{"title":"Festival Season Gear","description":null,"products":[{"product_id":"zoom-f8n-pro-8-input-field-recorder-mixer","title":"Zoom F8n Pro 8-Input Field Recorder\/Mixer","description":"\u003cp\u003eThe Zoom F8n Pro is an eight-input field recorder and mixer designed for location sound, film production, broadcast work, music capture, and sound design. It records up to 10 tracks at once, combining eight isolated input tracks with a stereo mix. Its dual SD-card slots support redundant recording for productions that need an immediate backup.\u003c\/p\u003e\u003cp\u003e32-bit float recording and dual A\/D conversion are intended to preserve a wide usable recording range when source levels are unpredictable. This makes the recorder well suited to dialogue, effects recording, live performances, and other situations where quiet and loud sounds can happen in the same take. The unit also supports BWF-compatible WAV recording up to 192 kHz and 32-bit float.\u003c\/p\u003e\u003cp\u003eEight locking Neutrik XLR\/TRS combo inputs accommodate microphones, wireless receivers, and line-level devices. Mic gain is adjustable from +10 to +75 dB, with an equivalent input noise specification of -127 dBu or less. Per-channel phantom power is available at +24 V or +48 V for compatible condenser microphones.\u003c\/p\u003e\u003cp\u003eFor picture workflows, the F8n Pro includes BNC timecode input\/output with specified accuracy of ±0.2 ppm. Its routing tools include high-pass filtering, phase inversion, mid-side decoding, input delay, output delay, and AutoMix processing. Separate Main, Sub, and headphone outputs provide monitoring and camera-feed flexibility.\u003c\/p\u003e\u003cp\u003eThe F8n Pro can also serve as a USB audio interface for a computer, with an 8-in\/4-out multitrack mode at up to 96 kHz and 32-bit float. It can record to SD cards while operating as an interface in its dedicated Audio Interface with Rec mode. Power options include eight AA batteries, the supplied Zoom AD-19 AC adapter, or an external 9-18 V DC source through its 4-pin Hirose connector.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eEight Locking Combo Inputs:\u003c\/strong\u003e Connect microphones, wireless receivers, or line-level sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e32-Bit Float Recording:\u003c\/strong\u003e Captures wide-level program material in compatible WAV workflows.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDual SD Card Slots:\u003c\/strong\u003e Supports simultaneous recording to two media cards.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBNC Timecode I\/O:\u003c\/strong\u003e Keeps recorded audio aligned with picture workflows.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFlexible Output Routing:\u003c\/strong\u003e Provides Main, Sub, and dedicated headphone outputs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUSB Audio Interface:\u003c\/strong\u003e Supplies multitrack computer connectivity while recording to cards.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe F8n Pro uses a compact field-recorder layout with dedicated input gain controls, six-segment input level meters, illuminated transport controls, and a 2.4-inch full-color LCD. Locking Neutrik XLR\/TRS combo connectors help secure attached source cables, while balanced TA3 Main outputs and a 3.5 mm stereo Sub output support professional and camera-oriented connections. Zoom does not publish a chassis-material specification, but the design is intended for portable production use.\u003c\/p\u003e\u003cp\u003eInstall the recorder in a field bag, on a sound cart, or with an optional CMF-8 camera mounting bracket as appropriate for the production. Connect sources to Inputs 1-8, use compatible SDHC or SDXC cards in one or both slots, and select mic or line input settings before recording. Power it with eight AA batteries, the included AD-19 adapter, or a properly matched 9-18 V Hirose DC supply; USB connection does not provide bus power.\u003c\/p\u003e","brand":"Zoom","offers":[{"title":"Default Title","offer_id":45669225103430,"sku":"ZF8n Pro","price":2397.58,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/71jDKsSYBmL.jpg?v=1784484499"},{"product_id":"zoom-livetrak-l-12-digital-mixer-and-multitrack-recorder","title":"Zoom LiveTrak L-12 Digital Mixer and Multitrack Recorder","description":"\u003cp\u003eThe Zoom LiveTrak L-12 is a compact digital mixer, multitrack recorder, and USB audio interface designed to bring live mixing and recording together in one tabletop unit. It provides 12 input channels, including eight mono mic\/line channels and two stereo line channels. This makes it well suited to small bands, rehearsal rooms, live-streaming setups, podcasters, and creators who need hands-on control without assembling separate mixer and recorder systems.\u003c\/p\u003e\u003cp\u003eThe L-12 records individual channels directly to an SD card while supporting a live mix, helping users capture performances for later editing and remixing. At 44.1 or 48 kHz, it can record up to 14 tracks simultaneously; at 96 kHz, it records up to 12 tracks simultaneously. Recordings use WAV files at 16- or 24-bit resolution, giving projects a practical path from live session to DAW editing.\u003c\/p\u003e\u003cp\u003eIts eight mono inputs use mic preamps rated at -128 dB EIN with up to +60 dB of gain, supporting detailed capture from microphones and instruments. Channels 1 and 2 include Hi-Z mode for direct guitar or bass connection, while channels 3 through 8 include 26 dB pads for higher-level sources. Each mono channel also has single-knob compression, and all input channels include EQ and low-cut processing for straightforward mix shaping.\u003c\/p\u003e\u003cp\u003eFive monitor outputs let performers or hosts work from separate monitor mixes rather than sharing one headphone balance. Each monitor mix can be customized and saved, and the unit includes five powered headphone outputs for direct headphone or in-ear monitoring. This approach is useful for group recording, small live performances, and multi-person podcast sessions where each participant needs a different listening level.\u003c\/p\u003e\u003cp\u003eFor computer-based production, the L-12 functions as a 14-input, 4-output USB 2.0 audio interface at 44.1 or 48 kHz. Class-compliant mode supports compatible iOS devices, and USB Host and Card Reader modes help move projects and audio files between storage and a computer. It can serve as the central mixer for a compact PA, recording rig, streaming workstation, or hybrid live-and-DAW setup.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e12-Channel Mixer:\u003c\/strong\u003e Eight mono and two stereo channels support small-group productions.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMultitrack SD Recording:\u003c\/strong\u003e Captures individual channels directly as WAV files.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFive Monitor Mixes:\u003c\/strong\u003e Gives performers independent headphone mixes and volume control.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQuiet Mic Preamps:\u003c\/strong\u003e Provides up to +60 dB gain with -128 dB EIN.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUSB Audio Interface:\u003c\/strong\u003e Sends 14 inputs and receives four computer playback channels.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel Processing:\u003c\/strong\u003e Includes compression, 3-band EQ, low-cut, and 16 effects.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe LiveTrak L-12 uses a compact tabletop mixer format with dedicated faders, gain controls, channel buttons, level meters, a backlit 128 x 64 LCD, and a central encoder for menu navigation. Zoom specifies external dimensions of 445 x 282 x 70.5 mm and a main-unit weight of 2.53 kg. The manufacturer does not specify a chassis material, but the control layout is designed for direct access during mixing, recording, and monitoring.\u003c\/p\u003e\u003cp\u003eConnect microphones and line-level sources to the eight XLR\/TRS combo inputs, connect stereo devices to the TRS or RCA stereo inputs, and route the balanced XLR master outputs to a PA system or powered speakers. Use the five headphone outputs for separate performer mixes, insert a supported SD, SDHC, or SDXC card for standalone recording, and connect USB 2.0 for interface, card-reader, or USB Host functions. The included AD-19 AC adapter and USB 2.0 cable provide the basic power and computer connection needed to begin setup.\u003c\/p\u003e","brand":"Zoom","offers":[{"title":"Default Title","offer_id":45669231067206,"sku":"ZL12","price":399.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/81PnNMFxrQL.jpg?v=1784486445"},{"product_id":"zoom-zl6-livetrak-l-6-10-channel-mixer-recorder","title":"Zoom ZL6 LiveTrak L-6 10-Channel Mixer\/Recorder","description":"\u003cp\u003eThe Zoom ZL6 LiveTrak L-6 is a compact digital mixer, multitrack recorder, and USB audio interface designed for musicians, synth players, podcasters, and mobile creators. It combines two mono mic\/line inputs with four stereo line-input channels for connecting microphones, instruments, synthesizers, effects processors, and playback devices. The L-6 records individual input tracks alongside a stereo mix directly to a microSD card.\u003c\/p\u003e\u003cp\u003eIts 32-bit float architecture and dual A\/D converter circuits on Inputs 1 and 2 are designed to simplify level handling for sources with widely varying volume. This approach helps preserve usable audio when working with quiet acoustic sources, vocal microphones, electronic instruments, and louder live signals. Each channel includes level control, panning, muting, EQ, AUX sends, and effect-send control for hands-on mix adjustment.\u003c\/p\u003e\u003cp\u003eThe L-6 is well suited to tabletop electronic-music rigs, rehearsal recording, small live setups, streaming stations, and podcast workflows that need multiple sources in a small footprint. Four stereo line-input pairs accommodate stereo synths and effects, while the Channel 3\/4 inputs can each be switched to accept two mono sources. Two AUX sends support monitor mixes, external effects, or other routing needs.\u003c\/p\u003e\u003cp\u003eFor recording and computer integration, the LiveTrak L-6 works as a 12-input, 4-output USB 2.0 audio interface at 48 kHz. It can record to microSD while connected as an audio interface, and it supports USB connection with computers, iOS devices, and Android devices. MIDI connectivity through 3.5 mm TRS MIDI I\/O and USB helps integrate external hardware, DAW control, pad triggering, and tempo-related functions.\u003c\/p\u003e\u003cp\u003eFour onboard sound pads can play assigned WAV files for backing tracks, samples, intros, or other prepared audio. The mixer also includes three scene memories for recalling saved settings, five onboard send effects, and a compressor for the main outputs. Power options include four AA batteries, the included Zoom AD-17 USB AC adapter, USB bus power, or a compatible 5 V portable battery for flexible desktop and portable use.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e10-Channel Mixing:\u003c\/strong\u003e Mix two mono and four stereo input channels.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e32-Bit Float Recording:\u003c\/strong\u003e Captures 48 kHz WAV recordings with wide headroom.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMultitrack microSD Recorder:\u003c\/strong\u003e Records up to 12 tracks simultaneously to compatible cards.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUSB Audio Interface:\u003c\/strong\u003e Provides 12 inputs and four outputs over USB.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFour Sound Pads:\u003c\/strong\u003e Plays assigned samples, backing tracks, and recorded audio.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMIDI And AUX Routing:\u003c\/strong\u003e Connects external gear and supports custom signal sends.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe LiveTrak L-6 uses a compact desktop mixer layout with dedicated LED control knobs, channel controls, level meters, sound pads, scene buttons, and clearly separated input\/output connections. Zoom does not publish an enclosure-material specification. Its control-forward design keeps frequently used mixing, recording, monitor, and effects functions accessible without requiring a computer.\u003c\/p\u003e\u003cp\u003eConnect microphones or line-level sources to the two XLR\/TRS combo inputs, then connect stereo instruments and effects to the four 1\/4-inch stereo line-input pairs. Use the balanced MASTER outputs for powered monitors or a PA system, the MONITOR output for headphones, and the AUX SEND outputs for external processors or monitor routing. A microSDHC or microSDXC card rated Class 10 or higher is required for standalone recording; the optional ERL-6 adapter can mount the L-6 in a standard Eurorack case.\u003c\/p\u003e","brand":"Zoom","offers":[{"title":"Default Title","offer_id":45669231591494,"sku":"ZL6","price":249.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/817C8wKfKEL.jpg?v=1784486747"},{"product_id":"zoom-livetrak-l6max-12-channel-digital-mixer-recorder","title":"Zoom LiveTrak L6max 12-Channel Digital Mixer\/Recorder","description":"\u003cp\u003eThe Zoom LiveTrak L6max is a compact 12-channel digital mixer and multitrack recorder for musicians, podcasters, streamers, and electronic performers. It combines hands-on mixing, direct microSD recording, USB audio interfacing, MIDI connectivity, and sound-pad playback in one portable unit. It is designed for sessions where a conventional mixer, recorder, and computer interface would otherwise require separate hardware.\u003c\/p\u003e\u003cp\u003eFour XLR\/TRS combo inputs support microphones, instruments, and line-level devices, while eight TS line inputs provide four stereo input channels for synths, drum machines, playback devices, and effects. Channels 1 through 4 use dual A\/D converter circuits and 32-bit float recording to accommodate wide input dynamics without normal gain adjustment. Two Hi-Z-capable inputs also allow compatible instruments to connect directly.\u003c\/p\u003e\u003cp\u003eThe L6max records up to 14 tracks simultaneously at 48 kHz\/32-bit float WAV, including individual channel tracks and a stereo mix. Projects are stored on compatible microSDHC or microSDXC cards, and tracks can be bounced to continue overdubbing. This makes it practical for rehearsals, live performances, interviews, podcast sessions, and compact recording rigs.\u003c\/p\u003e\u003cp\u003eEach channel includes a 3-band EQ with variable mid frequency control, while the master section adds compression and six built-in effects. AI Noise Reduction analyzes ambient sound and can reduce unwanted environmental and electronic noise at the master output. Four assignable sound pads provide an additional way to play cues, jingles, samples, or recorded material during a session.\u003c\/p\u003e\u003cp\u003eThe L6max can also serve as a 14-input\/4-output USB audio interface for computers and compatible iOS or Android devices while recording to microSD at the same time. Dedicated MIDI IN and OUT connections, USB MIDI, and MIDI-clock pad synchronization support integration with DAWs, controllers, synths, and grooveboxes. Battery, USB bus, USB power-bank, and included AD-17 adapter operation make it suitable for both fixed and mobile setups.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e12-Channel Input Layout:\u003c\/strong\u003e Four mono combo inputs and four stereo line channels support diverse sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e32-Bit Float Recording:\u003c\/strong\u003e Captures up to 14 simultaneous tracks at 48 kHz.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDual A\/D Converters:\u003c\/strong\u003e Inputs 1-4 handle broad dynamics without conventional gain adjustment.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAI Noise Reduction:\u003c\/strong\u003e Learns ambient noise and reduces it at master outputs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFour MIDI-Sync Sound Pads:\u003c\/strong\u003e Trigger samples, cues, and loops with selectable playback modes.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUSB Audio Interface:\u003c\/strong\u003e Provides 14 inputs and four outputs for compatible devices.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe L6max uses a compact, portable chassis with a high-contrast 128 × 64 OLED display, eight channel encoders, dedicated transport controls, illuminated sound pads, and six-segment level meters. Its control layout keeps channel level, panning, EQ, sends, and sound-pad functions accessible without relying exclusively on a computer. Zoom does not specify a chassis material in the published technical specifications.\u003c\/p\u003e\u003cp\u003eConnect microphones, instruments, and line-level sources before routing the balanced master outputs to powered monitors or a PA system. Use a Class 10-or-higher microSDHC or microSDXC card for onboard recording, and use a USB-C data cable for computer, smartphone, or tablet audio connections. The optional ERL-6 adapter can install the L6max in a 66HP Eurorack space; for portable use, power the unit with four AA batteries, USB bus power, a 5V power bank, or the included AD-17 adapter.\u003c\/p\u003e","brand":"Zoom","offers":[{"title":"Default Title","offer_id":45669231722566,"sku":"ZL6 Max","price":399.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/71oVk1GAtaL.jpg?v=1784486793"},{"product_id":"roland-go-mixer-pro-x-smartphone-audio-mixer","title":"Roland GO:MIXER PRO-X Smartphone Audio Mixer","description":"\u003cp\u003eThe Roland GO:MIXER PRO-X is a compact audio mixer designed to improve the sound captured by compatible smartphones and tablets. It lets creators combine microphones, instruments, line-level sources, and mobile-device audio into a single recording or stream. This makes it a practical alternative to relying only on a phone or tablet’s built-in microphone.\u003c\/p\u003e\u003cp\u003eIt is suited to musicians recording performances, podcasters, interviewers, educators, and live-streaming creators. Dedicated level controls help balance connected sources directly at the mixer while working alone or with other performers. The compact format supports mobile recording setups without requiring a conventional desktop mixer.\u003c\/p\u003e\u003cp\u003eThe GO:MIXER PRO-X provides 11 input channels and three output channels, with connections for a microphone, guitar or bass, stereo instruments, two stereo line sources, and a headset microphone. A combo XLR\/TRS microphone input supports dynamic microphones and phantom-powered condenser microphones. The dedicated guitar\/bass input supports high-impedance instruments and includes a selectable pad for active pickups.\u003c\/p\u003e\u003cp\u003eFor mobile-device connection, the mixer supports digital USB connection through its Micro-B USB port and analog connection through its CTIA TRRS smartphone jack. Included Lightning-to-Micro-B, USB-C-to-Micro-B, and 3.5 mm TRRS cables provide connection options for many iOS and Android devices. The Loop Back function can include playback from the connected mobile device in the recorded mix when needed.\u003c\/p\u003e\u003cp\u003eUse the GO:MIXER PRO-X as a portable front end for video creation, live streaming, mobile music apps, practice, or simple location recording. Headphone monitoring and headset support make it useful for checking the mix while recording. It can operate from USB bus power or four AAA batteries, giving users a flexible path from a phone-based setup to a more complete mobile production rig.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e11-Channel Input:\u003c\/strong\u003e Combines multiple connected audio sources into one mobile-ready mix.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCombo Mic Input:\u003c\/strong\u003e Accepts XLR or 1\/4-inch TRS microphones with 48 V phantom power.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGuitar\/Bass Input:\u003c\/strong\u003e High-impedance instrument input includes a selectable pad for active pickups.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDual Stereo Line Inputs:\u003c\/strong\u003e Connect two stereo line-level sources using 3.5 mm mini jacks.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLoop Back Function:\u003c\/strong\u003e Adds mobile-device playback to the outgoing recording mix when selected.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFlexible Mobile Connection:\u003c\/strong\u003e Supports USB or CTIA TRRS connection to compatible mobile devices.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe GO:MIXER PRO-X uses a palm-sized, control-focused layout with dedicated knobs for instrument, guitar\/bass, microphone, headset microphone, and headphone\/smartphone output levels. A POWER indicator and PEAK indicator provide visual operating status. Roland does not specify the enclosure material in its published product specifications.\u003c\/p\u003e\u003cp\u003eConnect instruments, microphones, and line sources before connecting the included USB cable to a compatible smartphone or tablet. Use the included Lightning-to-Micro-B or USB-C-to-Micro-B cable for digital connection where supported, or use the included 3.5 mm TRRS cable for analog CTIA connection. For condenser microphones requiring phantom power with an iPhone or iPad, install four AAA batteries in the mixer.\u003c\/p\u003e","brand":"Roland","offers":[{"title":"Default Title","offer_id":45669326094406,"sku":"GOMIXERPX","price":199.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/51YUwFsC9FL.jpg?v=1784490410"},{"product_id":"mackie-chromium-usb-condenser-microphone-with-2-channel-mixer","title":"Mackie CHROMIUM USB Condenser Microphone with 2-Channel Mixer","description":"\u003cp\u003eThe Mackie CHROMIUM is a USB condenser microphone with a built-in two-channel mixer for recording, streaming, podcasting, online meetings, and music creation. It combines microphone capture, computer connectivity, headphone monitoring, and external-input control in one desktop-oriented unit. This helps simplify a compact recording setup by reducing the need for separate basic monitoring and input hardware.\u003c\/p\u003e\u003cp\u003eDesigned for content creators, singer-songwriters, musicians, and home-studio users, the CHROMIUM connects directly to a computer through USB-C. Its class-compliant interface is designed for plug-and-play operation without a driver requirement. An included USB-C cable connects the microphone to a computer USB port.\u003c\/p\u003e\u003cp\u003eThe microphone uses three 16 mm electret capsules and offers four selectable polar patterns: cardioid, bi-directional figure-8, omni-directional, and stereo. Cardioid mode is suited to focused voice or instrument capture, while figure-8 can serve face-to-face interviews or duets. Omni and stereo modes add flexible options for room capture, group use, field recording, and instruments.\u003c\/p\u003e\u003cp\u003eOnyx microphone preamp circuitry supports a clear, low-noise signal path, while onboard gain adjustment helps set the microphone level for a computer or DAW. Professional input and output metering provides a visual level reference. The microphone supports 16-bit, 48 kHz digital audio operation.\u003c\/p\u003e\u003cp\u003eThe integrated mixer section accepts a 1\/4-inch instrument or line-level source and a stereo 1\/8-inch auxiliary source. A separate headphone output, volume control, and Direct\/USB blend control support monitoring while recording or listening to computer playback. With its built-in mixer stand and adjustable microphone angle, the CHROMIUM can serve as a compact starting point for a desktop recording or streaming system.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFour Polar Patterns:\u003c\/strong\u003e Select cardioid, figure-8, omni, or stereo pickup for different recording situations.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOnyx Mic Preamplifier:\u003c\/strong\u003e Supports a clear, low-noise microphone signal path.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBuilt-In Two-Channel Mixer:\u003c\/strong\u003e Adds instrument and auxiliary source control at the microphone.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUSB-C Computer Interface:\u003c\/strong\u003e Connects directly to a computer with class-compliant, driver-free operation.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHeadphone Monitoring:\u003c\/strong\u003e Provides independent headphone volume and Direct\/USB blend adjustment.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOnboard Metering And Mute:\u003c\/strong\u003e Helps monitor levels and mute the microphone signal when needed.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe CHROMIUM combines a side-address condenser microphone with a built-in mixer stand. Its controls include microphone gain, polar-pattern selection, instrument level, auxiliary level, headphone volume, monitor blend, and microphone mute. Rugged construction and an integrated stand make it suitable for desktop recording, streaming, and communication setups.\u003c\/p\u003e\u003cp\u003eConnect the included USB-C cable from the microphone to a directly available computer USB port, then select USB Microphone as the input and output device in the computer settings. Connect stereo headphones to the 1\/8-inch phones jack and use the blend control to balance direct microphone monitoring with computer playback. The 1\/4-inch input accepts balanced or unbalanced instrument or line-level sources, while the 1\/8-inch auxiliary input accepts a stereo line-level source such as a phone or music player.\u003c\/p\u003e","brand":"Mackie","offers":[{"title":"Default Title","offer_id":45669383995462,"sku":"CHROMIUM","price":325.76,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/51vWBI9yfSL.jpg?v=1784496042"},{"product_id":"mackie-dl32s-32-channel-wireless-digital-rack-mixer","title":"Mackie DL32S 32-Channel Wireless Digital Rack Mixer","description":"\u003cp\u003eThe Mackie DL32S is a 32-channel digital rack mixer designed for live sound, rehearsal spaces, installed venues, and multitrack recording setups. It places the audio I\/O at the stage or equipment rack while mixing is handled from the Master Fader control app. This approach helps reduce the need for a traditional front-of-house console in systems where remote control is preferred.\u003c\/p\u003e\u003cp\u003eIts 32 Onyx+ recallable microphone preamps provide connection capacity for larger bands, worship teams, theater productions, and multi-mic drum kits. Sixteen XLR inputs and sixteen XLR\/TRS combo inputs accommodate microphones, balanced line-level sources, and compatible instruments on channels 31 and 32. Ten assignable balanced XLR outputs support independently routed main, monitor, in-ear, or external-processing feeds.\u003c\/p\u003e\u003cp\u003eThe DL32S is built around 48 kHz, 24-bit digital audio processing with 1.5 ms analog-input-to-main-output system latency. Every input channel includes a 4-band parametric EQ, high-pass filter, gate, compression, and RTA\/spectrograph tools. Output buses add 4-band EQ, high-pass\/low-pass filtering, 31-band graphic EQ, compression\/limiting, alignment delay, and analysis tools for practical system tuning.\u003c\/p\u003e\u003cp\u003eBuilt-in Wi-Fi allows compatible iOS, Android, Mac, or Windows devices to control the mixer through Mackie Master Fader. The mixer can support up to 20 control devices, making it suitable for a house engineer plus performers managing personal monitor mixes. Its network modes include Access Point, External Router, and Wi-Fi Client configurations.\u003c\/p\u003e\u003cp\u003eFor recording and virtual soundchecks, the DL32S functions as a 32-in\/32-out USB 2.0 audio interface at 48 kHz. A connected computer can record or play back selected channels and outputs, helping users capture performances or rehearse mixes from recorded tracks. The compact 4U rack-capable format makes the DL32S a practical central mixer for portable PA systems, permanent venues, and recording-oriented live rigs.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e32 Onyx+ Preamps:\u003c\/strong\u003e Recallable microphone preamps provide input capacity for full live productions.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBuilt-In Wi-Fi:\u003c\/strong\u003e Control the mixer wirelessly through the Master Fader app.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e32x32 USB Audio:\u003c\/strong\u003e Record and play back up to 32 channels.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExtensive Channel DSP:\u003c\/strong\u003e EQ, filtering, gate, compression, and analysis are available per input.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15 Output Buses:\u003c\/strong\u003e Flexible routing supports main, monitor, subgroup, and auxiliary mixes.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFour Stereo FX Engines:\u003c\/strong\u003e Dedicated effects processors provide reverbs, delays, choruses, flangers, and more.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe DL32S uses a compact stagebox-style rack mixer design with a side handle, removable protective corner pieces, status LEDs, an external Wi-Fi antenna, and a front-panel headphone control. It occupies 4U of rack space when fitted with its included rack ears. The layout places 16 XLR inputs, 16 combo XLR\/TRS inputs, 10 XLR outputs, USB-B, Ethernet, and power connections directly on the mixer for organized system integration.\u003c\/p\u003e\u003cp\u003eFor installation, connect microphones and line-level sources to the appropriate input channels, then route the balanced XLR outputs to powered speakers, amplifier inputs, monitor systems, in-ear monitor transmitters, or other line-level equipment. Connect a computer by USB-B for multichannel recording and playback, and use Master Fader on a compatible device for setup and mixing control. The built-in Wi-Fi is suitable for typical control needs, while Ethernet can be used with an external router or Wi-Fi client configuration when a larger or integrated network is required.\u003c\/p\u003e","brand":"Mackie","offers":[{"title":"Default Title","offer_id":45669385961542,"sku":"DL32S","price":1499.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/61GGRV-jo9L.jpg?v=1784496649"},{"product_id":"mackie-drm212-12-inch-powered-2-way-pa-loudspeaker","title":"Mackie DRM212 12-Inch Powered 2-Way PA Loudspeaker","description":"\u003cp\u003eThe Mackie DRM212 is a self-powered 12-inch, 2-way professional PA loudspeaker for portable sound systems, installed venues, live performers, DJs, and houses of worship. Its built-in amplification and onboard mixing inputs simplify setups that would otherwise require a separate power amplifier and speaker processor. It can serve as a main speaker, stage monitor, or part of a larger sound-reinforcement system.\u003c\/p\u003e\u003cp\u003eA 12-inch high-excursion woofer and 1.4-inch titanium-diaphragm compression driver cover the full-range duties in a compact cabinet. The DRM212 is rated for 134 dB maximum peak SPL and has a 45 Hz to 20 kHz frequency range at -10 dB. Its 90-degree horizontal by 60-degree vertical coverage is designed to provide focused coverage for audiences or performers.\u003c\/p\u003e\u003cp\u003eThe integrated Class-D amplifier delivers 1600 watts peak system power, with dedicated amplification for the low- and high-frequency drivers. Advanced Impulse DSP uses FIR filtering, crossover processing, and transducer time alignment to manage the loudspeaker system. Built-in limiting and thermal protection are included to help protect the system during demanding use.\u003c\/p\u003e\u003cp\u003eThe DRM Control Dashboard combines a full-color TFT LCD and push-button rotary encoder for local control. Users can select Live, Club, Speech, or Monitor voicings, adjust a 3-band parametric EQ, configure subwoofer high-pass filtering, and set alignment delay. Six user memories, a display backlight setting, and a four-digit system lock support repeatable setups.\u003c\/p\u003e\u003cp\u003eTwo combo XLR\/1\/4-inch inputs, a stereo 1\/8-inch auxiliary input, individual direct outputs, and a mixed XLR output provide practical connection options. Channel 2 can be set for a high-impedance instrument source, allowing a guitar to connect without a separate DI box. For expanded systems, the mixed output or direct outputs can feed additional powered loudspeakers, while the adjustable high-pass filter helps integrate a compatible subwoofer.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e1600W Peak Class-D Amplification:\u003c\/strong\u003e Built-in power eliminates the need for an external amplifier.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12-Inch Two-Way Driver System:\u003c\/strong\u003e Combines a high-excursion woofer with a titanium compression driver.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAdvanced Impulse DSP:\u003c\/strong\u003e Uses FIR processing, crossover control, and time alignment.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDRM Control Dashboard:\u003c\/strong\u003e Full-color display and encoder provide direct system adjustment.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFlexible Input Section:\u003c\/strong\u003e Supports microphone, line, instrument, and stereo auxiliary sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMultiple Deployment Options:\u003c\/strong\u003e Use it on a pole, as a floor monitor, or flown.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe DRM212 uses an asymmetrical plywood enclosure with a black Polyurea finish, internal bracing, and a powder-coated perforated-steel grille. It has one handle on each side plus a top handle for transport. The cabinet is designed to be used upright or horizontally as a 50-degree floor monitor.\u003c\/p\u003e\u003cp\u003eConnect sources to the combo inputs or stereo 1\/8-inch auxiliary input, then connect the included detachable IEC power cord to suitable AC power. Use the direct outputs or mixed output when daisy-chaining additional powered speakers. The cabinet includes dual-angle pole sockets and eight M10 fly points; flown installation should be performed only by an experienced technician using appropriate hardware.\u003c\/p\u003e","brand":"Mackie","offers":[{"title":"Default Title","offer_id":45669386616902,"sku":"DRM-212","price":949.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/61eM3UOrIvL.jpg?v=1784496889"},{"product_id":"mackie-drm215-15-2-way-powered-pa-speaker","title":"Mackie DRM215 15\" 2-Way Powered PA Speaker","description":"\u003cp\u003eThe Mackie DRM215 is a self-powered 15-inch, 2-way professional loudspeaker for portable PA systems, DJs, performers, venues, and installed sound applications. Its integrated amplification and onboard processing reduce the need for separate external power amplifiers and speaker-management hardware. It is designed to deliver full-range sound from a compact, deployable cabinet.\u003c\/p\u003e\u003cp\u003eThis speaker suits users who need a main PA cabinet that can accept microphones, line-level sources, or an auxiliary playback device. Two independent mic\/line inputs allow direct connection of common audio sources, while the stereo 1\/8-inch input supports devices such as phones, tablets, and media players. Direct outputs and a mix output make it practical to feed additional loudspeakers.\u003c\/p\u003e\u003cp\u003eThe DRM215 combines a 15-inch ferrite woofer with a 1.4-inch titanium-diaphragm compression driver. Its specified frequency range extends from 43 Hz to 20 kHz at -10 dB, with a maximum peak SPL of 135 dB. A 90-degree horizontal by 60-degree vertical coverage pattern helps direct sound across an audience area.\u003c\/p\u003e\u003cp\u003eIts 1600-watt peak Class-D amplifier system is split between low-frequency and high-frequency amplification. Mackie's Advanced Impulse DSP uses FIR filtering, precision crossover processing, and transducer time alignment. The rear-panel DRM Control Dashboard provides access to voicing, EQ, subwoofer high-pass filtering, delay, metering, and saved settings.\u003c\/p\u003e\u003cp\u003eThe DRM215 can operate as a standalone full-range loudspeaker or as the top cabinet in a system with a subwoofer. A dedicated DRM18S subwoofer setting applies a 90 Hz crossover point, while a variable high-pass filter is available for other subwoofer systems. Its cabinet can also serve as a floor monitor or be pole-mounted for elevated coverage.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e1600W Peak Class-D Amplification:\u003c\/strong\u003e Integrated amplification powers the low- and high-frequency drivers without an external amplifier.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15-Inch Ferrite Woofer:\u003c\/strong\u003e Provides the low-frequency foundation for full-range PA use.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.4-Inch Titanium Compression Driver:\u003c\/strong\u003e Handles high frequencies with a compression-driver design.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAdvanced Impulse DSP:\u003c\/strong\u003e Uses FIR filtering, crossover processing, and time alignment for system control.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDRM Control Dashboard:\u003c\/strong\u003e Color TFT display and rotary control provide access to setup and processing functions.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFlexible System Outputs:\u003c\/strong\u003e Direct outputs and mono mix output support daisy-chaining additional loudspeakers.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe DRM215 uses a plywood enclosure with a black Polyurea finish, a powder-coated perforated-steel grille, and side and top carrying handles. Its asymmetrical cabinet design supports both upright PA placement and a 50-degree monitor position. Front and rear status LEDs provide power and speaker-control indication.\u003c\/p\u003e\u003cp\u003eConnect line-level, microphone, or instrument sources to the two mic\/line channels, or use the 1\/8-inch stereo input for compatible playback devices. The cabinet may be placed on the floor, mounted to a suitably rated pole using its built-in dual-angle socket, or flown vertically from its integrated M10 mounting points by qualified personnel. When pairing it with a subwoofer, select the appropriate high-pass setting from the onboard dashboard before final level and EQ adjustments.\u003c\/p\u003e","brand":"Mackie","offers":[{"title":"Default Title","offer_id":45669386649670,"sku":"DRM-215US","price":1049.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/71LJ4_epHZL.jpg?v=1784496946"},{"product_id":"mackie-mix12fx-12-channel-compact-effects-mixer","title":"Mackie MIX12FX 12-Channel Compact Effects Mixer","description":"\u003cp\u003eThe Mackie MIX12FX is a compact 12-channel analog mixer designed for small live sound systems, rehearsals, streaming setups, and simple stereo recording. It brings microphones, instruments, keyboards, playback devices, and external audio gear together in one straightforward control surface. Four mic\/line channels and four stereo line channels provide practical connectivity without requiring a large-format console.\u003c\/p\u003e\u003cp\u003eBuilt around high-headroom, low-noise circuitry, the MIX12FX is intended to keep multiple sources clear and manageable as a mix takes shape. Each of the four mono input channels includes gain control, three-band EQ, pan, level control, overload indication, and a 75 Hz low-cut filter. This makes it useful for handling vocals, direct boxes, mono instruments, and other microphone or line-level sources.\u003c\/p\u003e\u003cp\u003eThe mixer includes 12 selectable onboard effects, covering room and hall reverbs, plate-style reverbs, chorus, flanger, slapback, and space echo. Individual channel FX controls let the user choose how much signal is sent to the internal processor or the external FX send. The effect return is blended into the main mix with a dedicated FX-to-main control.\u003c\/p\u003e\u003cp\u003eFor stereo sources, channels 5\/6 through 11\/12 accept 1\/4-inch left and right line inputs and include balance, level, overload indication, and selectable +4 dB or -10 dB operating levels. Dedicated RCA tape inputs and outputs support convenient playback and stereo recording connections. Main, control-room, and headphone outputs provide separate ways to feed speakers, monitors, recorders, and headphones.\u003c\/p\u003e\u003cp\u003eThe MIX12FX fits well as the central analog control point in a compact PA or desktop production system. Connect the balanced main outputs to powered speakers, or to an amplifier driving passive speakers, while using the control-room outputs for monitors. Its compact metal chassis and external AC power supply make it practical for portable setups as well as permanent small-system installations.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e12-Channel Configuration:\u003c\/strong\u003e Combines four mono mic\/line channels with four stereo line channels for compact multi-source mixing.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFour Mic\/Line Inputs:\u003c\/strong\u003e XLR microphone inputs and 1\/4-inch line inputs accommodate mics, DI boxes, and line-level gear.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThree-Band EQ:\u003c\/strong\u003e High, mid, and low controls help tailor the tone of the four mono channels.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIntegrated Effects:\u003c\/strong\u003e Twelve selectable reverbs, modulation effects, and delays add ambience without external processing.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e75 Hz Low-Cut Filters:\u003c\/strong\u003e Per-channel high-pass filtering on mono channels helps reduce unwanted low-frequency rumble.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFlexible Monitoring Outputs:\u003c\/strong\u003e Main, control-room, headphone, RCA tape, and FX-send connections support practical system routing.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe MIX12FX uses a rugged metal chassis with a compact tabletop format measuring 11.7 inches wide, 9.6 inches deep, and 2.1 inches high. Clearly separated channel strips provide hands-on access to gain, EQ, effects send, pan or balance, and level controls. A 60 mm main L\/R fader provides physical control of the overall mix output.\u003c\/p\u003e\u003cp\u003eFor setup, connect microphones or mono sources to channels 1-4, connect keyboards and stereo playback gear to channels 5\/6 through 11\/12, and route the balanced main outputs to powered speakers or an amplifier. Use the RCA tape outputs for stereo recording and the RCA tape inputs for playback from a compatible device. Start with channel and main levels down, make connections, then raise levels gradually while watching the overload indicators.\u003c\/p\u003e","brand":"Mackie","offers":[{"title":"Default Title","offer_id":45669388255302,"sku":"MIX12FX","price":159.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/61BcEhZjTEL.jpg?v=1784497364"},{"product_id":"mackie-mix8-8-channel-compact-analog-mixer","title":"Mackie Mix8 8-Channel Compact Analog Mixer","description":"\u003cp\u003eThe Mackie Mix8 is an 8-channel compact analog mixer designed to bring microphones, instruments, playback devices, and monitor feeds together in one manageable desktop-format unit. It gives small live setups, rehearsal spaces, home studios, and content-creation rigs a central place to balance sources before sending audio to powered speakers, an amplifier, headphones, or a recorder. Two mic\/line channels and two stereo line-input pairs provide practical connectivity for smaller multi-source systems.\u003c\/p\u003e\u003cp\u003eThis mixer suits musicians, podcasters, presenters, DJs using external playback gear, and creators who need straightforward hands-on level control without a digital interface. Individual channel controls make it easier to set source balance, place mono sources in the stereo field, and adjust tone at the mixer rather than relying entirely on connected equipment. Dedicated main, control-room, headphone, tape, and auxiliary connections support flexible monitoring and routing.\u003c\/p\u003e\u003cp\u003eThe Mix8 is built around low-noise preamps and a high-headroom analog signal path for clean operation across microphones and line-level sources. Its three-band EQ provides high, mid, and low tone shaping on the input channels, letting users make practical adjustments for clarity, body, or balance. Overload indication on the mono channels helps identify input levels that need to be reduced before distortion occurs.\u003c\/p\u003e\u003cp\u003eSwitchable global 48V phantom power allows the two XLR mic inputs to support compatible condenser microphones. The mixer also includes a post-fader auxiliary send and stereo auxiliary return, making it suitable for an external effects processor or a separate monitor feed. RCA tape input and output connections add a simple path for playback and analog recording connections.\u003c\/p\u003e\u003cp\u003eThe Mix8 fits well between source equipment and powered speakers, studio monitors, a headphone setup, or an external recording device. Its balanced or unbalanced 1\/4-inch main and control-room outputs support common audio-system connections, while the dedicated headphone output enables local monitoring. Because it is an analog mixer without USB audio or built-in effects, it is best paired with external recording hardware, an audio interface, or external effects when those functions are needed.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eEight-Channel Format:\u003c\/strong\u003e Combines two mono mic\/line channels, two stereo line-input pairs, and stereo auxiliary returns.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e48V Phantom Power:\u003c\/strong\u003e Supports compatible condenser microphones through the two XLR mic inputs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThree-Band EQ:\u003c\/strong\u003e Provides high, mid, and low tone adjustment for each input channel.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePost-Fader Aux Send:\u003c\/strong\u003e Creates a monitor or external-effects feed that follows channel-level changes.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRCA Tape I\/O:\u003c\/strong\u003e Connects playback devices and analog recording equipment with standard RCA cables.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSeparate Monitoring Outputs:\u003c\/strong\u003e Provides dedicated control-room and headphone level control alongside main outputs.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe Mix8 uses a compact, portable control layout with rotary level, EQ, pan, auxiliary, and master controls arranged for direct access. Mackie describes the design as rugged and reliable for regular transport and use, although the manufacturer does not specify a chassis material in the published technical documentation. Clear channel grouping helps distinguish mono inputs, stereo inputs, auxiliary routing, master controls, and monitoring connections.\u003c\/p\u003e\u003cp\u003eConnect microphones to the XLR mic inputs and line-level sources to the 1\/4-inch line inputs, then route the main outputs to powered speakers, an amplifier, or another line-level destination. Use balanced 1\/4-inch TRS cables where compatible equipment supports them; the main, control-room, and aux-send connections also accept unbalanced use. The supplied external AC power supply connects to the mixer first, and the mixer powers on automatically when connected to a suitable AC outlet.\u003c\/p\u003e","brand":"Mackie","offers":[{"title":"Default Title","offer_id":45669388517446,"sku":"MIX8","price":99.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/61RPNnetVsL.jpg?v=1784497409"},{"product_id":"mackie-onyx12-12-channel-analog-usb-mixer","title":"Mackie Onyx12 12-Channel Analog USB Mixer","description":"\u003cp\u003eThe Mackie Onyx12 is a premium analog mixer designed for musicians, creators, small venues, and project studios that need hands-on mixing with modern recording capability. It combines microphone inputs, stereo line inputs, monitor routing, onboard effects, USB audio, SD-card recording, and Bluetooth streaming in one console. This makes it well suited to live performance, rehearsal capture, podcasting, streaming, and multitrack production workflows.\u003c\/p\u003e\u003cp\u003eIts eight Onyx microphone preamps provide up to 60 dB of gain for microphones and other low-level sources. The analog channel strips provide direct control of gain, equalization, aux sends, pan, mute, solo, and level, helping users build mixes without relying entirely on a computer screen. Switchable Hi-Z inputs on channels 1 and 2 allow direct connection of compatible guitars, basses, and instruments.\u003c\/p\u003e\u003cp\u003eFor tone shaping, the Onyx12 uses a three-band Perkins EQ design with a sweepable midrange on mono channels. The EQ section includes a hard bypass switch, while 100 Hz low-cut filters help reduce unwanted low-frequency buildup on mic channels. This layout supports practical corrective EQ for live sound as well as creative shaping during recording.\u003c\/p\u003e\u003cp\u003eThe integrated USB 2.0 interface supports 14x4 audio at up to 24-bit\/96 kHz with compatible Mac and PC systems. It can send individual input channels to recording software while returning two independent stereo USB playback streams to the mixer. A built-in SD-card section also records and plays back stereo audio without requiring a computer.\u003c\/p\u003e\u003cp\u003eOnboard digital effects include adjustable processing such as reverbs, delays, chorus, and more, with control through the Studio Command full-color display and single-knob interface. Bluetooth connectivity streams audio from a compatible device to a dedicated stereo channel for reference tracks, walk-in music, or playback. With its steel chassis, monitor sends, control-room outputs, and optional rackmount hardware, the Onyx12 can serve as the center of a compact recording or live-sound system.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e14x4 USB Audio:\u003c\/strong\u003e Records up to 14 channels and returns four USB playback channels.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEight Onyx Preamps:\u003c\/strong\u003e Provides up to 60 dB of microphone gain.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePerkins Three-Band EQ:\u003c\/strong\u003e Adds musical tone shaping with sweepable mono-channel mids.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStereo SD Recording:\u003c\/strong\u003e Captures and plays back stereo audio without a computer.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCustomizable Digital FX:\u003c\/strong\u003e Supplies 12 onboard effect presets with adjustable parameters.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBluetooth Streaming:\u003c\/strong\u003e Sends wireless playback to a dedicated stereo input channel.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe Onyx12 uses a rugged steel chassis with QuickGrip side handles, sealed rotary encoders, high-contrast controls, and backlit mute and solo buttons. Its full-color Studio Command display provides access to effects, presets, SD-card functions, and settings. The console measures 14.8 inches wide by 14.0 inches deep by 5.4 inches high and weighs 5.9 kg.\u003c\/p\u003e\u003cp\u003eConnect microphones to the eight XLR mic inputs, instruments or line-level equipment to the 1\/4-inch inputs, and powered speakers or an amplifier to the main outputs. Use the USB connection for multitrack computer recording, or install a Class 10 or faster SD card for onboard stereo recording and playback. An optional Mackie rack ear kit supports installation in a standard 19-inch rack, while the two monitor sends can feed separate stage-monitor or headphone-amplifier mixes.\u003c\/p\u003e","brand":"Mackie","offers":[{"title":"Default Title","offer_id":45669390286918,"sku":"ONYX12","price":599.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/71M1clXTSCL.jpg?v=1784498064"},{"product_id":"mackie-profx10go-10-channel-battery-powered-analog-mixer","title":"Mackie PROFX10GO 10-Channel Battery-Powered Analog Mixer","description":"\u003cp\u003eThe Mackie PROFX10GO is a 10-channel analog mixer and USB-C audio interface built for events, performances, streaming, and recording away from fixed power. Its rechargeable lithium-ion battery lets users set up in locations where an AC outlet is impractical. It brings microphone, instrument, stereo playback, Bluetooth, monitoring, and recording connections together in one compact desktop mixer.\u003c\/p\u003e\u003cp\u003eThis mixer suits solo performers, small groups, presenters, mobile DJs, podcasters, content creators, and event operators who need hands-on audio control. Four Onyx microphone preamps provide the front end for vocal and microphone sources. Channels 1 and 2 also support direct guitar or bass connection through their selectable Hi-Z inputs.\u003c\/p\u003e\u003cp\u003eThe PROFX10GO uses an analog signal path with channel gain, 3-band EQ, effects sends, level controls, and main output control. Channels 1 and 2 include single-knob compression for managing dynamic vocal or instrument sources. A low-cut filter helps reduce low-frequency rumble on applicable microphone channels.\u003c\/p\u003e\u003cp\u003eGigFX+ processing adds selectable effects such as delay, echo, reverbs, chorus, flanger, and combination effects. The onboard display and push-button encoder provide access to effect settings and saved presets. Six user settings can be stored for later recall, helping keep frequently used effects setups available between sessions.\u003c\/p\u003e\u003cp\u003eFor computer-based work, the USB-C connection functions as a 2x4 USB audio interface with three recording modes. Standard mode records the main mix with GigFX+ effects and EQ, Loopback includes computer audio, and Interface mode sends channels 1 and 2 directly without effects. Bluetooth adds a dedicated wireless audio channel for playback, backing tracks, and compatible streaming workflows.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eRechargeable Battery Power:\u003c\/strong\u003e Run the mixer for up to eight hours without AC power.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFour Onyx Preamps:\u003c\/strong\u003e Connect microphones through low-noise, high-headroom mic inputs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHi-Z Instrument Inputs:\u003c\/strong\u003e Plug a guitar or bass directly into channels 1 and 2.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGigFX+ Effects:\u003c\/strong\u003e Adjust and save onboard delay, reverb, modulation, and combination effects.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUSB-C 2x4 Interface:\u003c\/strong\u003e Record and play back audio with supported computer systems.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBluetooth Audio Channel:\u003c\/strong\u003e Wirelessly bring compatible phone or tablet audio into the mix.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe PROFX10GO is a compact tabletop analog mixer with a clearly divided control surface for input gain, EQ, compression, effects, monitoring, and main mix adjustment. Its layout combines physical knobs, buttons, jacks, LED metering, and a preset display for direct operation during performances or sessions. The mixer measures 3.8 x 10.6 x 11.5 inches and weighs 5.9 pounds.\u003c\/p\u003e\u003cp\u003ePlace the mixer on a stable, level surface with access to its top-panel controls and rear USB-C\/power connections. Connect microphones, instruments, and line-level sources before routing the balanced XLR or 1\/4-inch main outputs to powered speakers, amplifiers, or recording equipment; never connect an amplifier speaker output to a mixer input. Use the supplied battery-powered workflow for portable use, or connect the specified 12V DC power adapter when AC power is available.\u003c\/p\u003e","brand":"Mackie","offers":[{"title":"Default Title","offer_id":45669395365958,"sku":"PROFX10GO","price":396.05,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/7125txD8EpL.jpg?v=1784498535"},{"product_id":"mackie-profx10v3-10-channel-analog-usb-mixer","title":"Mackie PROFX10V3 10-Channel Analog USB Mixer","description":"\u003cp\u003eThe Mackie PROFX10V3 is a compact 10-channel analog mixer with USB recording for live sound, home studios, streaming, and content production. It brings microphones, instruments, stereo sources, and computer audio together in one hands-on control surface. Four Onyx microphone preamps provide the front end for vocal, spoken-word, and instrument capture.\u003c\/p\u003e\u003cp\u003eThis mixer is well suited to creators and performers who need more control than a basic audio interface provides. Its channel processing, built-in effects, and dedicated monitoring controls help manage a small live rig or desktop recording setup. Channels 1 and 2 also support direct Hi-Z instrument connection, reducing the need for a separate DI box in compatible setups.\u003c\/p\u003e\u003cp\u003eAudio is routed to a computer through USB 2.0 with 24-bit conversion and selectable sample rates up to 192 kHz. The USB system supports one stereo input and two stereo outputs, enabling separate playback routing alongside the main mix. A blend control supports direct hardware monitoring for overdub work without relying solely on computer monitoring.\u003c\/p\u003e\u003cp\u003eThe GigFX engine supplies 24 onboard effect presets, including room, hall, plate, chorus, delay, echo, flange, and slapback-style effects. One-knob compression on channels 1 and 2 helps manage dynamic vocal or instrument sources. Three-band EQ and a 100 Hz low-cut filter on mic-input channels provide practical tone shaping at the mixer.\u003c\/p\u003e\u003cp\u003eFor a complete small system, connect microphones and instruments to the input channels, route the main outputs to powered speakers or an amplifier, and use the headphone\/control-room output for monitoring. The PROFX10V3 also includes an FX send, footswitch connection for FX mute, and channel inserts for compatible external processing. Its compact format can serve as the central mixer for a desktop workstation, rehearsal space, podcast setup, or compact performance rig.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e10-Channel Analog Mixing:\u003c\/strong\u003e Combines microphone, instrument, stereo line, and computer audio sources in one mixer.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFour Onyx Mic Preamps:\u003c\/strong\u003e Provides up to 60 dB of gain for compatible microphones and sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24-Bit\/192 kHz USB Audio:\u003c\/strong\u003e Connects to a computer for high-resolution recording and playback.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGigFX Effects Engine:\u003c\/strong\u003e Adds 24 selectable effects presets without requiring an external processor.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirect Hardware Monitoring:\u003c\/strong\u003e Blends computer playback with the mixer feed for practical overdub monitoring.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel 1\/2 Hi-Z Inputs:\u003c\/strong\u003e Allows direct connection of guitars and other high-impedance instruments.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe PROFX10V3 uses a compact tabletop mixer layout with dedicated channel controls, main meters, a preset display, and front-panel main outputs. Mackie specifies a rugged design, while the published documentation focuses on the mixer’s physical controls and connection layout rather than naming a specific chassis material. At 10.7 inches wide and 4.9 pounds, it is sized for portable use and fixed desktop setups.\u003c\/p\u003e\u003cp\u003eConnect microphones to the XLR inputs, line-level sources to the appropriate 1\/4-inch or stereo inputs, and powered speakers or an amplifier to the main outputs. Channels 1 and 2 accept balanced mic or line signals through combo inputs and can be switched to Hi-Z for direct instruments. For computer recording, connect the USB-B port to a compatible computer, set levels before raising the main output, and use the headphone\/control-room blend control when tracking overdubs.\u003c\/p\u003e","brand":"Mackie","offers":[{"title":"Default Title","offer_id":45669396021318,"sku":"PROFX10V3","price":269.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/61hpfwWg6mL.jpg?v=1784498592"},{"product_id":"mackie-profx16v3-16-channel-analog-usb-mixer","title":"Mackie ProFX16v3 16-Channel Analog USB Mixer","description":"\u003cp\u003eThe Mackie ProFX16v3 is a 16-channel professional analog mixer with USB audio for live sound, recording, streaming, rehearsals, and production spaces. It provides hands-on level control, routing, EQ, monitor sends, and effects in one console. It is designed for users who need to manage multiple microphones, instruments, playback sources, and monitor mixes without relying solely on computer controls.\u003c\/p\u003e\u003cp\u003eEleven Onyx microphone preamps provide up to 60 dB of gain with low-noise operation, supporting dynamic, condenser, and other microphone types used in performance and content-production setups. The mixer includes global 48V phantom power for microphone channels and a 100 Hz low-cut filter to help reduce unwanted low-frequency rumble. Channels 1 through 8 also include single-knob compression for practical level management on sources such as vocals and drums.\u003c\/p\u003e\u003cp\u003eThe integrated USB 2.0 interface supports 24-bit conversion at sample rates up to 192 kHz. Its 2x4 USB I\/O arrangement provides a stereo USB input and two stereo USB output paths for flexible recording and playback routing. A dedicated blend control lets users monitor direct inputs and USB return audio together with zero-latency direct monitoring.\u003c\/p\u003e\u003cp\u003eFor shaping a mix, the ProFX16v3 uses three-band EQ across its channels, with sweepable midrange control on all channels except the 1\/8-inch stereo input. Four aux sends support monitor and effects routing, while dual stereo subgroup buses add options for organizing and controlling groups of channels. The built-in GigFX processor offers 24 presets covering effects such as reverbs, delays, chorus, flange, and more.\u003c\/p\u003e\u003cp\u003eThe mixer fits naturally at the center of a powered-speaker PA, recording workstation, podcasting setup, or hybrid live-streaming rig. Balanced main, subgroup, control-room, aux, and FX outputs make it suitable for connecting speakers, monitor amplifiers, outboard gear, and recording equipment. A separate headphone output, dedicated control-room output, and optional rack ear kit help adapt the console to both portable and installed systems.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e16-Channel Analog Mixing:\u003c\/strong\u003e Combines microphone, line-level, stereo, and USB sources in one hands-on mixer.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11 Onyx Mic Preamps:\u003c\/strong\u003e Supplies up to 60 dB of gain for microphones and recording sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24-Bit\/192 kHz USB:\u003c\/strong\u003e Enables high-resolution computer recording and flexible stereo playback routing.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGigFX Effects Engine:\u003c\/strong\u003e Provides 24 onboard effects presets for live and recorded mixes.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFour Aux Sends:\u003c\/strong\u003e Supports monitor mixes and external or internal effects routing.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirect Monitoring Blend:\u003c\/strong\u003e Blends input audio with USB playback without monitoring latency.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe ProFX16v3 uses a console-style layout with dedicated channel controls, 60 mm faders, illuminated status indicators, a 12-segment stereo main meter, and clearly separated input and output sections. Its physical footprint measures 17.7 inches wide by 17.1 inches deep by 4.4 inches high, and it weighs 15.2 pounds. The mixer is powered through a 3-pin IEC line-cord connection and uses a universal 100-240 VAC power supply.\u003c\/p\u003e\u003cp\u003ePlace the mixer on a stable desktop, production table, or suitable equipment surface with room for rear-panel and top-panel cable access. Connect microphones, instruments, playback devices, powered speakers or amplifiers, headphones, and a computer as needed using compatible XLR, 1\/4-inch, 1\/8-inch, and USB connections. For permanent rack integration, Mackie offers an optional ProFX16v3 rack ear kit; a dedicated footswitch input can be used to mute the onboard effects.\u003c\/p\u003e","brand":"Mackie","offers":[{"title":"Default Title","offer_id":45669398249542,"sku":"PROFX16V3","price":599.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/717Bq0qFdNL.jpg?v=1784498799"},{"product_id":"mackie-profx6v3-6-channel-analog-usb-c-mixer","title":"Mackie ProFX6v3+ 6-Channel Analog USB-C Mixer","description":"\u003cp\u003eThe Mackie ProFX6v3+ is a compact 6-channel analog mixer built for small recording setups, livestreams, podcasts, rehearsals, and live-performance systems. It combines hands-on analog level control with a USB-C computer audio interface, making it useful where microphones, instruments, playback devices, and a computer need to work together. Its compact footprint suits desktop studios and portable production rigs.\u003c\/p\u003e\u003cp\u003eTwo Mackie Onyx microphone preamps provide up to 60 dB of gain for microphones, while switchable Hi-Z operation supports direct connection of guitars or basses on channels 1 and 2. One-knob compression and two-band EQ on those channels help manage vocal or instrument sources before they reach the main mix. A 100 Hz low-cut filter can reduce low-frequency rumble on mic channels.\u003c\/p\u003e\u003cp\u003eThe built-in GigFX+ engine provides 12 editable effects presets, with a full-color LCD screen for selecting, adjusting, and saving settings. This gives users access to reverbs, delays, and other processing without requiring a separate effects unit. The analog signal path and onboard digital effects make it practical for straightforward live mixing and content production.\u003c\/p\u003e\u003cp\u003eIts 24-bit\/192 kHz 2x4 USB-C interface supports Standard, Loopback, and Interface recording modes. Standard captures the main mix with processing, Loopback combines computer audio with the mixer signal for streaming, and Interface mode records channels 1 and 2 without EQ or effects. A dedicated blend control lets users balance direct mixer monitoring against computer playback.\u003c\/p\u003e\u003cp\u003eBidirectional Bluetooth supports wireless playback and caller integration, with Mix Minus functionality suited to remote guests and phone calls. Main XLR and 1\/4-inch outputs connect the mixer to powered speakers, amplifiers, or other audio equipment, while the headphone output supports personal monitoring. Its steel chassis and ABS side protection are designed for frequent transport and regular setup use.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSix-Channel Analog Mixer:\u003c\/strong\u003e Mix microphones, instruments, stereo sources, and Bluetooth audio in one compact unit.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTwo Onyx Mic Preamps:\u003c\/strong\u003e Provides up to 60 dB of gain for microphone sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGigFX+ Effects Engine:\u003c\/strong\u003e Offers 12 editable presets with LCD-based effect control and storage.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24-Bit\/192 kHz USB-C Interface:\u003c\/strong\u003e Connects to a computer for recording, playback, and streaming.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThree USB Recording Modes:\u003c\/strong\u003e Choose main-mix, loopback, or dry channels 1 and 2 recording.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBidirectional Bluetooth:\u003c\/strong\u003e Adds wireless playback and phone-call integration with Mix Minus support.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe ProFX6v3+ uses a solid steel chassis with tough ABS side protection. Its control layout places input gain, compression, EQ, effects, channel levels, monitoring, and main level controls within easy reach. The full-color LCD provides visual feedback when editing GigFX+ presets.\u003c\/p\u003e\u003cp\u003ePlace the mixer on a stable, ventilated desktop, table, or portable production surface. Connect microphones or instruments to channels 1 and 2, connect stereo playback sources to the line inputs, and run the main outputs to powered speakers or an external amplifier. Use the supplied power adapter and USB-C connection for computer recording or streaming, then set input gain and output levels before normal use.\u003c\/p\u003e","brand":"Mackie","offers":[{"title":"Default Title","offer_id":45669399298118,"sku":"PROFX6V3+","price":249.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/61ERdJoFUKL.jpg?v=1784498902"},{"product_id":"mackie-srm350v3-10-powered-loudspeaker","title":"Mackie SRM350V3 10\" Powered Loudspeaker","description":"\u003cp\u003eThe Mackie SRM350V3 is a portable 10-inch powered loudspeaker designed for live sound, presentations, rehearsal spaces, mobile DJs, and small performance systems. Its built-in amplification removes the need to match and transport an external power amplifier. With two onboard input channels, it can serve as a compact standalone PA speaker or as part of a larger sound setup.\u003c\/p\u003e\u003cp\u003eThis speaker is suited to performers, event hosts, venues, and audio providers who need clear, practical reinforcement in a manageable enclosure. The 10-inch woofer and 1.4-inch titanium-diaphragm compression driver are paired in a two-way design. Its frequency response and wide horizontal coverage support speech, vocals, music playback, and stage-monitor duties.\u003c\/p\u003e\u003cp\u003eThe SRM350V3 uses 500 watts RMS of system amplification, rated at 1,000 watts peak, with separate low- and high-frequency amplifier sections. Mackie High-Definition Audio Processing includes acoustic correction, driver time alignment, and phase correction. A 3 kHz crossover divides the signal between the woofer and compression driver.\u003c\/p\u003e\u003cp\u003eFour selectable Speaker Modes provide application-specific processing for PA, DJ, Monitor, and Soloist use. The automatic Feedback Destroyer is designed to help reduce feedback during live microphone use. Smart Protect DSP adds peak and RMS limiting along with power-supply and amplifier thermal protection.\u003c\/p\u003e\u003cp\u003eFor system expansion, the integrated two-channel mixer accepts microphones, instruments, mixers, and stereo RCA music sources. A balanced XLR Thru output can pass Channel 1 or the mixed signal to another compatible speaker or device. Use the SRM350V3 on the floor, on a suitable speaker pole, or with the optional SRM350V3 bracket for fixed installation.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e500W RMS System Amplification:\u003c\/strong\u003e Built-in two-way amplification eliminates the need for a separate power amp.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10-Inch Two-Way Design:\u003c\/strong\u003e A paper-cone woofer and titanium compression driver cover full-range sound duties.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFour Speaker Modes:\u003c\/strong\u003e PA, DJ, Monitor, and Soloist modes tailor voicing for common applications.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFeedback Destroyer:\u003c\/strong\u003e Automatic filtering helps manage feedback in microphone-based setups.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIntegrated Two-Channel Mixer:\u003c\/strong\u003e Two Wide-Z inputs and stereo RCA inputs accommodate multiple sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBalanced XLR Thru Output:\u003c\/strong\u003e Send Channel 1 or the mixed signal onward to compatible equipment.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe SRM350V3 uses a polypropylene cabinet with a black textured finish and a perforated metal grille with a weather-resistant coating. Its 50-degree monitor angle supports floor-wedge placement, while the 23-pound enclosure remains practical for portable applications. The cabinet measures 20.8 inches high, 13.1 inches wide, and 12.3 inches deep.\u003c\/p\u003e\u003cp\u003eConnect AC power with the detachable line cord, then connect microphones, instruments, mixers, or music sources to the appropriate inputs and set gain carefully. For a main PA position, place the speaker on a stable floor or compatible speaker pole; for monitoring, use its angled cabinet orientation. An optional SRM350V3 bracket is required for fly installation, and a balanced XLR cable may be used from the Thru output to feed another compatible device.\u003c\/p\u003e","brand":"Mackie","offers":[{"title":"Default Title","offer_id":45669402148934,"sku":"SRM350V3","price":499.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/51VBIs6sC9L.jpg?v=1784499173"},{"product_id":"mackie-thrash212go-12-battery-powered-loudspeaker","title":"Mackie THRASH212GO 12\" Battery-Powered Loudspeaker","description":"\u003cp\u003eThe Mackie Thrash212 GO is a full-size 12-inch battery-powered loudspeaker designed for portable PA, music playback, DJ setups, announcements, karaoke, and small live events. It provides a practical alternative when AC power is unavailable, inconvenient, or unreliable. Its included rechargeable battery supports operation away from wall outlets while retaining wired input capability.\u003c\/p\u003e\u003cp\u003eThis speaker is suited to mobile performers, event hosts, schools, houses of worship, cafés, and users who need a quick-deploy sound system. A 12-inch low-frequency driver and 1-inch titanium high-frequency driver provide two-way sound reproduction. The cabinet can also be used as a floor monitor with its 45-degree monitor angle.\u003c\/p\u003e\u003cp\u003eThrash212 GO uses a 300-watt peak Class-D amplifier system, with 250 watts peak allocated to the low-frequency section and 50 watts peak to the high-frequency section. Its rated frequency response reaches from 52 Hz to 20 kHz at -10 dB, with a maximum peak SPL rating of 125 dB. This combination is intended for clear speech, music playback, and portable event sound reinforcement.\u003c\/p\u003e\u003cp\u003eThe included lithium-ion battery is swappable and rated for up to 10 hours of playtime. Charging takes approximately five hours with no signal present or seven hours while signal is in use. For added versatility, Bluetooth streaming lets a compatible phone, tablet, or computer serve as a music source.\u003c\/p\u003e\u003cp\u003eFor wider wireless playback, a second Thrash212 GO can be linked over Bluetooth for stereo music playback. Two combo XLR\/1\/4-inch balanced inputs support wired sources, while the balanced XLR thru output can pass signal onward in a larger wired setup. This makes the speaker useful on its own or as part of a portable pair of powered loudspeakers.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eRechargeable Battery:\u003c\/strong\u003e Included swappable lithium-ion battery provides up to 10 hours of playtime.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e300W Class-D Amplification:\u003c\/strong\u003e Efficient peak-power amplifier system supports portable high-output playback.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12-Inch Two-Way Design:\u003c\/strong\u003e Ferrite woofer and titanium high-frequency driver cover music and speech.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBluetooth Streaming:\u003c\/strong\u003e Stream audio wirelessly from a compatible phone, tablet, or computer.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWireless Stereo Linking:\u003c\/strong\u003e Link two Thrash212 GO speakers for stereo Bluetooth music playback.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDual Combo Inputs:\u003c\/strong\u003e Connect balanced XLR or 1\/4-inch TRS wired sources.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe asymmetrical cabinet uses painted polypropylene with a black textured finish for portable use. A perforated metal grille with weather-resistant coating and black powder-coated finish protects the front of the speaker. Four integrated handles assist with carrying and setup, while the rotatable grille badge keeps the logo oriented when used in different positions.\u003c\/p\u003e\u003cp\u003ePlace the Thrash212 GO on the floor, use it as a 45-degree monitor, or pole-mount it through the built-in bottom socket with a suitably rated pole. It is not designed for suspension: the cabinet has no rigging points and should never be hung by its handles. Connect wired sources through the combo inputs, stream via Bluetooth when desired, or use the balanced XLR thru output to feed another device or speaker.\u003c\/p\u003e","brand":"Mackie","offers":[{"title":"Default Title","offer_id":45669410078790,"sku":"THRASH212GO","price":499.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/71MyfmI0zVL.jpg?v=1784499345"},{"product_id":"mackie-thump115s-15-1400w-powered-subwoofer","title":"Mackie THUMP115S 15\" 1400W Powered Subwoofer","description":"\u003cp\u003eThe Mackie THUMP115S is a self-powered 15-inch PA subwoofer designed to add low-frequency support to a live sound system. It is intended for DJs, performers, venues, and event setups that need more bass extension than full-range speakers alone can provide. Its built-in amplifier eliminates the need to match and carry a separate external subwoofer amplifier.\u003c\/p\u003e\u003cp\u003eWith a 1400-watt peak Class-D amplifier and a 15-inch ferrite woofer, the THUMP115S is built for amplified music playback and live-performance reinforcement. Mackie specifies a maximum peak sound pressure level of 131 dB. The subwoofer's published frequency response extends down to 36 Hz, helping it reproduce kick drums, bass instruments, and electronic music fundamentals.\u003c\/p\u003e\u003cp\u003eSelectable high-pass modes let the THUMP115S adapt its response to the rest of the PA system. Flat provides a balanced default response, while Deep emphasizes lower bass extension and Punch prioritizes higher output. A Variable mode provides adjustable crossover selection from 80 Hz to 160 Hz for matching a wider range of top speakers.\u003c\/p\u003e\u003cp\u003eStereo balanced XLR inputs support connection from a mixer or other line-level source. Stereo high-pass XLR outputs can feed powered top speakers while routing low frequencies to the subwoofer, and stereo full-range outputs can pass signals to additional equipment. A stereo\/mono full-range output option also supports practical multi-subwoofer deployment.\u003c\/p\u003e\u003cp\u003eThe THUMP115S is a professional PA subwoofer rather than a conventional 12-volt car-audio subwoofer. It uses AC mains power and balanced XLR audio connections, making it appropriate for portable PA, DJ, stage, and installed sound applications with compatible line-level equipment. Its integrated M20 threaded pole mount can support a compatible speaker pole for positioning top speakers above the subwoofer.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e15-Inch Ferrite Woofer:\u003c\/strong\u003e Produces dedicated low-frequency output for PA systems.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1400W Peak Class-D Amplifier:\u003c\/strong\u003e Provides built-in powered operation without an external amp.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFour High-Pass Modes:\u003c\/strong\u003e Flat, Deep, Punch, and Variable options tailor system behavior.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVariable 80–160 Hz Crossover:\u003c\/strong\u003e Helps match the subwoofer with compatible top speakers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStereo XLR Connectivity:\u003c\/strong\u003e Supports balanced inputs plus high-pass and full-range outputs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProtection Circuitry:\u003c\/strong\u003e Limiting and thermal safeguards help protect the amplifier and driver.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe THUMP115S uses a compact powered-subwoofer format with integrated top-corner carrying handles and a 15-inch ferrite low-frequency driver. Its Class-D amplifier uses convection cooling, and the front power LED can be switched off when a less visible stage appearance is preferred. The cabinet includes an integrated M20-threaded pole mount for a compatible loudspeaker pole.\u003c\/p\u003e\u003cp\u003ePlace the subwoofer on a stable floor or stage surface; it is not designed for suspension or for mounting the subwoofer itself on a pole. Connect balanced line-level signals from a mixer to the XLR inputs, then use the high-pass outputs to feed compatible powered top speakers when desired. Use the Variable crossover setting from 80 Hz to 160 Hz when matching the system manually, and leave clearance behind the cabinet for ventilation.\u003c\/p\u003e","brand":"Mackie","offers":[{"title":"Default Title","offer_id":45669410340934,"sku":"THUMP115S","price":749.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/61gumZXSVWL.jpg?v=1784499482"},{"product_id":"se-electronics-dm3-black-active-inline-di","title":"sE Electronics DM3 BLACK Active Inline DI","description":"\u003cp\u003eThe sE Electronics DM3 BLACK is a compact active inline DI designed to connect instrument-level sources directly to a phantom-powered XLR input. It provides a practical way to feed guitars, basses, keyboards, drum machines, synthesizers, and similar sources into a mixer, stage box, or audio interface. Its inline format eliminates the need for a separate DI box and an additional XLR cable between the DI and the input.\u003c\/p\u003e\u003cp\u003eA 10-megaohm Ultra-HiZ input is intended to place minimal load on passive pickups and other high-impedance sources. This helps preserve the natural character of electric guitars, basses, piezo-equipped instruments, and vintage high-impedance microphones. The DM3 BLACK is suited to live stages, home recording, studio tracking, and portable rigs that need a compact DI solution.\u003c\/p\u003e\u003cp\u003eThe DM3 uses sE Electronics DYNAMITE technology and a dedicated Class-A output buffer amplifier. Its frequency range is specified at 10 Hz to 120 kHz within -0.3 dB, while the output noise level is rated at 1 µV JIS-A. The buffered output is designed to provide a stable signal to a microphone preamp or other XLR-equipped input.\u003c\/p\u003e\u003cp\u003eFor high-output sources, the recessed attenuation control provides 15 dB and 30 dB pad settings. The maximum input level is specified as 19, 34, or 49 dBV depending on the attenuation setting. A three-position ground-lift switch includes Off, On, and On+ positions to help address ground-loop hum and, where applicable, additional high-frequency noise or radio-frequency interference.\u003c\/p\u003e\u003cp\u003eThe matte-black DM3 BLACK uses a 6.3 mm locking input jack and a gold-plated 3-pin male XLR output. It is powered by 48V phantom power supplied from the connected XLR input, so it does not use batteries. At 95.5 mm long and 70 g, it is easy to keep in an instrument case or add to a compact stage or recording setup.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e10 MΩ Ultra-HiZ Input:\u003c\/strong\u003e Helps retain the character of passive pickups and other high-impedance sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClass-A Output Buffer:\u003c\/strong\u003e Buffers the instrument signal for connection to a microphone preamp or XLR input.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable Input Pad:\u003c\/strong\u003e Selectable 15 dB or 30 dB attenuation accommodates higher-output sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThree-Position Ground Lift:\u003c\/strong\u003e Off, On, and On+ settings help manage ground-loop and interference-related noise.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLocking 1\/4-Inch Input:\u003c\/strong\u003e Helps prevent an instrument cable from being accidentally disconnected.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e48V Phantom-Powered Operation:\u003c\/strong\u003e Draws operating power from a compatible phantom-powered XLR input.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe DM3 BLACK has an all-metal inline housing with a discreet matte-black finish. Its compact cylindrical body measures 20 mm in diameter, and the output uses a gold-plated 3-pin male XLR connector. Recessed pad and ground-lift controls are designed to reduce unintended setting changes.\u003c\/p\u003e\u003cp\u003eConnect an instrument or playback device with a 1\/4-inch instrument cable to the DM3 input, then connect the male XLR output directly to a compatible mixer, interface, preamp, or stage-box input. Enable 48V phantom power on that XLR input before use. Use the pad for overly hot source signals, and select the ground-lift setting only as needed to reduce noise in the particular system.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669430493254,"sku":"DM3 BLACK","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/61h6700r2fL.jpg?v=1784502076"}],"url":"https:\/\/audiowatt.store\/collections\/festival-season-gear.oembed","provider":"Audio Watt Store","version":"1.0","type":"link"}