a brass housing. The housing is designed to provide durability while helping protect the capsule from interference. This matched-pair version is intended for users who need two closely calibrated capsules for stereo operation.\u003c\/p\u003e\u003cp\u003eThese capsules require two compatible sE Electronics RN17 microphone bodies; microphone bodies, shock mounts, stereo bar, and cables are separate items unless supplied by the seller as part of another bundle. Powering, XLR connection, sensitivity, and acoustic performance specifications apply after each capsule is installed on an RN17 microphone body. For stereo room, ensemble, or overhead recording, mount the completed microphones using an appropriate stereo bar or separate stands and supply 48 V phantom power from a compatible preamp or interface.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669438521414,"sku":"RN17 Omni(P)","price":699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/71vuBFDfqsL.jpg?v=1784503313"},{"product_id":"se-electronics-rn17p-matched-pair-condenser-microphones","title":"sE Electronics RN17(P) Matched Pair Condenser Microphones","description":"\u003cp\u003eThe sE Electronics RN17(P) is a factory-matched stereo pair of small-diaphragm condenser microphones designed for detailed instrument, ensemble, and ambient recording. Each microphone ships with a cardioid capsule and is engineered for stereo applications where close tonal consistency between microphones matters. The pair is suited to acoustic guitar, piano, strings, choir, woodwinds, percussion, drum overheads, and room capture.\u003c\/p\u003e\u003cp\u003eThe RN17 combines a compact capsule with a large custom output transformer, addressing the lean low-frequency character sometimes associated with small-diaphragm microphones. Its cardioid pickup pattern helps focus on the intended source while reducing sound arriving from the rear. With a 20 Hz to 20 kHz frequency range and 131 dB maximum SPL handling, it can cover delicate acoustic sources as well as louder instruments.\u003c\/p\u003e\u003cp\u003eDeveloped as part of the sE Electronics and Rupert Neve collaboration, the RN17 uses Class-A electronics and a custom-designed transformer. The microphone's 15 mm gold-sputtered diaphragm is intended to respond quickly to transients and fine high-frequency detail. Its stated sound character balances detailed mids and highs with full, accurate low-end response.\u003c\/p\u003e\u003cp\u003eThis RN17(P) package is factory matched as a stereo pair, with the transformers and cardioid capsules matched for close tolerance. That makes it practical for coincident, near-coincident, spaced-pair, and overhead recording techniques. A precision stereo mounting bar is included to position both microphones from a single stand.\u003c\/p\u003e\u003cp\u003eEach RN17 requires standard 48 V phantom power from a compatible microphone preamp, mixer, audio interface, or recorder. The microphones connect using standard 3-pin XLR microphone cables. An optional omnidirectional capsule is available separately for users who need a more open pickup pattern for room, ensemble, or ambient recording.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFactory-Matched Stereo Pair:\u003c\/strong\u003e Transformers and cardioid capsules are matched for closely aligned stereo recording performance.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15 mm Gold-Sputtered Diaphragm:\u003c\/strong\u003e The compact diaphragm supports fast transient response and detailed capture.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCustom Output Transformer:\u003c\/strong\u003e A full-scale Rupert Neve-designed transformer supports balanced frequency response and headroom.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCardioid Capsule Included:\u003c\/strong\u003e Focuses on the source while reducing pickup from the rear of each microphone.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOptional Omni Capsule Support:\u003c\/strong\u003e Expand the system with separately available omnidirectional RN17 capsules.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eComplete Stereo Accessories:\u003c\/strong\u003e Includes two shock mounts, a stereo bar, presentation case, and flight case.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe RN17 uses a hand-crafted 2\/3-inch true-condenser capsule, Class-A electronics, and a matte black finish intended to remain visually unobtrusive on stage or in the studio. Each microphone measures 200 mm long and weighs 320 g. The included custom shock mounts help isolate the microphones from stand-borne vibration and handling noise.\u003c\/p\u003e\u003cp\u003eConnect each RN17 to a separate balanced XLR microphone input and enable 48 V phantom power only on compatible equipment. Use the included stereo mounting bar for paired configurations; its microphone-mount spacing adjusts from 58 mm to 276 mm. The supplied thread adapters allow the shock mounts and stereo bar to be fitted to compatible microphone stands.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669438554182,"sku":"RN17(P)","price":2199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/61wtS9vpwzL.jpg?v=1784503350"},{"product_id":"se-electronics-rnr1-active-ribbon-microphone","title":"sE Electronics RNR1 Active Ribbon Microphone","description":"\u003cp\u003eThe sE Electronics RNR1 is an active ribbon microphone designed for detailed professional recording. It combines the natural tonal character associated with ribbon microphones with active electronics that support a broad, usable frequency range. It is suited to studios and recording setups that need a figure-8 microphone for vocals, instruments, room capture, and ensemble work.\u003c\/p\u003e\u003cp\u003eThe RNR1 uses a hand-tensioned 2.5 µm aluminum ribbon and a figure-8 pickup pattern. This pattern captures sound from the front and rear of the microphone while reducing pickup from the sides. It can be useful for close-miking selected sources, stereo techniques, and room or ambient recording applications.\u003c\/p\u003e\u003cp\u003eIts active internal electronics require standard 48V phantom power and are designed around discrete Class-A circuitry. Two custom Rupert Neve-designed transformers are incorporated into the signal path. This architecture supports the microphone's sensitivity and helps retain detail across its specified frequency range.\u003c\/p\u003e\u003cp\u003eA switchable 100 Hz low-cut filter provides a practical way to reduce low-frequency rumble, footfall noise, and excessive proximity effect when needed. The RNR1 is specified for use on vocals, acoustic guitar, electric guitar cabinets, piano, strings, woodwinds, brass, drum kits, cymbals, and room sources. Its 137 dB maximum SPL rating also supports placement near louder sound sources when appropriate technique is used.\u003c\/p\u003e\u003cp\u003eThe microphone includes a custom shockmount to help isolate it from stand-borne vibration and mechanical noise. A wooden box, metal case, thread adapter, and user manual are also included for storage, transport, and setup. Pair it with a balanced XLR cable and a preamp or audio interface that provides compliant 48V phantom power.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eActive Ribbon Design:\u003c\/strong\u003e Uses active electronics to operate from 48V phantom power.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.5 µm Aluminum Ribbon:\u003c\/strong\u003e Hand-tensioned ribbon element captures detailed source information.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFigure-8 Pattern:\u003c\/strong\u003e Picks up front and rear sources while reducing side pickup.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDual Custom Transformers:\u003c\/strong\u003e Includes two Rupert Neve-designed transformers in the signal path.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e100 Hz Low-Cut Filter:\u003c\/strong\u003e Helps reduce rumble, footfall noise, and proximity buildup.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCustom Shockmount Included:\u003c\/strong\u003e Helps minimize vibration transferred through the microphone stand.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe RNR1 has a precision-machined chassis with distinctive scalloped edges around the ribbon assembly. Its hand-crafted ribbon is paired with neodymium magnets, active discrete electronics, and gold-plated XLR connector contacts. The microphone measures 47 mm in diameter and 268 mm long, with a weight of 860 g.\u003c\/p\u003e\u003cp\u003eMount the RNR1 in its included shockmount on a stable microphone stand, then connect it with a balanced 3-pin XLR cable. Enable 48V phantom power from a compatible preamp, console, or audio interface before use, and use the 100 Hz low-cut switch when low-frequency rumble or proximity effect needs control. Position the front or rear lobe toward the desired source and keep the side nulls aimed toward unwanted sound where practical.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669438586950,"sku":"RNR1","price":1599.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/71DmtTbwZ0L.jpg?v=1784503388"},{"product_id":"se-electronics-rnt-multi-pattern-tube-condenser-microphone","title":"sE Electronics RNT Multi-Pattern Tube Condenser Microphone","description":"\u003cp\u003eThe sE Electronics RNT is a large-diaphragm tube condenser microphone designed for professional studio recording of vocals and instruments. It combines a hand-crafted 1-inch true condenser capsule with tube and discrete Class-A amplification stages. Its included external Floor Box power supply provides the controls and connections needed for a complete recording setup.\u003c\/p\u003e\u003cp\u003eThe RNT is suited to vocal tracking, acoustic instruments, guitar cabinets, piano, strings, woodwinds, percussion, drum overheads, toms, and room recording. Nine selectable polar-pattern positions allow the microphone to capture anything from a focused source to a wider balance of direct and ambient sound. This flexibility helps one microphone serve several roles in a studio locker.\u003c\/p\u003e\u003cp\u003eA hand-selected 12AU7\/ECC82 tube operates within the microphone body, while the external Floor Box contains the second active stage. Both stages use fully discrete Class-A electronics, and the Floor Box uses custom op-amp cards associated with Rupert Neve Designs' 5088 console. Custom Rupert Neve Designs transformers are used in the microphone and Floor Box signal stages.\u003c\/p\u003e\u003cp\u003eThe RNT provides switchable gain settings of -12 dB, 0 dB, and +12 dB to accommodate quieter sources and high-SPL close-miking situations. Its selectable 40 Hz and 80 Hz low-cut filters can help reduce rumble, footfall noise, wind noise, plosives, and excess proximity effect. With a maximum SPL rating of 151 dB SPL at 0.5% THD, it is specified for demanding recording applications.\u003c\/p\u003e\u003cp\u003eThe microphone connects to its included Floor Box with the supplied 8-pin cable, while the Floor Box sends balanced audio from its 3-pin XLR output to a microphone preamp or audio interface. No phantom power is required from the connected preamp or interface. A custom shock mount, wooden microphone box, flight case, IEC power cable, and related accessories are included for storage and setup.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e1-Inch True Condenser Capsule:\u003c\/strong\u003e Hand-crafted large-diaphragm capsule captures detailed studio recordings.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNine Polar Patterns:\u003c\/strong\u003e Select omni, cardioid, figure-eight, or intermediate positions.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12AU7\/ECC82 Tube:\u003c\/strong\u003e Hand-selected tube forms the microphone's first active stage.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClass-A Signal Path:\u003c\/strong\u003e Fully discrete electronics are used in both active stages.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable Gain:\u003c\/strong\u003e -12 dB, 0 dB, and +12 dB settings broaden usability.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLow-Cut Filters:\u003c\/strong\u003e Switchable 40 Hz and 80 Hz filtering reduces unwanted low frequencies.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe RNT uses a sturdy all-metal microphone body and an external metal Floor Box power supply. Its microphone body measures 62 mm in diameter and 240 mm long, while the included custom shock mount helps isolate the microphone from stand-borne vibration. A wooden microphone box and flight case are included for protected storage and transport.\u003c\/p\u003e\u003cp\u003eMount the microphone in the supplied shock mount on a stable microphone stand, then connect the supplied 8-pin cable between the microphone and Floor Box. Connect the Floor Box to AC power with the included IEC cable and run a standard balanced XLR cable from the Floor Box output to a microphone preamp or audio interface. Do not apply phantom power from the connected interface or preamp; allow approximately 15 minutes of warm-up time before recording for the tube to stabilize.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669438619718,"sku":"RNT","price":2799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/71TrzPBrDBL.jpg?v=1784503431"},{"product_id":"se-electronics-se-se8-small-diaphragm-condenser-microphone","title":"sE Electronics SE-sE8 Small-Diaphragm Condenser Microphone","description":"\u003cp\u003eThe sE Electronics sE8 is a cardioid small-diaphragm true condenser microphone for detailed studio recording and live sound reinforcement. It is designed for acoustic guitar, piano, strings, woodwinds, percussion, cymbals, drum overheads, and other sources where articulation and transient response matter. Its compact pencil-style format makes it practical for close placement in tight microphone positions.\u003c\/p\u003e\u003cp\u003eThe sE8 is intended for musicians, engineers, and venues that need a versatile condenser microphone with a balanced, controlled sound character. Its hand-crafted 1\/2-inch capsule and precision backplate design are made to support a natural response with consistent off-axis pickup. This makes it useful when a source needs to sit clearly in a recording or live mix without relying on excessive tonal coloration.\u003c\/p\u003e\u003cp\u003eTransformerless Class-A electronics support a clean signal path with low self-noise and strong dynamic-range performance. The microphone is rated for 13 dB(A) equivalent noise and up to 159 dB SPL when its -20 dB pad is engaged. Those specifications make it suitable for both quieter acoustic material and high-level sources such as snare, brass, and guitar cabinets.\u003c\/p\u003e\u003cp\u003eTwo switchable attenuation pads and two low-cut filter settings provide practical control at the microphone. The -10 dB and -20 dB pads help prevent overload on loud sources, while the 80 Hz and 160 Hz filters can reduce rumble, footfall noise, wind noise, and excess proximity-effect bass. These controls allow the sE8 to adapt to a range of placement distances and recording environments.\u003c\/p\u003e\u003cp\u003eThe sE8 connects by standard 3-pin XLR and requires 48V phantom power from a compatible audio interface, mixer, or external phantom-power supply. Its all-metal body and gold-plated XLR connector are suited to regular studio and stage use. For expanded flexibility, it is compatible with the optional sE8 omni capsule, while matched-pair versions are available for stereo recording applications.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHand-Crafted True Condenser Capsule:\u003c\/strong\u003e A 1\/2-inch capsule supports detailed capture for instruments and percussion.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCardioid Pickup Pattern:\u003c\/strong\u003e Focuses on the intended source while reducing sound from the rear.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable Input Pads:\u003c\/strong\u003e -10 dB and -20 dB settings help handle loud sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSelectable Low-Cut Filters:\u003c\/strong\u003e 80 Hz and 160 Hz filters reduce rumble and bass buildup.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransformerless Class-A Circuitry:\u003c\/strong\u003e Provides a clean signal path with high dynamic-range capability.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOptional Omni Capsule Compatibility:\u003c\/strong\u003e Supports an alternate omnidirectional capsule for expanded recording options.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe sE8 uses an all-metal chassis, a hand-crafted gold-sputtered condenser capsule, and a gold-plated 3-pin XLR connector. Its body measures 23 mm in diameter by 120 mm long and weighs 141 g. The single-microphone package includes a mic clip with thread adapter and a windscreen.\u003c\/p\u003e\u003cp\u003eMount the sE8 in its included clip on a suitable microphone stand, then connect it to a balanced XLR microphone input that supplies 48V phantom power. Use the pad for close-miking high-SPL instruments or when protecting an interface or mixer input from overload. Select the low-cut filter when rumble, wind noise, footfall noise, or close-placement bass buildup is present.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669438849094,"sku":"SE-sE8","price":243.2,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/713jBznEH8L.jpg?v=1784503475"},{"product_id":"se-electronics-v3-dynamic-cardioid-vocal-microphone","title":"sE Electronics V3 Dynamic Cardioid Vocal Microphone","description":"\u003cp\u003eThe sE Electronics V3 is a wired handheld dynamic microphone designed for vocals, speech, and close-miking instruments. Its cardioid pickup pattern focuses on the intended source while helping reduce pickup from surrounding stage sound. It is a practical choice for performers, rehearsal spaces, live venues, and home recording setups that use standard XLR microphone inputs.\u003c\/p\u003e\u003cp\u003eThe V3 is voiced for a smooth, natural presentation across voices and instruments. Its 50 Hz–16 kHz frequency range supports clear vocal reproduction while also making it suitable for sources such as electric-guitar cabinets, brass, percussion, snare, toms, and overhead use. The cardioid pattern can help provide useful gain before feedback when the microphone and PA system are positioned appropriately.\u003c\/p\u003e\u003cp\u003eA custom-developed dynamic element uses a copper voice coil and neodymium magnet. This moving-coil design is housed in a rugged all-metal body intended for regular handling in performance and rehearsal environments. The 600-ohm output is delivered through a 3-pin male XLR connector for use with compatible microphone cables and audio equipment.\u003c\/p\u003e\u003cp\u003eFor handheld use, the V3 incorporates a patented integrated shockmount that decouples the capsule from mechanical vibration. This construction is designed to reduce handling noise and low-frequency rumble that can reach the signal when the microphone is moved. An internal windscreen also helps reduce wind noise and vocal plosives.\u003c\/p\u003e\u003cp\u003eThe microphone is built around a zinc-alloy chassis with a beveled spring-steel grille. The beveled grille helps keep the microphone from rolling when set down, while the all-metal construction is suited to stage and studio use. It includes the core accessories needed to mount and carry the microphone, making it easy to add to an XLR-based mixer, audio interface, or microphone preamp setup.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic Cardioid Capsule:\u003c\/strong\u003e Focuses pickup on the source while reducing surrounding stage bleed.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e50 Hz–16 kHz Response:\u003c\/strong\u003e Supports vocals, speech, and a range of close-miked instruments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIntegrated Shockmount:\u003c\/strong\u003e Helps reduce vibration, rumble, and handling noise during use.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInternal Windscreen:\u003c\/strong\u003e Helps control wind noise and vocal plosive sounds.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAll-Metal Construction:\u003c\/strong\u003e Zinc-alloy body and spring-steel grille suit regular stage handling.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3-Pin XLR Output:\u003c\/strong\u003e Connects to compatible microphone cables, mixers, interfaces, and preamps.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe V3 uses an all-metal zinc-alloy chassis and a beveled spring-steel mesh grille. Its grille is designed to resist dents and corrosion, while the gold-plated XLR connector is intended for dependable signal contact. At 181 mm long and 52 mm in diameter, it has the familiar form factor of a handheld stage microphone.\u003c\/p\u003e\u003cp\u003eConnect the V3’s 3-pin male XLR output to a compatible XLR microphone cable, then route the cable to a mixer, audio interface, or microphone preamp with a microphone input. For vocal use, point the front of the cardioid capsule toward the performer and keep PA loudspeakers in front of the microphone rather than behind it. The included mic clip and thread adapter support stand mounting, while the spare black internal windscreen and carrying pouch support setup and transport.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669438947398,"sku":"SE-V3","price":69.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/71snpFiouUL.jpg?v=1784503534"},{"product_id":"se-electronics-se2200-large-diaphragm-condenser-microphone","title":"sE Electronics sE2200 Large-Diaphragm Condenser Microphone","description":"\u003cp\u003eThe sE Electronics sE2200 is a large-diaphragm, cardioid condenser microphone designed for studio recording, voiceover work, streaming, and close-miking instruments. Its fixed cardioid pickup pattern focuses on the source in front of the capsule while helping reduce pickup from the sides and rear. It is a practical choice for creators who need a detailed XLR microphone for vocals, spoken word, acoustic instruments, and amplified sources.\u003c\/p\u003e\u003cp\u003eA hand-crafted 1-inch true condenser capsule gives the sE2200 its high-sensitivity studio-microphone operation. The capsule uses dual gold-sputtered diaphragms, individually tuned by sE Electronics, despite the microphone's cardioid-only pattern. The result is a balanced, open response suited to capturing vocal detail and the natural character of instruments.\u003c\/p\u003e\u003cp\u003eThe sE2200 uses a traditional discrete Class-A circuit design without integrated circuits, together with a custom-built output transformer. This engineering is intended to provide low-noise operation, useful sensitivity, and a full-bodied signal character. Its 20 Hz to 20 kHz frequency range supports recording duties from low instruments through detailed vocal and acoustic material.\u003c\/p\u003e\u003cp\u003eTwo switchable attenuation settings make the microphone more adaptable when recording loud sources. The -10 dB and -20 dB pads increase headroom for applications such as guitar cabinets, brass, drum overheads, and close-miked drums. Switchable 80 Hz and 160 Hz low-cut filters help reduce rumble, footfall noise, plosives, and excessive proximity-effect bass.\u003c\/p\u003e\u003cp\u003eThis microphone connects through a standard 3-pin XLR output and requires 48 V phantom power from a compatible audio interface, mixer, or dedicated preamp. The included sE Isolation Pack combines a shockmount with an adjustable metal pop filter for vocal recording setups. It can serve as a primary studio vocal microphone or as a flexible addition to a recording rig that already has XLR preamps and phantom power.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e1-Inch True Condenser Capsule:\u003c\/strong\u003e Hand-crafted capsule captures detailed vocal and instrument recordings.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCardioid Polar Pattern:\u003c\/strong\u003e Focuses pickup on the source positioned in front.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDiscrete Class-A Electronics:\u003c\/strong\u003e Uses selected components without integrated circuits.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCustom Output Transformer:\u003c\/strong\u003e Adds transformer-coupled output stage to the microphone design.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable Pads:\u003c\/strong\u003e -10 dB and -20 dB settings support louder sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSelectable Low-Cut Filters:\u003c\/strong\u003e 80 Hz and 160 Hz filtering helps manage low-frequency noise.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe sE2200 has a heavily shielded all-metal housing with a premium finish and a gold-plated 3-pin XLR connector. Its 51 mm diameter body measures 215 mm long and weighs 611 g. The included Isolation Pack uses a quick-release shockmount and an all-metal adjustable pop filter that can also be removed when not needed.\u003c\/p\u003e\u003cp\u003eMount the microphone in the included shockmount on a stable microphone stand or boom, then connect it with a balanced XLR microphone cable to an interface, mixer, or microphone preamp. Enable 48 V phantom power only through compatible equipment, and select the pad or low-cut setting as needed for the source and recording distance. For vocals, position the pop filter between the performer and microphone; for loud instruments, start with the appropriate attenuation pad engaged.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669438980166,"sku":"sE2200","price":293.02,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/81bEqtoqmYL.jpg?v=1784503569"},{"product_id":"se-electronics-se2300-multi-pattern-condenser-microphone","title":"sE Electronics sE2300 Multi-Pattern Condenser Microphone","description":"\u003cp\u003eThe sE Electronics sE2300 is a large-diaphragm, multi-pattern condenser microphone designed for studio recording, voice work, and close-miking instruments. It gives creators one microphone platform for vocals, acoustic instruments, guitar cabinets, drums, brass, piano, and room capture. Its selectable pickup patterns help adapt the microphone to different recording spaces and source-placement needs.\u003c\/p\u003e\u003cp\u003eA hand-crafted 1-inch true condenser capsule is individually tuned and paired with discrete Class-A electronics. The design uses a custom output transformer and a short, optimized signal path to support detailed, balanced capture with low self-noise. This makes the sE2300 suitable for sessions where a clear, controlled condenser sound is needed across multiple sources.\u003c\/p\u003e\u003cp\u003eThree selectable polar patterns—cardioid, omnidirectional, and figure-8—provide practical flexibility. Cardioid can focus on a source while reducing pickup from behind the microphone, omnidirectional can capture a more open sound, and figure-8 supports front-and-rear pickup techniques. This versatility is useful for solo vocals, room ambience, duets, and stereo recording methods.\u003c\/p\u003e\u003cp\u003eThe sE2300 includes switchable -10 dB and -20 dB attenuation pads for louder sources. Its 80 Hz and 160 Hz low-cut filter settings help reduce rumble, footfall noise, and excess low-frequency buildup from close placement. Together, these controls allow the microphone to be used nearer to loud instruments and amplifiers with more control over the recorded signal.\u003c\/p\u003e\u003cp\u003eBuilt for home studios, commercial studios, and portable recording setups, the sE2300 connects through a standard 3-pin XLR output and requires 48V phantom power. The included Isolation Pack combines a shockmount and adjustable metal pop filter to support stable vocal recording. It is a practical upgrade for users who need more pattern and level-control options than a fixed-cardioid condenser microphone provides.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eThree Polar Patterns:\u003c\/strong\u003e Select cardioid, omnidirectional, or figure-8 pickup for different sources and recording techniques.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1-Inch True Condenser Capsule:\u003c\/strong\u003e Hand-crafted and individually tuned for consistent large-diaphragm condenser performance.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDiscrete Class-A Circuitry:\u003c\/strong\u003e Uses a traditional Class-A design without integrated circuits.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable Attenuation Pads:\u003c\/strong\u003e -10 dB and -20 dB settings support close-miking of louder sound sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSelectable Low-Cut Filters:\u003c\/strong\u003e 80 Hz and 160 Hz filters help manage rumble and proximity-effect buildup.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIsolation Pack Included:\u003c\/strong\u003e Includes a quick-release shockmount and adjustable all-metal pop filter.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe sE2300 uses a hand-crafted true condenser capsule, custom output transformer, and all-metal shielded housing. Its metal chassis is designed to help reduce electrical interference while providing a durable platform for studio and stage use. Front and rear switches provide direct access to pad, filter, and polar-pattern settings.\u003c\/p\u003e\u003cp\u003eConnect the microphone to a compatible XLR microphone preamp, mixer, recorder, or audio interface that supplies 48V phantom power. Use the included shockmount to isolate the microphone from stand-borne vibration, then position the pop filter for vocal work or remove it when preferred. Start with cardioid for most single-source recording, then use the pad and low-cut controls as needed for loud or close-miked sources.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669439078470,"sku":"sE2300","price":387.16,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/812rkxbHowL.jpg?v=1784503604"},{"product_id":"se-electronics-se4100-large-diaphragm-condenser-microphone","title":"sE Electronics sE4100 Large-Diaphragm Condenser Microphone","description":"\u003cp\u003eThe sE Electronics sE4100 is a large-diaphragm true condenser microphone designed for studio recording and live sound applications. Its fixed cardioid pickup pattern focuses on the intended source while helping reduce pickup from the sides and rear. It is suited to recording vocals, acoustic instruments, piano, brass, guitar cabinets, and drum overheads.\u003c\/p\u003e\u003cp\u003eThis microphone is for creators, engineers, musicians, and live-sound users who need a versatile XLR condenser microphone without multiple polar-pattern controls. The cardioid-only design keeps operation straightforward while retaining the core recording features needed for close-miking and high-SPL sources. It can be used as a primary vocal microphone or as part of a larger recording setup.\u003c\/p\u003e\u003cp\u003eThe sE4100 uses a hand-crafted 1-inch gold-sputtered true condenser capsule with a gold-sputtered Mylar diaphragm. Its published response extends from 20 Hz to 20 kHz, with a sensitivity of 25 mV\/Pa. The microphone is specified for a smooth sound character and can accommodate both detailed acoustic material and louder amplified instruments.\u003c\/p\u003e\u003cp\u003eSwitchable low-cut filters at 80 Hz and 160 Hz help manage rumble, footfall noise, and proximity-related bass buildup. Selectable -10 dB and -20 dB attenuation pads increase the microphone's ability to handle loud sources. With the pad settings, maximum SPL handling reaches up to 157 dB SPL at 0.5% THD.\u003c\/p\u003e\u003cp\u003eThe sE4100 connects through a standard 3-pin male XLR output and requires 48V phantom power. It works with a microphone preamp, audio interface, mixer, or recorder that supplies P48 power and accepts balanced XLR microphone connections. A factory matched-pair version is also available for stereo overhead, room, and instrument-miking applications.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e1-Inch True Condenser Capsule:\u003c\/strong\u003e Hand-crafted gold-sputtered capsule supports detailed capture across a broad range of sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCardioid Polar Pattern:\u003c\/strong\u003e Focuses pickup toward the source and helps reduce surrounding bleed.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable Low-Cut Filters:\u003c\/strong\u003e Selectable 80 Hz and 160 Hz filters help control rumble and excess low end.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSelectable Attenuation Pads:\u003c\/strong\u003e -10 dB and -20 dB pads support recording louder instruments and amplifiers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh SPL Capability:\u003c\/strong\u003e Handles up to 157 dB SPL with the 20 dB pad engaged.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCustom Shockmount Included:\u003c\/strong\u003e Provides suspended mounting and includes a thread adapter for stand setup.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe sE4100 has a die-cast all-metal housing, metal switches, and a spring-steel wire-mesh grille. Its compact flat, round-edged chassis is designed for practical positioning around instruments, amplifiers, and drum kits. The microphone includes a metal case for storage and transport.\u003c\/p\u003e\u003cp\u003eConnect the microphone to a balanced XLR microphone input that provides 48V phantom power according to IEC 61938. Use the included custom shockmount and thread adapter with a compatible microphone stand or boom, then select the low-cut filter and attenuation pad appropriate for the source. For stereo recording, the separately available matched-pair configuration includes two microphones, two shockmounts, a stereo mounting bar, and a metal case.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669439111238,"sku":"sE4100","price":349.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/81PuzT0jGKL.jpg?v=1784503642"},{"product_id":"se-electronics-se4100-matched-pair-condenser-microphones","title":"sE Electronics sE4100 Matched Pair Condenser Microphones","description":"\u003cp\u003eThe sE Electronics sE4100(P) is a factory-matched pair of large-diaphragm condenser microphones for stereo recording and live sound applications. Each microphone uses a cardioid pickup pattern to focus on the intended source while helping reduce sound arriving from the rear and sides. The pair is suited to drum overheads, acoustic instruments, piano, guitar cabinets, brass, woodwinds, orchestral work, and vocals.\u003c\/p\u003e\u003cp\u003eBuilt around a hand-crafted 1-inch gold-sputtered true-condenser capsule, the sE4100 is designed for smooth, natural capture across a broad 20 Hz to 20 kHz frequency range. Its 25 mV\/Pa sensitivity and 9 dB(A) equivalent noise level support detailed recording of both close-miked and more nuanced sources. The cardioid-only design keeps operation straightforward for common studio and stage miking tasks.\u003c\/p\u003e\u003cp\u003eSwitchable low-cut filters at 80 Hz and 160 Hz help reduce rumble, stand vibration, and excessive proximity effect at the microphone. Selectable -10 dB and -20 dB attenuation pads increase headroom for louder sources such as drums, brass, and amplified guitar cabinets. With the pads engaged, maximum SPL capability reaches up to 147 dB or 157 dB at 0.5% THD, depending on the selected setting.\u003c\/p\u003e\u003cp\u003eThe matched-pair configuration is tested and tuned in-house for closely aligned frequency response between the two microphones. This consistency is useful when building stereo arrays for overheads, room capture, acoustic ensembles, and instrument spot miking. A stereo mounting bar is included to support compact stereo microphone placement.\u003c\/p\u003e\u003cp\u003eEach microphone connects through a standard 3-pin male XLR output and requires 48V phantom power. The pair can be integrated with a microphone preamp, audio interface, mixer, or recorder that supplies IEC 61938-compliant P48 power. Custom shockmounts help isolate the microphones from stand-borne vibration while supporting close placement around drums and amplifiers.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFactory-Matched Pair:\u003c\/strong\u003e Two microphones are tuned for closely matched frequency response in stereo applications.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1-Inch True-Condenser Capsule:\u003c\/strong\u003e Hand-crafted gold-sputtered capsule captures detailed vocals and instruments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCardioid Pickup Pattern:\u003c\/strong\u003e Focuses on the source while helping reduce unwanted off-axis sound.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable Low-Cut Filters:\u003c\/strong\u003e 80 Hz and 160 Hz settings help manage rumble and proximity effect.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSelectable Attenuation Pads:\u003c\/strong\u003e -10 dB and -20 dB pads accommodate high-SPL sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eComplete Stereo Kit:\u003c\/strong\u003e Includes two shockmounts, thread adapters, stereo bar, and metal case.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe sE4100 uses a die-cast all-metal housing, metal switches, and a spring-steel wire-mesh grille. Its flat, round-edged chassis is designed to work with the included custom suspension shockmount. The matched-pair kit stores both microphones and accessories in its supplied metal case.\u003c\/p\u003e\u003cp\u003eConnect each microphone to a balanced XLR microphone input that provides 48V phantom power, then mount the pair using the included shockmounts and stereo bar. Choose the low-cut filter and pad setting before recording based on source level, low-frequency buildup, and microphone distance. For stereo capture, position the microphones according to the desired technique and maintain consistent placement relative to the sound source.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669442650182,"sku":"sE4100(P)","price":563.31,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/81gJ-MNmSsL.jpg?v=1784503682"},{"product_id":"se-electronics-se4400-1-multi-pattern-condenser-microphone","title":"sE Electronics sE4400 1\" Multi-Pattern Condenser Microphone","description":"\u003cp\u003eThe sE Electronics sE4400 is a large-diaphragm true condenser microphone built for detailed studio and live recording. Its selectable pickup patterns let one microphone adapt to close-miked sources, room capture, stereo techniques, and situations where off-axis rejection matters. It is suited to recording vocals, acoustic instruments, piano, drums, brass, and guitar cabinets.\u003c\/p\u003e\u003cp\u003eThis microphone is designed for engineers, musicians, producers, and content creators who need flexible microphone placement without changing the tonal foundation of their setup. The hand-crafted dual-diaphragm, gold-sputtered capsule is individually tuned in-house. Its response is intended to provide a smooth, natural character with clear source detail.\u003c\/p\u003e\u003cp\u003eFour selectable polar patterns—cardioid, hypercardioid, omnidirectional, and figure-8—support a broad range of recording approaches. Cardioid and hypercardioid modes can help focus on a source, while omnidirectional and figure-8 modes offer options for room sound and two-sided capture. This flexibility makes the sE4400 useful for both single-mic sessions and more involved studio setups.\u003c\/p\u003e\u003cp\u003eSwitchable 40 Hz and 80 Hz low-cut filters help reduce low-frequency rumble, footfall noise, and excessive proximity effect. Selectable 10 dB and 20 dB attenuation pads increase its ability to accommodate louder sources. With the 20 dB pad engaged, the microphone is rated for up to 157 dB SPL at 0.5% THD.\u003c\/p\u003e\u003cp\u003eThe sE4400 connects through a standard 3-pin XLR output and requires 48V phantom power from a compatible audio interface, mixer, or microphone preamp. Its included shockmount supports isolated mounting for studio stands and close-miking positions. A matched-pair version is also available for users building a stereo recording setup.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHand-Crafted Dual-Diaphragm Capsule:\u003c\/strong\u003e A 1-inch gold-sputtered true condenser capsule captures detailed, balanced audio.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFour Polar Patterns:\u003c\/strong\u003e Select cardioid, hypercardioid, omnidirectional, or figure-8 operation for different miking methods.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable Low-Cut Filters:\u003c\/strong\u003e Choose 40 Hz or 80 Hz filtering to reduce unwanted low-frequency content.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10 dB and 20 dB Pads:\u003c\/strong\u003e Handles louder sound sources with increased headroom.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh SPL Capability:\u003c\/strong\u003e Supports up to 157 dB SPL with the 20 dB pad engaged.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCustom Shockmount Included:\u003c\/strong\u003e Helps reduce mechanically transmitted vibration during recording.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe sE4400 uses a die-cast all-metal housing, metal switches, and a spring-steel wire-mesh grille. Its flat, round-edged chassis is designed to work with the included custom shockmount and to support close placement against sources such as guitar cabinets or drum heads. The microphone measures 146 mm long and weighs 290 g.\u003c\/p\u003e\u003cp\u003eConnect the microphone to a compatible mixer, preamp, or audio interface using a balanced 3-pin XLR microphone cable, then enable 48V phantom power. Start in cardioid mode for a focused vocal or instrument capture, and use the low-cut filters or pads only when the source and placement call for them. For stereo recording, use two microphones or the separately available matched-pair configuration with its stereo mounting bar.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669442912326,"sku":"sE4400","price":428.12,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/716JVJ-d6rL.jpg?v=1784503718"},{"product_id":"se-electronics-se4400p-matched-pair-condenser-microphones","title":"sE Electronics sE4400(P) Matched Pair Condenser Microphones","description":"\u003cp\u003eThe sE Electronics sE4400(P) is a factory-matched pair of large-diaphragm condenser microphones built for stereo recording and flexible single-microphone applications. Each microphone uses a hand-crafted true condenser capsule and selectable pickup patterns to adapt to a broad range of sources. The pair is intended for recording engineers, musicians, project studios, and live-production users who need two closely matched microphones for consistent stereo capture.\u003c\/p\u003e\u003cp\u003eIts smooth, natural character is suited to lead vocals, acoustic instruments, piano, brass, electric guitar cabinets, drum overheads, orchestral sources, and room capture. Four selectable polar patterns let the microphones move from focused source isolation to wider ambient or stereo recording techniques. This makes the pair practical for sessions where the microphone position and pattern need to change with the source.\u003c\/p\u003e\u003cp\u003eEach sE4400 uses a hand-crafted 1-inch, gold-sputtered true condenser capsule with dual diaphragms. The microphones are tested, tuned, and sonically matched in-house for closely aligned frequency response between the two channels. That matching helps support balanced stereo imaging when the microphones are used on a stereo bar or as a spaced pair.\u003c\/p\u003e\u003cp\u003eSwitchable low-cut filters at 40 Hz and 80 Hz help reduce low-frequency rumble, footfall noise, and excess proximity effect. Selectable -10 dB and -20 dB attenuation pads allow the microphones to accommodate louder sources such as drums, brass, and guitar cabinets. With up to 157 dB SPL handling when the -20 dB pad is engaged, the sE4400 can cover both detailed and high-level recording work.\u003c\/p\u003e\u003cp\u003eThe matched-pair package provides the core hardware needed to begin stereo microphone placement, including two custom shockmounts, thread adapters, a stereo mounting bar, and a metal case. It connects through standard 3-pin XLR and requires 48V phantom power from a compatible audio interface, microphone preamp, mixer, or recorder. It is a useful upgrade for studios adding a versatile multi-pattern pair for overheads, instruments, ambience, and stereo recording setups.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFactory-Matched Pair:\u003c\/strong\u003e Two microphones are tested and tuned for closely matched frequency response.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFour Polar Patterns:\u003c\/strong\u003e Choose cardioid, hypercardioid, omnidirectional, or figure-8 for the source and room.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1-Inch True Condenser Capsule:\u003c\/strong\u003e Gold-sputtered dual-diaphragm design supports detailed, natural capture.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable Low-Cut Filters:\u003c\/strong\u003e 40 Hz and 80 Hz filters help manage rumble and proximity effect.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSelectable Attenuation Pads:\u003c\/strong\u003e -10 dB and -20 dB pads accommodate high-SPL instruments and amplifiers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStereo Recording Accessories:\u003c\/strong\u003e Includes two shockmounts, a stereo bar, thread adapters, and metal case.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe sE4400 uses a die-cast all-metal housing, all-metal switches, and a rugged spring-steel wire-mesh grille. Its flat, round-edged chassis is designed to work with the included custom suspension shockmount. The matched-pair set stores and transports in its included metal case.\u003c\/p\u003e\u003cp\u003eConnect each microphone to a balanced XLR microphone input and enable 48V phantom power only on compatible equipment. Use the included stereo mounting bar for coincident or near-coincident stereo techniques, or place the microphones separately for spaced-pair recording. Select the polar pattern, low-cut filter, and pad for the source, level, room sound, and desired rejection of surrounding sound.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669443043398,"sku":"sE4400(P)","price":840.51,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/81eOuAnozML.jpg?v=1784503753"},{"product_id":"se-electronics-se6160-shotgun-condenser-microphone","title":"sE Electronics sE6160 Shotgun Condenser Microphone","description":"\u003cp\u003eThe sE Electronics sE6160 is a compact shotgun condenser microphone made for focused ambient capture, live sound, location recording, broadcast work, and studio applications. Its highly directional supercardioid\/lobar pattern helps prioritize sound arriving from the front while reducing unwanted off-axis pickup. This makes it a practical choice when clarity and isolation are important in busy or loud environments.\u003c\/p\u003e\u003cp\u003eFor performers using in-ear monitoring, the sE6160 can be used to capture crowd and room ambience to restore a more natural connection to the venue. It is also suited to dialogue, audience miking, concert recording, and mobile boom use. The microphone's focused pattern supports higher gain before feedback than less directional ambient microphone options.\u003c\/p\u003e\u003cp\u003eThe sE6160 uses a hand-crafted small-diaphragm true condenser capsule and transformerless output circuitry. Its specified 20 Hz to 20 kHz frequency range, 25 mV\/Pa sensitivity, and 13 dB(A) equivalent noise level support detailed capture with low self-noise. The design is intended to provide a controlled, natural sound character rather than excessive coloration.\u003c\/p\u003e\u003cp\u003eTwo onboard switches provide useful control for changing sources and venues. The attenuation pad offers 10 dB and 20 dB settings for high-SPL sources, while the low-cut filter provides 80 Hz and 160 Hz settings to reduce rumble, footfall noise, or excess low-frequency buildup. With its 20 dB pad selected, the microphone is rated for up to 157 dB SPL at 0.5% THD.\u003c\/p\u003e\u003cp\u003eIts compact 250 mm length and 110 g weight make the sE6160 easy to integrate into a stand-mounted, boom-mounted, or portable recording setup. It connects through a standard 3-pin male XLR output and requires 48 V phantom power. A mic clip, thread adapter, windscreen, and soft case are included for a ready-to-use professional microphone package.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eShotgun Pickup Pattern:\u003c\/strong\u003e Supercardioid\/lobar directionality focuses on the source ahead of the microphone.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrue Condenser Capsule:\u003c\/strong\u003e Hand-crafted small-diaphragm capsule supports detailed, low-noise audio capture.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDual Attenuation Pad:\u003c\/strong\u003e Switchable 10 dB and 20 dB pad settings accommodate louder sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable Low-Cut Filter:\u003c\/strong\u003e Choose 80 Hz or 160 Hz filtering to reduce rumble and excess bass.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh SPL Handling:\u003c\/strong\u003e Handles up to 157 dB SPL with the 20 dB pad engaged.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompact XLR Design:\u003c\/strong\u003e Lightweight body uses a 3-pin male XLR connection and 48 V phantom power.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe sE6160 has a roadworthy all-metal, die-cast housing designed for regular live-production and recording use. Its compact 19.6 mm diameter body measures 250 mm long and weighs 110 g. The included windscreen, mic clip, thread adapter, and soft case support transport, stand mounting, and basic wind protection.\u003c\/p\u003e\u003cp\u003eConnect the microphone's 3-pin male XLR output to a balanced XLR microphone input with 48 V phantom power, such as a mixer, audio interface, field recorder, or dedicated microphone preamp. Use the supplied clip on a boom, stand, or compatible mounting system, and aim the front of the microphone toward the desired source. Select the pad for loud material and engage the low-cut filter when low-frequency vibration, handling noise, footfall, or proximity effect needs to be reduced.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669446418502,"sku":"sE6160","price":499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/91a2L1fT5sL.jpg?v=1784503807"},{"product_id":"se-electronics-se6160p-matched-pair-shotgun-microphones","title":"sE Electronics sE6160(P) Matched Pair Shotgun Microphones","description":"\u003cp\u003eThe sE Electronics sE6160(P) is a factory-matched pair of compact shotgun condenser microphones for professional live sound, location recording, broadcast, and stereo ambient capture. Its focused shotgun pickup pattern helps capture a desired source while reducing pickup from the sides and rear. This makes the pair well suited to audience ambience for in-ear-monitor mixes, concert recording, dialogue, and spot-miking applications.\u003c\/p\u003e\u003cp\u003eEach sE6160 uses a hand-crafted small-diaphragm true condenser capsule with a gold-sputtered diaphragm. The microphone is designed for a natural, controlled sound character with low equivalent noise and strong off-axis rejection. As a matched pair, the two microphones provide a consistent option for stereo and ambient recording setups.\u003c\/p\u003e\u003cp\u003eThe sE6160 provides practical control for changing recording conditions. Its switchable attenuation pad offers 0 dB, -10 dB, and -20 dB settings for high-level sources, while the selectable low-cut filter provides 80 Hz and 160 Hz positions to help reduce rumble, footfall noise, and excess low-frequency buildup. With the -20 dB pad engaged, each microphone is rated to handle up to 157 dB SPL at 0.5% THD.\u003c\/p\u003e\u003cp\u003eA supercardioid\/lobar shotgun pattern gives the sE6160 a narrow, forward-focused pickup area. This can help improve gain before feedback in live environments and reduce unwanted bleed when working around PA systems, stage noise, or nearby instruments. The transformerless output and 3-pin XLR connection support integration with standard professional microphone inputs.\u003c\/p\u003e\u003cp\u003eThe matched-pair package gives engineers two compact microphones for spaced, stereo, or dual-ambient placement. Each microphone requires 48 V phantom power and connects to an XLR-equipped mixer, preamp, recorder, or audio interface. Included clips, thread adapters, windscreens, and a soft case help support transport and practical setup.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFactory-Matched Pair:\u003c\/strong\u003e Two sE6160 microphones selected as a matched set for consistent stereo and ambient capture.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShotgun Polar Pattern:\u003c\/strong\u003e Supercardioid\/lobar directionality focuses on the front while reducing off-axis sound.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrue Condenser Capsule:\u003c\/strong\u003e Hand-crafted small-diaphragm capsule uses a gold-sputtered diaphragm for detailed capture.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable Attenuation Pad:\u003c\/strong\u003e Select 0 dB, -10 dB, or -20 dB operation for sources with different sound-pressure levels.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSelectable Low-Cut Filter:\u003c\/strong\u003e 80 Hz and 160 Hz filter positions help manage rumble and excessive bass.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProfessional XLR Output:\u003c\/strong\u003e 3-pin male XLR connections work with phantom-powered mic preamps, mixers, and recorders.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eEach microphone has a roadworthy die-cast metal housing and a compact 19.6 mm diameter by 250 mm length format. At 110 g per microphone, the sE6160 is light enough for many boom, stand, and mobile-recording applications. Its all-metal construction also provides a durable platform for routine stage, studio, and location use.\u003c\/p\u003e\u003cp\u003eConnect each microphone with a balanced XLR microphone cable to a mixer, recorder, or audio interface that supplies 48 V phantom power in accordance with IEC 61938. Use the included microphone clips and thread adapters to mount the pair on compatible stands, stereo bars, or boom hardware. Start with the pad and low-cut switches centered, then select attenuation or low-cut settings when the source level or low-frequency noise calls for them.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669447958598,"sku":"sE6160(P)","price":989.01,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/91Ed3GUZhAL.jpg?v=1784504139"},{"product_id":"se-electronics-se7-small-diaphragm-cardioid-condenser-microphone","title":"sE Electronics sE7 Small-Diaphragm Cardioid Condenser Microphone","description":"\u003cp\u003eThe sE Electronics sE7 is a compact small-diaphragm condenser microphone built for detailed instrument recording and live sound capture. Its cardioid pattern focuses on the intended source while helping reduce pickup from the sides and rear. It is suited to acoustic guitar, piano, strings, woodwinds, drums, percussion, and cymbal overhead applications.\u003c\/p\u003e\u003cp\u003eA 1\/2-inch back-electret condenser capsule and ultra-thin diaphragm support fast transient response for material with sharp attacks and subtle detail. The microphone is designed to provide a natural, balanced presentation across its 20 Hz to 20 kHz frequency range. Its compact pencil-style format makes placement practical in tight recording positions.\u003c\/p\u003e\u003cp\u003eThe sE7 uses discrete Class-A circuitry and a transformerless output stage. This design supports a short signal path and a clear, controlled signal for microphone preamps, mixers, and audio interfaces. With 19 mV\/Pa sensitivity and 16 dB equivalent noise, it is equipped for close and more distant instrument miking duties.\u003c\/p\u003e\u003cp\u003eFor loud sources, the switchable -20 dB attenuation pad raises maximum SPL handling from 136 dB SPL to 156 dB SPL. This helps when placing the microphone near drums, brass instruments, or guitar speaker cabinets. A switchable 80 Hz low-cut filter can reduce rumble, footfall noise, wind noise, and excess low-frequency buildup from close placement.\u003c\/p\u003e\u003cp\u003eThe sE7 fits easily into a recording setup that uses standard balanced XLR microphone connections and 48V phantom power. It can be used as a single spot microphone or paired with another sE7 for stereo recording techniques. The included mic clip with thread adapter and windscreen provide the basic accessories needed to begin setup.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCardioid Pickup Pattern:\u003c\/strong\u003e Focuses capture on the source in front of the microphone.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1\/2-Inch Back-Electret Capsule:\u003c\/strong\u003e Supports detailed instrument and percussion recording.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable -20 dB Pad:\u003c\/strong\u003e Helps accommodate high-output and close-miked sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e80 Hz Low-Cut Filter:\u003c\/strong\u003e Reduces low-frequency rumble and proximity-effect buildup.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClass-A Transformerless Circuit:\u003c\/strong\u003e Provides a direct signal path to connected preamps.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAll-Metal Chassis:\u003c\/strong\u003e Provides durable housing for studio and stage use.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe sE7 uses an all-metal chassis with a compact 23 mm diameter body and a gold-plated 3-pin XLR connector. Its 120 mm pencil-microphone form factor is suitable for stand, boom, and clip-based positioning around instruments. The microphone weighs 128 g and includes a mic clip with thread adapter plus a windscreen.\u003c\/p\u003e\u003cp\u003eConnect the sE7 to a microphone input using a balanced XLR cable, then enable 48V phantom power from a compatible interface, mixer, or dedicated phantom-power supply. Use the low-cut filter when low-frequency noise or close-miking bass buildup is present, and engage the -20 dB pad for loud sources or when a preamp input is overloading. Position the end-address capsule toward the desired source and use the supplied clip to secure it to a compatible microphone stand or boom.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669447991366,"sku":"sE7","price":99.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/611hDeKQXsL.jpg?v=1784504178"},{"product_id":"se-electronics-se7p-matched-pair-condenser-microphones","title":"sE Electronics sE7(P) Matched Pair Condenser Microphones","description":"\u003cp\u003eThe sE Electronics sE7(P) is a factory-matched pair of small-diaphragm cardioid condenser microphones for stereo recording, instrument capture, and live sound reinforcement. It provides two closely selected microphones for techniques where consistent response between channels is important. The pair is suited to acoustic guitar, piano, drum overheads, percussion, strings, woodwinds, and choir recording.\u003c\/p\u003e\u003cp\u003eEach sE7 uses a 1\/2-inch back-electret condenser capsule with a cardioid pickup pattern. Its compact end-address format helps focus on the intended source while reducing pickup from the rear of the microphone. The stated 20 Hz to 20 kHz frequency range and 19 mV\/Pa sensitivity support detailed capture of acoustic instruments and percussion.\u003c\/p\u003e\u003cp\u003eA switchable 20 dB attenuation pad allows the microphones to handle louder sources and close-miking applications. With the pad disengaged, maximum SPL handling is rated at 136 dB SPL; engaging the pad raises this rating to 156 dB SPL. This makes the pair practical for sources such as drums, brass instruments, and guitar speaker cabinets when appropriate placement is used.\u003c\/p\u003e\u003cp\u003eThe switchable 80 Hz low-cut filter helps reduce footfall, rumble, wind-related low-frequency noise, and excessive proximity effect. Discrete Class-A circuitry and a transformerless output are used in the microphone design. The microphones require standard 48V phantom power from a compatible microphone preamp, mixer, audio interface, or recorder.\u003c\/p\u003e\u003cp\u003eAs a matched pair, the sE7(P) is intended for stereo configurations such as spaced pair, X\/Y, ORTF, and drum-overhead placement. Its 3-pin XLR outputs integrate with conventional balanced microphone inputs. The included clips, thread adapters, and windscreens provide the basic accessories needed to add the pair to a studio or live microphone setup.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFactory-Matched Pair:\u003c\/strong\u003e Two selected sE7 microphones support consistent stereo recording results.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCardioid Capsule:\u003c\/strong\u003e Focuses pickup toward the source while reducing rear pickup.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20 dB Pad:\u003c\/strong\u003e Handles louder instruments and close-miking applications.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e80 Hz Low-Cut Filter:\u003c\/strong\u003e Helps reduce rumble, footfall noise, and proximity effect.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e48V Phantom Power:\u003c\/strong\u003e Works with compatible mixers, interfaces, and microphone preamps.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransformerless XLR Output:\u003c\/strong\u003e Connects through standard balanced 3-pin XLR microphone inputs.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eEach microphone has a compact all-metal housing designed for studio and stage use. The body measures 23 mm in diameter and 120 mm long, with an individual weight of 128 g. A 1\/2-inch back-electret condenser capsule, discrete Class-A circuitry, and transformerless output are incorporated into the design.\u003c\/p\u003e\u003cp\u003eMount each microphone in its included clip and thread adapter, then connect it with a standard balanced XLR microphone cable to a preamp, mixer, interface, or recorder that supplies 48V phantom power. Use the pair on separate input channels for stereo techniques, and engage the 20 dB pad for high-SPL sources or the 80 Hz low-cut filter when low-frequency rumble or proximity effect needs to be reduced. Two windscreens are included for applications where light wind or breath noise may be present.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669451366470,"sku":"sE7(P)","price":229.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/71HnKEo62IL.jpg?v=1784504212"},{"product_id":"se-electronics-se7sf-sidefire-condenser-microphone","title":"sE Electronics sE7sF SideFire Condenser Microphone","description":"\u003cp\u003eThe sE Electronics sE7sF sE7 sideFire is a small-diaphragm condenser microphone with a 90-degree side-address capsule. It is designed for close-miking instruments where conventional end-address pencil microphones can be difficult to position. The sideways capsule orientation helps fit the microphone into compact drum, piano, guitar, and acoustic-instrument setups.\u003c\/p\u003e\u003cp\u003eThis cardioid microphone is suited to studio recording and live sound applications requiring focused pickup and practical placement flexibility. Its 1\/2-inch back-electret condenser capsule is engineered for a natural, balanced response across its 20 Hz to 20 kHz operating range. The ultra-thin diaphragm supports quick transient response for detailed percussion, strings, acoustic guitar, and cymbal capture.\u003c\/p\u003e\u003cp\u003eThe sE7 sideFire uses discrete Class-A electronics and a transformerless output design. This combination supports a clear signal path with a specified equivalent noise level of 16 dB(A). With 19 mV\/Pa sensitivity and a 78 dB signal-to-noise ratio, it is built for detailed instrument recording with standard microphone preamps and audio interfaces.\u003c\/p\u003e\u003cp\u003eA switchable 20 dB pad expands the microphone's use on high-volume sound sources. Maximum SPL handling is rated at 136 dB without the pad and 156 dB with the pad engaged, both measured at 0.5% THD. A switchable 80 Hz low-cut filter helps reduce footfall noise, rumble, wind noise, and excess bass from close placement.\u003c\/p\u003e\u003cp\u003eThe sE7sF connects through a gold-plated 3-pin male XLR output and requires 48 V phantom power. Its compact all-metal body is appropriate for regular studio and stage use, while the included mic clip, thread adapter, and windscreen help get it mounted quickly. It can be used as a single close microphone or paired with another sE7 sideFire for stereo and ambient recording applications.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e90-Degree SideFire Capsule:\u003c\/strong\u003e Side-address pickup simplifies placement in confined instrument setups.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCardioid Polar Pattern:\u003c\/strong\u003e Focuses pickup toward the source while reducing off-axis sound.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable 20 dB Pad:\u003c\/strong\u003e Accommodates louder instruments and close-miking positions.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e80 Hz Low-Cut Filter:\u003c\/strong\u003e Reduces rumble, footfall noise, and close-miking bass buildup.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransformerless Class-A Circuitry:\u003c\/strong\u003e Supports a short, clean signal path.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e48 V Phantom Operation:\u003c\/strong\u003e Works with compatible microphone preamps, mixers, and interfaces.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe sE7 sideFire has an all-metal chassis with a high-quality finish and a gold-plated 3-pin male XLR connector. Its body measures 23 mm in diameter and 130 mm long, with a weight of 163 g. The capsule is rotated 90 degrees from the microphone body for side-address positioning in tight or unconventional locations.\u003c\/p\u003e\u003cp\u003eConnect the microphone to a balanced XLR microphone input that supplies 48 V phantom power according to IEC 61938. Use the included mic clip and thread adapter to mount it on a standard microphone stand, then aim the side-address capsule toward the sound source. Engage the 20 dB pad for high-SPL sources and use the 80 Hz low-cut filter when rumble, wind noise, or excessive proximity-effect bass is present.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669451432006,"sku":"sE7sF","price":129.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/61U9pYnkVHL.jpg?v=1784504243"},{"product_id":"se-electronics-se7sfp-sidefire-condenser-microphone-pair","title":"sE Electronics sE7sF(P) SideFire Condenser Microphone Pair","description":"\u003cp\u003eThe sE Electronics sE7sF(P) sE7 sideFire is a factory-matched pair of small-diaphragm condenser microphones designed for instrument recording and live sound. Its 90-degree side-address capsule layout helps solve placement challenges where a traditional end-address pencil microphone may be difficult to position. It is well suited to drums, percussion, acoustic guitar, piano, strings, woodwinds, choirs, and stereo ambience capture.\u003c\/p\u003e\u003cp\u003eEach microphone uses a cardioid pickup pattern to focus on the intended source while reducing pickup from the rear. The 1\/2-inch back-electret condenser capsule is designed for clear, balanced reproduction and fast transient response. This makes the pair practical for detailed sources such as cymbals, acoustic instruments, and percussion.\u003c\/p\u003e\u003cp\u003eThe sE7 sideFire uses discrete Class-A electronics and a transformerless output stage. Its equivalent noise level is rated at 16 dB(A), with a 78 dB signal-to-noise ratio. The resulting design is intended to capture fine detail without adding unnecessary noise in studio or stage signal chains.\u003c\/p\u003e\u003cp\u003eA switchable 20 dB attenuation pad expands the microphone's maximum SPL handling from 136 dB to 156 dB SPL. This supports close placement on loud sources such as snare drums, brass instruments, and percussion. A switchable 80 Hz low-cut filter can help reduce rumble, footfall noise, wind noise, and excessive proximity-effect bass.\u003c\/p\u003e\u003cp\u003eThe matched-pair configuration is selected for closely consistent performance, making it appropriate for stereo techniques and ambient recording. Connect each microphone to an XLR-equipped microphone preamp, mixer, or audio interface that supplies 48V phantom power. The included clips, thread adapters, and windscreens provide the basic hardware needed to mount the pair on standard microphone stands.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e90-Degree SideFire Capsule:\u003c\/strong\u003e Enables practical positioning in tight or awkward miking locations.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFactory-Matched Pair:\u003c\/strong\u003e Supports consistent stereo and ambient microphone techniques.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCardioid Pickup Pattern:\u003c\/strong\u003e Focuses on the source and reduces rear pickup.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable 20 dB Pad:\u003c\/strong\u003e Accommodates high-SPL instruments and close-miking applications.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e80 Hz Low-Cut Filter:\u003c\/strong\u003e Helps reduce low-frequency rumble and excessive bass buildup.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClass-A Transformerless Circuit:\u003c\/strong\u003e Provides a short, clean signal path for detailed capture.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe sE7 sideFire has an all-metal chassis, a gold-plated 3-pin male XLR connector, and a 90-degree rotated capsule arrangement. Each microphone measures 23 mm in diameter and 130 mm in length, with a weight of 163 g. The metal housing is designed to support durable studio and stage use while helping reject electrical interference.\u003c\/p\u003e\u003cp\u003eUse one microphone for close instrument capture or deploy both for stereo overhead, spaced-pair, or ambient applications. Each mic requires a balanced XLR connection and 48V phantom power from a compatible mixer, microphone preamp, or audio interface. Engage the 20 dB pad for very loud sources, and use the 80 Hz low-cut filter when low-frequency noise or close-placement bass buildup is a concern.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669452021830,"sku":"sE7sF(P)","price":246.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/71CWQ4OW9fL.jpg?v=1784504276"},{"product_id":"se-electronics-se8-cardioid-capsule-p-matched-pair","title":"sE Electronics sE8 Cardioid Capsule (P) Matched Pair","description":"\u003cp\u003eThe sE Electronics sE8 Cardioid Capsule (P) is a factory-matched pair of replacement cardioid capsules made for sE8 small-diaphragm condenser microphones. It gives owners of the sE8 omni system a way to change to focused cardioid pickup without purchasing another complete microphone pair. This package contains capsules only, not complete microphones or microphone bodies.\u003c\/p\u003e\u003cp\u003eCardioid pickup is useful when a recording setup needs more focus on the intended source and less pickup from the rear and sides. The matched pair is suited to stereo techniques, overhead use, ensembles, acoustic instruments, vocals, percussion, and other applications where consistent left\/right response matters. Each capsule is selected as part of a matched set to support stable stereo imaging.\u003c\/p\u003e\u003cp\u003eThe capsule uses true-condenser construction with a hand-crafted, gold-sputtered small diaphragm. Its precision backplate and electrode design are intended to support smooth frequency response, natural tonal balance, quick transient handling, and consistent off-axis behavior. These qualities make it a practical option for detailed sources such as cymbals, strings, piano, acoustic guitar, and percussion.\u003c\/p\u003e\u003cp\u003eWhen installed on a compatible sE8 microphone body, the cardioid capsule supports a 20 Hz to 20 kHz frequency range and a -32 dBV sensitivity rating. The complete microphone configuration can handle high sound-pressure levels with its selectable pad settings, making it suitable for close placement on louder instruments. The microphone body's switchable low-cut filters can also help manage rumble, footfall noise, and excess proximity-effect bass.\u003c\/p\u003e\u003cp\u003eThis pair is an upgrade path for users who own sE8 omni microphones and want the directional behavior of the standard sE8 cardioid configuration. Installation uses the compatible sE8 microphone bodies, which provide the XLR connection, phantom-power operation, pads, and filters. For stereo recording, use the two matched capsules on a pair of sE8 bodies and position them with an appropriate stereo mounting method.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFactory-Matched Pair:\u003c\/strong\u003e Two capsules are selected for closely matched performance in stereo recording applications.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCardioid Polar Pattern:\u003c\/strong\u003e Focuses pickup toward the front of each microphone for more directional capture.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrue-Condenser Design:\u003c\/strong\u003e Uses small-diaphragm condenser construction for detailed, responsive sound capture.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGold-Sputtered Diaphragm:\u003c\/strong\u003e Hand-crafted diaphragm construction supports accurate transient reproduction.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003esE8 System Compatibility:\u003c\/strong\u003e Designed specifically for use with compatible sE Electronics sE8 microphone bodies.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh-SPL Ready System:\u003c\/strong\u003e Supports the sE8 microphone configuration's pad-equipped operation for loud sources.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eEach sE8 Cardioid Capsule is hand-crafted and individually tuned by sE Electronics. The design combines a gold-sputtered diaphragm, precision electrode structure, and sophisticated backplate geometry in a compact replacement capsule. As a matched set, the two capsules are selected from a larger group for close sensitivity and response consistency.\u003c\/p\u003e\u003cp\u003eThese capsules are intended for sE8 microphone bodies, including use as a cardioid option for sE8 omni owners. Install one capsule on each compatible microphone body before connecting the microphones to balanced XLR inputs with 48 V phantom power. The capsules themselves do not include a microphone body, XLR connector, mic clips, windscreens, stereo bar, or case.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669452185670,"sku":"sE8 Cardioid Capsule(P)","price":229.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/81yeMxu8Z2L.jpg?v=1784504322"},{"product_id":"se-electronics-se8-omni-capsulep-matched-pair","title":"sE Electronics sE8 Omni Capsule(P) Matched Pair","description":"\u003cp\u003eThe sE Electronics sE8 Omni Capsule(P) is a factory-matched pair of omnidirectional replacement capsules for owners of a pair of sE8 cardioid small-diaphragm condenser microphones. It changes the pickup pattern of compatible sE8 microphones from cardioid to omnidirectional without requiring a separate pair of complete microphones. The package is intended for recording setups that need a more open, natural capture of an instrument, ensemble, room, or performance space.\u003c\/p\u003e\u003cp\u003eThese capsules are suited to stereo recording duties such as orchestral sections, choirs, piano, percussion, cymbals, room miking, and ambient capture. Their omnidirectional pattern is designed to collect sound from around the microphone rather than concentrating primarily on the front. That makes them useful when maintaining a natural sense of space and consistent off-axis response is important.\u003c\/p\u003e\u003cp\u003eEach capsule is hand-crafted and individually tuned by sE Electronics. The true-condenser design uses an ultra-thin gold-sputtered diaphragm and a precision electrode arrangement intended to support linear, balanced response and detailed transient reproduction. As a factory-matched pair, the two capsules are selected for close sensitivity and frequency-response consistency for stereo work.\u003c\/p\u003e\u003cp\u003eThe sE8 Omni Capsule(P) is an upgrade component rather than a self-contained microphone pair. It does not include the sE8 amplifier bases, XLR outputs, or microphone bodies needed for operation. Once installed on compatible sE8 preamp bases, the system retains the host microphone's switchable low-cut filters and attenuation pads.\u003c\/p\u003e\u003cp\u003eFor sE8 cardioid-pair owners, these capsules provide a practical way to add an omnidirectional option while keeping the same microphone platform. Installation is performed by removing the existing capsule and threading the Omni capsule onto the sE8 preamplifier base. A compatible XLR microphone chain with 48V phantom power is required after the capsules are mounted to the microphone bases.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFactory-Matched Pair:\u003c\/strong\u003e Two capsules are selected for closely matched stereo performance.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOmnidirectional Pattern:\u003c\/strong\u003e Captures a broad, open sound field around each microphone.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrue-Condenser Capsule:\u003c\/strong\u003e Supports detailed recording with a small-diaphragm condenser platform.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHandcrafted Construction:\u003c\/strong\u003e Each capsule is individually built and tuned by sE Electronics.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGold-Sputtered Diaphragm:\u003c\/strong\u003e The ultra-thin diaphragm is designed for responsive transient capture.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003esE8 System Upgrade:\u003c\/strong\u003e Converts compatible sE8 cardioid microphones to omnidirectional operation.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe sE8 Omni Capsule(P) uses the same compact sE8-form-factor concept as the compatible microphone system. Each capsule is a hand-crafted true-condenser component with an ultra-thin gold-sputtered diaphragm. The capsule-only assembly measures 23 mm in diameter, is approximately 21.5 mm long, and weighs 26 g.\u003c\/p\u003e\u003cp\u003eThese are replacement capsules for an existing pair of sE8 cardioid microphones and are not usable by themselves. Remove the installed sE8 capsule by turning it counterclockwise, place the Omni capsule on the preamp base, and turn clockwise until snug without over-tightening. For use, connect the completed microphones to XLR microphone inputs that provide 48V phantom power; use the pair for stereo arrays, room capture, ensemble recording, or other applications that benefit from omnidirectional pickup.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669452218438,"sku":"sE8 Omni Capsule(P)","price":229.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/81vW1ESRsvL.jpg?v=1784504362"}],"url":"https:\/\/audiowatt.store\/collections\/se-electronics.oembed?page=3","provider":"Audio Watt Store","version":"1.0","type":"link"}