{"title":"Live Sound \u0026 Stage","description":null,"products":[{"product_id":"presonus-nsb16-8-16x8-avb-networked-stage-box","title":"PreSonus NSB16-8 16x8 AVB-Networked Stage Box","description":"\u003cp\u003eThe PreSonus NSB16-8 is a 16x8 AVB-networked stage box designed to place microphone, line-input, and analog-output connections where they are needed on stage. It connects with compatible PreSonus StudioLive Series III digital mixers over an AVB network, reducing the need for a large analog multicore between the stage and mix position. This makes it a practical remote-I\/O solution for live sound, installed systems, theater, worship, broadcast, and mobile production setups.\u003c\/p\u003e\u003cp\u003eSixteen locking combo input connectors accept balanced XLR microphone sources or balanced 1\/4-inch TRS line-level sources. Each microphone input uses a remotely controllable XMAX preamp, allowing input gain and phantom power to be managed from a connected StudioLive Series III mixer or PreSonus Universal Control software. Eight locking balanced XLR outputs provide analog sends at the stage end of the system.\u003c\/p\u003e\u003cp\u003eThe NSB16-8 is built for clean signal handling across a networked production system. Its microphone and line input paths are specified from 20 Hz to 20 kHz at unity gain, while the digital audio section provides 115 dB A-weighted dynamic range at 48 kHz. The result is a remote stage interface suited to microphones, DI boxes, playback devices, monitor feeds, and other balanced audio connections.\u003c\/p\u003e\u003cp\u003eOnboard DSP provides gain compensation for every input when the stage box is shared by multiple mixers on the same AVB network. One mixer is assigned master preamp control, while other connected mixers can make local gain adjustments relative to that master setting. This supports coordinated front-of-house, monitor, and broadcast workflows without requiring separate analog splits for every position.\u003c\/p\u003e\u003cp\u003eTwo locking XLR Ethernet AVB ports form an integrated two-port switch for direct or daisy-chained network configurations. The compact steel enclosure includes stage-friendly handles and can also be converted for rack use with the separately available NSB 16.8 Rack Kit. It is a focused expansion component for StudioLive Series III systems that need more I\/O away from the console.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e16 Locking Combo Inputs:\u003c\/strong\u003e Connect balanced microphones through XLR or balanced line-level sources through 1\/4-inch TRS.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16 XMAX Preamps:\u003c\/strong\u003e Remotely manage microphone gain from a compatible StudioLive Series III system.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEight Balanced XLR Outputs:\u003c\/strong\u003e Send analog output feeds back to the stage with locking XLR connections.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e32x8 AVB Audio:\u003c\/strong\u003e Provides 16 direct channels plus 16 gain-compensated input channels over AVB.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGain Compensation DSP:\u003c\/strong\u003e Supports shared-input workflows across multiple mixers on the same AVB network.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDual AVB Network Ports:\u003c\/strong\u003e The integrated switch supports direct connections and daisy-chained stage-box layouts.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe NSB16-8 uses a rugged steel chassis with integrated handles for stage placement and transport. Its compact enclosure measures 16.7 inches wide by 7 inches high by 4.5 inches deep and weighs 6.2 pounds. Locking input, output, network, and IEC power connections help keep a working system secure.\u003c\/p\u003e\u003cp\u003eConnect the stage box to a compatible PreSonus StudioLive Series III mixer through its AVB network ports using suitable CAT5e or CAT6 Ethernet cabling. Connect microphones or balanced line devices to the combo inputs, then route required output feeds from the mixer to the eight XLR outputs. For rack installations, remove the handles and use the optional NSB 16.8 Rack Kit; the stage box can also be daisy-chained with additional compatible AVB devices.\u003c\/p\u003e","brand":"PreSonus","offers":[{"title":"Default Title","offer_id":45669185814598,"sku":"NSB16-8","price":746.86,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/81CEZXG0l7L.jpg?v=1784480366"},{"product_id":"boss-nex-stage-nextone-stage-40w-12-guitar-amplifier","title":"BOSS NEX-STAGE Nextone Stage 40W 12\" Guitar Amplifier","description":"\u003cp\u003eThe BOSS Nextone Stage is a 40-watt guitar combo amplifier designed to provide tube-inspired response in a portable, maintenance-free format. Its custom 12-inch speaker and analog Class AB power section give players a self-contained amp for practice, rehearsal, recording, and performance. It is built for guitarists who want flexible voicing without changing physical output tubes.\u003c\/p\u003e\u003cp\u003eFour selectable power amp types—6V6, 6L6, EL84, and EL34—change the amplifier's response and tonal character from the front panel. This lets a player move between American- and British-inspired output-stage feels within one combo. BOSS Tube Logic technology is used to shape the interaction from the input through the power amp and speaker section.\u003c\/p\u003e\u003cp\u003eThe Nextone Stage provides Clean and Lead channels, plus Standard and Custom operating modes. Dedicated Boost and Tone switches make it easy to add gain character or brightness from the amp itself. A shared three-band EQ, Presence control, and Master control provide familiar hands-on sound shaping.\u003c\/p\u003e\u003cp\u003eBuilt-in delay, tremolo, and reverb support a compact rig with fewer external pedals, while the send and return loop accommodates favorite effects processors. The Power Control switch supports reduced-output operation for more manageable volume levels. A line output, phones\/recording output, and USB port extend the amp beyond a conventional stage combo.\u003c\/p\u003e\u003cp\u003eFor deeper editing, the Nextone Editor software for macOS and Windows allows compatible settings to be customized from a computer. External speaker outputs provide options for adding properly matched cabinets, and footswitch compatibility supports hands-free control. The Nextone Stage is suited to players seeking a versatile guitar amp that can anchor a straightforward pedalboard, recording setup, or live-performance rig.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFour Power Amp Types:\u003c\/strong\u003e Select 6V6, 6L6, EL84, or EL34 response from the panel.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e40-Watt Combo:\u003c\/strong\u003e Delivers practical output through one custom 12-inch speaker.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTube Logic Design:\u003c\/strong\u003e Provides tube-inspired feel without physical output tubes.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClean And Lead Channels:\u003c\/strong\u003e Covers clean sounds and driven guitar tones.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBuilt-In Effects:\u003c\/strong\u003e Includes delay, tremolo, and reverb for streamlined setups.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eComputer Editing:\u003c\/strong\u003e Nextone Editor enables deeper parameter customization on macOS and Windows.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe Nextone Stage uses a portable combo-amplifier format with an integrated custom 30 cm (12-inch) speaker. Its front panel groups channel, EQ, effects, power-amp selection, and power-control functions for direct access. The cabinet measures 492 mm wide, 248 mm deep, and 427 mm high, with a listed weight of 13.4 kg.\u003c\/p\u003e\u003cp\u003eConnect a guitar to the 1\/4-inch INPUT jack and use the onboard speaker for a complete setup. External effects can be connected through the SEND and RETURN jacks, while optional BOSS footswitches or the GA-FC foot controller can be used for hands-free operation. For external cabinets, use the dedicated 8-ohm or 16-ohm speaker outputs with appropriately matched speaker loads; USB, LINE OUT, and REC OUT\/PHONES connections support computer, recording, and monitoring applications.\u003c\/p\u003e","brand":"Boss","offers":[{"title":"Default Title","offer_id":45669343592518,"sku":"NEX-STAGE","price":549.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/91qL5zQqZmL.jpg?v=1784492612"},{"product_id":"mackie-drm18s-18-powered-pa-subwoofer","title":"Mackie DRM18S 18\" Powered PA Subwoofer","description":"\u003cp\u003eThe Mackie DRM18S is an 18-inch powered professional PA subwoofer designed to add low-frequency support to a live sound system. Its integrated Class-D amplifier and onboard processing eliminate the need for a separate subwoofer amplifier or external crossover. It is intended for mobile DJs, musicians, event providers, houses of worship, venues, and installed sound applications.\u003c\/p\u003e\u003cp\u003eThis subwoofer is built for systems that need more low-end extension and output than full-range loudspeakers can provide alone. It covers a specified frequency range of 30 Hz to 120 Hz at -10 dB, helping reinforce kick drums, bass instruments, playback tracks, and program material. With a maximum peak SPL rating of 135 dB, it is suited to professional applications where controlled bass output is required.\u003c\/p\u003e\u003cp\u003eThe DRM18S uses an 18-inch ferrite woofer in a ported plywood enclosure. Its Advanced Impulse DSP processing is designed to help maintain consistent acoustic performance at higher output levels. Built-in limiting and thermal protection help protect the amplifier and transducer during operation.\u003c\/p\u003e\u003cp\u003eMackie's DRM Control Dashboard places setup functions on a rear-panel, full-color TFT display controlled by a single rotary encoder. Users can adjust level, polarity, crossover mode, cardioid orientation, alignment delay, display settings, and stored configurations from the cabinet. Six user memory locations allow settings to be saved and recalled for repeat setups.\u003c\/p\u003e\u003cp\u003eDual input channels, direct outputs, and high-pass outputs make the DRM18S practical for building compact PA systems with powered top speakers. Use the DRM Top crossover mode when pairing it with compatible Mackie DRM loudspeakers, or select a variable crossover for other full-range speakers. Multiple DRM18S units can also be configured for cardioid operation to direct more low-frequency energy toward the audience area.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e18-Inch Ferrite Woofer:\u003c\/strong\u003e Provides dedicated low-frequency reinforcement for professional PA systems.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2000W Peak Class-D Amplifier:\u003c\/strong\u003e Supplies integrated power without requiring an external amplifier.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAdvanced Impulse DSP:\u003c\/strong\u003e Applies acoustic correction and system processing within the subwoofer.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDRM Control Dashboard:\u003c\/strong\u003e Uses a color display and rotary control for setup access.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVariable Crossover:\u003c\/strong\u003e Helps match the subwoofer with DRM or non-DRM tops.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCardioid Mode:\u003c\/strong\u003e Supports directional multi-subwoofer arrangements using multiple DRM18S units.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe DRM18S uses an 18 mm plywood cabinet with internal bracing, a black Polyurea finish, and a powder-coated 16-18 gauge perforated-steel grille. One handle is fitted to each side for transport. The rectangular enclosure weighs 90.0 lb and includes integrated M10 mounting points for approved flying applications.\u003c\/p\u003e\u003cp\u003eConnect balanced XLR or 1\/4-inch line-level sources to either input channel, then use the balanced high-pass outputs to feed full-range powered loudspeakers. The cabinet includes an M20 threaded pole attachment for a compatible loudspeaker pole and is designed for floor placement or professional rigging with appropriate hardware. For flown installation, use qualified rigging personnel and approved load-rated hardware; do not suspend the cabinet by its handles.\u003c\/p\u003e","brand":"Mackie","offers":[{"title":"Default Title","offer_id":45669386551366,"sku":"DRM-18S","price":1299.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/61Mv6avoE5L.jpg?v=1784496843"},{"product_id":"mackie-mdb-1p-passive-direct-box","title":"Mackie MDB-1P Passive Direct Box","description":"\u003cp\u003eThe Mackie MDB-1P is a single-channel passive direct box designed to connect unbalanced, high-impedance instruments and sources to balanced audio systems. It converts the signal for a balanced XLR output, helping make long cable runs to a mixer or audio interface more practical. A 1\/4-inch Thru connection lets the original source remain connected to an instrument amplifier or compatible effects chain.\u003c\/p\u003e\u003cp\u003eThis DI box is suited to guitars, basses, keyboards, media players, and similar sources with a 1\/4-inch unbalanced output. It is useful for live sound, rehearsal spaces, recording setups, and installed systems where a source needs to feed both a local amplifier and a mixer. Its passive design requires no battery, phantom power, or external power supply.\u003c\/p\u003e\u003cp\u003eThe MDB-1P is engineered for a neutral signal path with a specified 20 Hz to 20 kHz frequency response and 128 dB dynamic range. Its 140 kOhm unbalanced input impedance is designed for high-impedance sources. A stated total harmonic distortion figure of 0.002% from 1 kHz supports clean signal transfer in a properly matched system.\u003c\/p\u003e\u003cp\u003eA switchable -15 dB pad reduces the input level for high-output sources, including instruments with active electronics or high-output pickups. The rear-panel ground-lift switch separates chassis ground from signal ground at the balanced output when needed to address system ground-loop hum. These controls make the unit adaptable without adding active electronics or power requirements.\u003c\/p\u003e\u003cp\u003eThe MDB-1P fits easily into a stage or studio signal chain: connect an instrument to the input, run the XLR output to a mixer or audio interface, and use the Thru jack for an amplifier or instrument-level parallel device. Its compact steel chassis measures 5.8 inches deep, making it practical for pedalboards, stage cases, or desktop recording rigs. It is a focused interface component for systems that need a passive DI connection rather than a powered preamp or audio interface.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePassive Direct Box:\u003c\/strong\u003e Operates without batteries, phantom power, or an external supply.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh-Impedance Input:\u003c\/strong\u003e Accepts unbalanced 1\/4-inch instrument and source signals.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1\/4-Inch Thru Output:\u003c\/strong\u003e Routes the source onward to an amplifier or compatible effects device.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBalanced XLR Output:\u003c\/strong\u003e Connects the converted signal to a mixer or audio interface.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e-15 dB Pad:\u003c\/strong\u003e Reduces high-level input signals to help prevent overload.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGround-Lift Switch:\u003c\/strong\u003e Separates chassis and signal ground to help address ground-loop hum.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe MDB-1P uses a heavy-gauge steel chassis and Mackie's Built-Like-A-Tank construction approach. It is a compact, single-channel DI box with front-panel 1\/4-inch Input and Thru jacks, plus a rear-panel male XLR output and ground-lift switch. The enclosure measures 1.5 inches high, 3.4 inches wide, and 5.8 inches deep.\u003c\/p\u003e\u003cp\u003eUse a shielded 1\/4-inch instrument cable from the source to the Input jack, then connect a standard XLR cable from the output to a mixer or audio interface. Connect the Thru jack to an instrument amplifier, tuner, or instrument-level parallel effects chain when a local feed is needed. Start with the pad disengaged, engage the -15 dB pad for a source with excessive level, and try the ground-lift setting only if hum is present; do not connect an amplifier speaker output directly to the input.\u003c\/p\u003e","brand":"Mackie","offers":[{"title":"Default Title","offer_id":45669387993158,"sku":"MDB-1P","price":79.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/61iyDNXg0wL.jpg?v=1784497319"},{"product_id":"mackie-sr18s-18-1600w-powered-professional-subwoofer","title":"Mackie SR18S 18\" 1600W Powered Professional Subwoofer","description":"\u003cp\u003eThe Mackie SR18S is an 18-inch powered professional subwoofer for PA systems that need dedicated low-frequency reinforcement. Its built-in Class-D amplifier and integrated processing eliminate the need for a separate subwoofer power amp. It is suited to working musicians, DJs, venues, event setups, and other portable sound applications.\u003c\/p\u003e\u003cp\u003eWith selectable Flat, Deep, and Punch voicing modes, the SR18S lets users tailor its low-frequency character to the program material and system goal. Flat provides balanced bass response, Deep extends the lowest frequencies, and Punch prioritizes output. Its maximum peak SPL is rated at 133 dB.\u003c\/p\u003e\u003cp\u003eThe SR18S uses an 18-inch ferrite woofer in a rectangular 15 mm poplar plywood enclosure. Frequency response varies by selected high-pass mode, reaching 33 Hz to 200 Hz at -10 dB in Deep mode. The system is designed to handle bass duties so connected full-range loudspeakers can focus on higher frequencies.\u003c\/p\u003e\u003cp\u003eTwo balanced XLR inputs accept stereo left and right line-level signals, while dedicated high-pass outputs can feed powered top speakers. Full-range XLR outputs support additional powered subwoofers or other loudspeakers, with selectable separate or mono-summed output operation. A variable high-pass mode adjusts from 80 Hz to 160 Hz when used with non-SRT top speakers.\u003c\/p\u003e\u003cp\u003eFor Mackie SRT-series top speakers, the SR Flat, SR Deep, and SR Punch modes provide coordinated processing for the subwoofer and connected loudspeakers. A normal\/invert polarity switch helps optimize the blend between the subwoofer and tops in different placements. Built-in peak and RMS limiting, thermal protection, and a universal switchmode power supply support practical event use.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e18-Inch Ferrite Woofer:\u003c\/strong\u003e Provides dedicated low-frequency reproduction for PA systems.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1600W Peak Class-D Amplifier:\u003c\/strong\u003e Powers the subwoofer without an external amplifier.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCustom Voicing Modes:\u003c\/strong\u003e Flat, Deep, and Punch modes adapt bass response to the application.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVariable High-Pass Mode:\u003c\/strong\u003e Adjusts the crossover point from 80 Hz to 160 Hz.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFlexible XLR Connectivity:\u003c\/strong\u003e Includes stereo inputs plus full-range and high-pass outputs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSystem Protection:\u003c\/strong\u003e Peak\/RMS limiting and thermal protection help monitor demanding operation.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe SR18S is built in a rectangular 15 mm poplar plywood cabinet with a black polyurethane finish. Its front grille is made from 11-gauge ASTM A36 steel with a black powder-coated finish, and one handle on each side supports transport. A defeatable front power LED and rear-panel high-pass-mode and signal\/clip indicators provide simple status visibility.\u003c\/p\u003e\u003cp\u003ePlace the SR18S on a stable floor or stage surface; it is not designed to be suspended or mounted on a pole. Connect a mixer or other line-level source to the balanced XLR inputs, then route the high-pass outputs to powered top speakers when desired. The top socket may be used to support a loudspeaker with a compatible pole; allow at least six inches of free space behind the subwoofer for ventilation.\u003c\/p\u003e","brand":"Mackie","offers":[{"title":"Default Title","offer_id":45669400248390,"sku":"SR18S","price":999.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/71Bq2b9Je5L.jpg?v=1784498996"},{"product_id":"mackie-thump115s-15-1400w-powered-subwoofer","title":"Mackie THUMP115S 15\" 1400W Powered Subwoofer","description":"\u003cp\u003eThe Mackie THUMP115S is a self-powered 15-inch PA subwoofer designed to add low-frequency support to a live sound system. It is intended for DJs, performers, venues, and event setups that need more bass extension than full-range speakers alone can provide. Its built-in amplifier eliminates the need to match and carry a separate external subwoofer amplifier.\u003c\/p\u003e\u003cp\u003eWith a 1400-watt peak Class-D amplifier and a 15-inch ferrite woofer, the THUMP115S is built for amplified music playback and live-performance reinforcement. Mackie specifies a maximum peak sound pressure level of 131 dB. The subwoofer's published frequency response extends down to 36 Hz, helping it reproduce kick drums, bass instruments, and electronic music fundamentals.\u003c\/p\u003e\u003cp\u003eSelectable high-pass modes let the THUMP115S adapt its response to the rest of the PA system. Flat provides a balanced default response, while Deep emphasizes lower bass extension and Punch prioritizes higher output. A Variable mode provides adjustable crossover selection from 80 Hz to 160 Hz for matching a wider range of top speakers.\u003c\/p\u003e\u003cp\u003eStereo balanced XLR inputs support connection from a mixer or other line-level source. Stereo high-pass XLR outputs can feed powered top speakers while routing low frequencies to the subwoofer, and stereo full-range outputs can pass signals to additional equipment. A stereo\/mono full-range output option also supports practical multi-subwoofer deployment.\u003c\/p\u003e\u003cp\u003eThe THUMP115S is a professional PA subwoofer rather than a conventional 12-volt car-audio subwoofer. It uses AC mains power and balanced XLR audio connections, making it appropriate for portable PA, DJ, stage, and installed sound applications with compatible line-level equipment. Its integrated M20 threaded pole mount can support a compatible speaker pole for positioning top speakers above the subwoofer.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e15-Inch Ferrite Woofer:\u003c\/strong\u003e Produces dedicated low-frequency output for PA systems.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1400W Peak Class-D Amplifier:\u003c\/strong\u003e Provides built-in powered operation without an external amp.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFour High-Pass Modes:\u003c\/strong\u003e Flat, Deep, Punch, and Variable options tailor system behavior.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVariable 80–160 Hz Crossover:\u003c\/strong\u003e Helps match the subwoofer with compatible top speakers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStereo XLR Connectivity:\u003c\/strong\u003e Supports balanced inputs plus high-pass and full-range outputs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProtection Circuitry:\u003c\/strong\u003e Limiting and thermal safeguards help protect the amplifier and driver.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe THUMP115S uses a compact powered-subwoofer format with integrated top-corner carrying handles and a 15-inch ferrite low-frequency driver. Its Class-D amplifier uses convection cooling, and the front power LED can be switched off when a less visible stage appearance is preferred. The cabinet includes an integrated M20-threaded pole mount for a compatible loudspeaker pole.\u003c\/p\u003e\u003cp\u003ePlace the subwoofer on a stable floor or stage surface; it is not designed for suspension or for mounting the subwoofer itself on a pole. Connect balanced line-level signals from a mixer to the XLR inputs, then use the high-pass outputs to feed compatible powered top speakers when desired. Use the Variable crossover setting from 80 Hz to 160 Hz when matching the system manually, and leave clearance behind the cabinet for ventilation.\u003c\/p\u003e","brand":"Mackie","offers":[{"title":"Default Title","offer_id":45669410340934,"sku":"THUMP115S","price":749.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/61gumZXSVWL.jpg?v=1784499482"},{"product_id":"mackie-thump118s-18-powered-subwoofer","title":"Mackie THUMP118S 18\" Powered Subwoofer","description":"\u003cp\u003eThe Mackie THUMP118S is an active 18-inch PA subwoofer built to add dedicated low-frequency output to a live sound system. Its integrated Class-D amplifier eliminates the need to match the subwoofer with a separate external power amp. It is suited to DJs, bands, venues, schools, houses of worship, and event systems that need fuller bass support.\u003c\/p\u003e\u003cp\u003eAn 18-inch ferrite woofer handles the low end, with a specified frequency range of 30 Hz to 150 Hz at -10 dB. The system is rated for up to 132 dB peak SPL, helping it keep pace with powered full-range PA speakers in small to medium event setups. Its sound can be tailored for balanced output, deeper bass extension, or increased peak output depending on the program material.\u003c\/p\u003e\u003cp\u003eMackie uses selectable high-pass voicing modes to coordinate the subwoofer with connected top speakers. Flat, Deep, Punch, and Variable modes alter the system behavior, while Variable mode provides an adjustable 80 Hz to 160 Hz high-pass point for the top speakers. A normal\/invert polarity switch helps blend the subwoofer with the rest of the system.\u003c\/p\u003e\u003cp\u003eThe THUMP118S accepts balanced stereo line-level signals through two female XLR inputs. Two high-pass XLR outputs can feed powered top speakers, while two full-range XLR outputs can pass audio to additional speakers or subwoofers. The full-range outputs can operate in stereo or as a mono sum, which is useful when expanding a multi-subwoofer system.\u003c\/p\u003e\u003cp\u003eThis subwoofer is designed as a floor- or stage-mounted foundation for a PA system. An integrated M20 threaded pole mount can support a compatible loudspeaker pole and top speaker above the cabinet. Its onboard level control, signal\/overload indicator, limiting, and thermal protection support practical setup and monitoring at events.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e18-Inch Ferrite Woofer:\u003c\/strong\u003e Provides dedicated low-frequency reinforcement for PA systems.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1400W Peak Class-D Amplifier:\u003c\/strong\u003e Delivers powered operation without an external amplifier.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFour High-Pass Modes:\u003c\/strong\u003e Select Flat, Deep, Punch, or Variable system voicing.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVariable Crossover:\u003c\/strong\u003e Adjusts top-speaker high-pass frequency from 80 to 160 Hz.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStereo XLR I\/O:\u003c\/strong\u003e Connects mixers, powered speakers, and additional subwoofers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePolarity And Level Controls:\u003c\/strong\u003e Helps integrate the subwoofer with connected speakers.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe THUMP118S combines an 18-inch ferrite low-frequency driver with a built-in Class-D amplifier and convection cooling. Integrated top-corner handles assist with transport, and the cabinet includes an M20 threaded pole mount for a compatible top-speaker pole. A defeatable front power LED and rear-panel signal\/overload indicator provide straightforward operational feedback.\u003c\/p\u003e\u003cp\u003ePlace the THUMP118S on a stable floor or stage surface; it is not designed to be suspended or pole-mounted as a subwoofer. Connect balanced line-level output from a mixer or source to either or both XLR inputs, then use the high-pass outputs for top speakers or the full-range outputs to daisy-chain additional equipment. Start with the level control at unity gain, choose the high-pass mode that fits the system, and use the polarity switch to achieve the strongest blend at the listening position.\u003c\/p\u003e","brand":"Mackie","offers":[{"title":"Default Title","offer_id":45669410504774,"sku":"THUMP118S","price":849.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/91RqUfUZprL.jpg?v=1784499523"},{"product_id":"se-electronics-dm3-active-inline-di","title":"sE Electronics DM3 Active Inline DI","description":"\u003cp\u003eThe sE Electronics DM3 is a compact active inline direct box for connecting instruments and other high-impedance sources to a microphone-level XLR input. It is designed for guitar, bass, piezo-equipped instruments, keyboards, synthesizers, drum machines, and similar sources. Its inline layout connects directly to a phantom-powered XLR input, avoiding the need for a separate DI box-to-mixer XLR cable.\u003c\/p\u003e\u003cp\u003eIts 10 MΩ Ultra-HiZ input is intended to minimize loading on passive pickups and piezo sources. This helps preserve the character of instruments that can sound dull or lose level when connected to lower-impedance inputs. The DM3 also provides a dedicated Class-A output buffer for a stable balanced output feed.\u003c\/p\u003e\u003cp\u003eThe DM3 accommodates both low-output instruments and higher-level electronic sources. A recessed, switchable attenuation pad provides 15 dB or 30 dB of input reduction when a source is too hot for the connected preamp or mixer input. Its specified maximum input level reaches 49 dBV with the 30 dB pad engaged.\u003c\/p\u003e\u003cp\u003eFor noise troubleshooting, the DM3 uses a three-position ground-lift switch with Off, On, and On+ positions. The On setting is intended to help break ground loops that cause hum or buzz. The On+ setting is designed to address additional high-frequency noise such as hiss or radio-frequency interference where applicable.\u003c\/p\u003e\u003cp\u003eThis DI is suited to stage, studio, broadcast, and portable recording systems that provide standard 48V phantom power. Its locking 1\/4-inch input helps prevent accidental cable removal during use. The compact cylindrical housing can fit into a small accessory case or pocket and is practical for direct connection to mixers, audio interfaces, preamps, and stage boxes.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e10 MΩ Ultra-HiZ Input:\u003c\/strong\u003e Helps retain the natural response of passive and piezo pickups.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClass-A Output Buffer:\u003c\/strong\u003e Provides a buffered signal for XLR microphone inputs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable Input Pad:\u003c\/strong\u003e Reduces hot input signals by 15 dB or 30 dB.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThree-Position Ground Lift:\u003c\/strong\u003e Offers Off, On, and On+ noise-management settings.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLocking 1\/4-Inch Input:\u003c\/strong\u003e Helps keep an instrument cable connected during use.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e48V Phantom-Powered Operation:\u003c\/strong\u003e Runs from a compatible XLR input without batteries.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe DM3 uses a slim all-metal housing with a tiger-stripe finish and a gold-plated 3-pin male XLR connector. It measures 0.79 inch in diameter and 3.76 inches long, with a weight of 2.47 ounces. Recessed pad and ground-lift switches help reduce unintended setting changes, and the included screwdriver is used to access them.\u003c\/p\u003e\u003cp\u003eConnect the instrument or source to the 6.3 mm (1\/4-inch) TRS input, then plug the DM3's male XLR output into a mixer, interface, preamp, or stage box that supplies 48V phantom power. Use a balanced XLR microphone cable where an extension is required, and engage phantom power at the receiving input. Start with the pad disengaged, then select 15 dB or 30 dB attenuation only if the source overloads the connected input; use the ground-lift settings only as needed to address system noise.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669430460486,"sku":"DM3","price":69.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/61RFdtW6s5L.jpg?v=1784502039"},{"product_id":"se-electronics-dm3-black-active-inline-di","title":"sE Electronics DM3 BLACK Active Inline DI","description":"\u003cp\u003eThe sE Electronics DM3 BLACK is a compact active inline DI designed to connect instrument-level sources directly to a phantom-powered XLR input. It provides a practical way to feed guitars, basses, keyboards, drum machines, synthesizers, and similar sources into a mixer, stage box, or audio interface. Its inline format eliminates the need for a separate DI box and an additional XLR cable between the DI and the input.\u003c\/p\u003e\u003cp\u003eA 10-megaohm Ultra-HiZ input is intended to place minimal load on passive pickups and other high-impedance sources. This helps preserve the natural character of electric guitars, basses, piezo-equipped instruments, and vintage high-impedance microphones. The DM3 BLACK is suited to live stages, home recording, studio tracking, and portable rigs that need a compact DI solution.\u003c\/p\u003e\u003cp\u003eThe DM3 uses sE Electronics DYNAMITE technology and a dedicated Class-A output buffer amplifier. Its frequency range is specified at 10 Hz to 120 kHz within -0.3 dB, while the output noise level is rated at 1 µV JIS-A. The buffered output is designed to provide a stable signal to a microphone preamp or other XLR-equipped input.\u003c\/p\u003e\u003cp\u003eFor high-output sources, the recessed attenuation control provides 15 dB and 30 dB pad settings. The maximum input level is specified as 19, 34, or 49 dBV depending on the attenuation setting. A three-position ground-lift switch includes Off, On, and On+ positions to help address ground-loop hum and, where applicable, additional high-frequency noise or radio-frequency interference.\u003c\/p\u003e\u003cp\u003eThe matte-black DM3 BLACK uses a 6.3 mm locking input jack and a gold-plated 3-pin male XLR output. It is powered by 48V phantom power supplied from the connected XLR input, so it does not use batteries. At 95.5 mm long and 70 g, it is easy to keep in an instrument case or add to a compact stage or recording setup.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e10 MΩ Ultra-HiZ Input:\u003c\/strong\u003e Helps retain the character of passive pickups and other high-impedance sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClass-A Output Buffer:\u003c\/strong\u003e Buffers the instrument signal for connection to a microphone preamp or XLR input.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable Input Pad:\u003c\/strong\u003e Selectable 15 dB or 30 dB attenuation accommodates higher-output sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThree-Position Ground Lift:\u003c\/strong\u003e Off, On, and On+ settings help manage ground-loop and interference-related noise.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLocking 1\/4-Inch Input:\u003c\/strong\u003e Helps prevent an instrument cable from being accidentally disconnected.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e48V Phantom-Powered Operation:\u003c\/strong\u003e Draws operating power from a compatible phantom-powered XLR input.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe DM3 BLACK has an all-metal inline housing with a discreet matte-black finish. Its compact cylindrical body measures 20 mm in diameter, and the output uses a gold-plated 3-pin male XLR connector. Recessed pad and ground-lift controls are designed to reduce unintended setting changes.\u003c\/p\u003e\u003cp\u003eConnect an instrument or playback device with a 1\/4-inch instrument cable to the DM3 input, then connect the male XLR output directly to a compatible mixer, interface, preamp, or stage-box input. Enable 48V phantom power on that XLR input before use. Use the pad for overly hot source signals, and select the ground-lift setting only as needed to reduce noise in the particular system.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669430493254,"sku":"DM3 BLACK","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/61h6700r2fL.jpg?v=1784502076"}],"url":"https:\/\/audiowatt.store\/collections\/live-sound-stage.oembed","provider":"Audio Watt Store","version":"1.0","type":"link"}