{"title":"Drum Microphones","description":null,"products":[{"product_id":"shure-dmk57-52-4-piece-drum-microphone-kit","title":"Shure DMK57-52 4-Piece Drum Microphone Kit","description":"\u003cp\u003eThe Shure DMK57-52 is a four-microphone drum kit designed for close-miking a kick drum, snare, and toms in live-performance and recording applications. It combines three SM57 dynamic instrument microphones with one BETA 52A dynamic kick drum microphone. Three A56D drum mounts help create a compact drum-miking setup without requiring a separate stand for every close microphone.\u003c\/p\u003e\u003cp\u003eThis kit suits drummers, engineers, rehearsal spaces, and venues that need a practical core microphone package for an acoustic drum set. The three SM57 microphones can be assigned across snare and tom positions, while the BETA 52A is voiced for kick drum and other low-frequency instruments. A rugged carrying case keeps the microphones and mounting hardware together between sessions or shows.\u003c\/p\u003e\u003cp\u003eThe SM57 microphones use cardioid pickup patterns and a contoured frequency response, helping focus on the intended drum while reducing pickup from sound behind each microphone. Their 40 Hz to 15 kHz response supports drum attack, body, and upper-frequency detail. The BETA 52A uses a supercardioid pattern and a frequency response tailored for kick drum punch and presence.\u003c\/p\u003e\u003cp\u003eAll four included microphones are moving-coil dynamic designs with balanced male XLR connections. The BETA 52A is built for high sound-pressure applications and includes an integrated locking stand adapter for positioning at a kick drum. Its pneumatic shock-mount system and durable metal construction support regular stage and studio use.\u003c\/p\u003e\u003cp\u003eThe included A56D mounts attach standard end-address microphones to drum rims, cymbal stands, microphone stands, and other suitable mounting points. Their captive-part construction helps keep the hardware together during setup and transport. The DMK57-52 provides a close-mic foundation and can be expanded with separately purchased overhead or room microphones when a larger drum capture setup is needed.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFour-Microphone Drum Package:\u003c\/strong\u003e Includes three SM57 microphones and one BETA 52A microphone for a core drum-miking layout.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSM57 Snare And Tom Microphones:\u003c\/strong\u003e Cardioid dynamic microphones provide focused close pickup for snare drums, rack toms, and floor toms.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBETA 52A Kick Microphone:\u003c\/strong\u003e A tailored low-frequency response supports kick-drum attack and low-end presence.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh-SPL Dynamic Design:\u003c\/strong\u003e The BETA 52A is rated for up to 174 dB SPL at 1 kHz with 1% THD and a 1 kOhm load.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eA56D Drum Mounts:\u003c\/strong\u003e Three universal mounts help position microphones on compatible drum rims or cymbal stands.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRugged Carrying Case:\u003c\/strong\u003e The included case organizes the microphones and mounting hardware for transport and storage.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe SM57 uses a dark gray enamel-painted die-cast steel housing with a polycarbonate grille and stainless steel screen. The BETA 52A combines die-cast metal construction with a hardened steel-mesh grille, while its integrated stand adapter locks into position after adjustment. The A56D uses a compact clamp format with captive parts and a 90-degree L-adapter extension for microphone placement.\u003c\/p\u003e\u003cp\u003eMount the SM57 microphones with the A56D clamps on compatible drum rims or cymbal stands, keeping them outside the drummer's stick and cymbal movement. The A56D fits 5\/8-inch-27 threaded stand adapters; use the BETA 52A's integrated stand adapter on a suitable kick-drum microphone stand. Connect each microphone's male XLR output to an appropriate XLR cable and microphone preamp or mixer input; XLR cables are not listed as included with this kit.\u003c\/p\u003e","brand":"Shure","offers":[{"title":"Default Title","offer_id":45668955684934,"sku":"DMK57-52","price":440.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/61jqnN8QPAL.jpg?v=1784473579"},{"product_id":"shure-nxn6-nexadyne-6-tom-snare-drum-microphone","title":"Shure NXN6 Nexadyne 6 Tom\/Snare Drum Microphone","description":"\u003cp\u003eThe Shure Nexadyne 6 NXN6 is a dynamic microphone made specifically for close-miking toms and snare drums in live-performance and recording setups. Its supercardioid pickup pattern helps focus on the intended drum while reducing pickup from nearby cymbals, drums, and stage monitors. It is a practical choice for drummers, live-sound engineers, and studios building a more controlled drum-miking setup.\u003c\/p\u003e\u003cp\u003eThe microphone is voiced to capture drum attack, body, and resonance with clear high-frequency stick definition, a transparent midrange, and full low-end response. This character helps preserve the individual voice of a snare or tom without relying on excessive corrective equalization. Placement can be adjusted to favor more attack or more resonance.\u003c\/p\u003e\u003cp\u003eAt the center of the NXN6 is Shure Revonic dual-engine transducer technology. Its two calibrated dynamic transducers work together to control the polar pattern and reduce mechanical vibration. The result is a focused signal designed to make isolation easier when several microphones share the same drum kit.\u003c\/p\u003e\u003cp\u003eThe Nexadyne 6 uses a fixed-angle form factor and includes the A6D drum mount for direct rim mounting. This arrangement is designed to help maintain microphone placement through drum vibration while keeping setup and teardown straightforward. The mount can be clipped onto the rim from either direction.\u003c\/p\u003e\u003cp\u003eWith a standard three-pin male XLR output, the NXN6 connects to compatible microphone inputs on mixers, audio interfaces, stage boxes, and microphone preamps. Its 50 Hz to 16 kHz frequency response and 335-ohm output impedance make it suitable for professional drum-miking systems. A zipper pouch is included for transport and storage.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTom And Snare Voicing:\u003c\/strong\u003e Designed to capture the attack, body, and resonance of toms and snare drums.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSupercardioid Pattern:\u003c\/strong\u003e Helps reject cymbal wash, adjacent drums, and stage-monitor spill.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRevonic Dual-Engine Design:\u003c\/strong\u003e Uses two calibrated transducers to improve isolation and reduce mechanical vibration.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFixed-Angle Body:\u003c\/strong\u003e Helps reduce placement drift caused by drum vibration during performance.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eA6D Drum Mount Included:\u003c\/strong\u003e Provides direct rim mounting for fast drum-kit setup and teardown.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProfessional XLR Connection:\u003c\/strong\u003e Connects to standard balanced microphone inputs on compatible audio equipment.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe NXN6 has a die-cast zinc housing with a black painted finish and weighs 246 g. Its compact drum-focused design combines the microphone body with a fixed-angle mounting approach intended for stable positioning on a drum rim. The included A6D mount and zipper pouch support routine live-performance, rehearsal, and recording use.\u003c\/p\u003e\u003cp\u003eAttach the A6D drum mount to the drum rim, then angle the microphone toward the drum head and tighten the mount securely. Aim toward the center of the head for more attack, or toward the rim for more resonance, then connect the male XLR output to a compatible microphone input. Shure recommends a preamplifier input impedance of at least 1,000 ohms for proper signal transfer.\u003c\/p\u003e","brand":"Shure","offers":[{"title":"Default Title","offer_id":45668981342278,"sku":"NXN6","price":251.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/71bVPHPFpgL.jpg?v=1784475635"},{"product_id":"se-electronics-v-beat-dynamic-snare-tom-drum-microphone","title":"sE Electronics V BEAT Dynamic Snare \u0026 Tom Drum Microphone","description":"\u003cp\u003eThe sE Electronics V BEAT is a compact dynamic instrument microphone designed primarily for close-miking snare drums, rack toms, floor toms, and percussion. Its low-profile form helps place the microphone near the drum head while keeping the setup tidy around sticks, cymbals, and hardware. It is suited to both live-sound drum kits and studio recording setups.\u003c\/p\u003e\u003cp\u003eA supercardioid pickup pattern focuses on the intended drum while helping reduce pickup from nearby drums, cymbals, monitors, and other stage sources. This makes the V BEAT a practical choice where drum isolation and controlled bleed are important. Its specified 30 Hz to 19 kHz frequency range supports low drum body along with stick attack and transient detail.\u003c\/p\u003e\u003cp\u003eThe microphone uses sE Electronics' custom DMC7 X dynamic capsule with an aluminum voice coil and neodymium magnet. The lightweight aluminum voice coil is engineered to support an open, detailed response with a balanced midrange. Its sound character is intended to preserve the natural resonance of snare and tom drums rather than relying on a bulky microphone body.\u003c\/p\u003e\u003cp\u003eAn integrated, patented capsule suspension helps isolate the capsule from mechanical vibration and shocks without requiring a separate external shock mount. The V BEAT also has an internal windscreen; a red windscreen is fitted, and a black replacement windscreen is included. These details support cleaner close-miked use around drums and other high-impact instruments.\u003c\/p\u003e\u003cp\u003eThe V BEAT is part of sE Electronics' V Series drum-miking ecosystem and can be used with a conventional microphone stand or compatible mounting hardware. Its optional V CLAMP accessory provides drum-rim mounting and an additional vertical adjustment axis. The microphone can also be used on electric guitar speaker cabinets and brass instruments when its compact dynamic format suits the application.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic DMC7 X Capsule:\u003c\/strong\u003e Custom capsule design is voiced for detailed snare and tom capture.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSupercardioid Pattern:\u003c\/strong\u003e Helps focus on the drum and reduce nearby-source bleed.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAluminum Voice Coil:\u003c\/strong\u003e Lightweight coil supports responsive transient reproduction and balanced mids.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIntegrated Capsule Suspension:\u003c\/strong\u003e Helps decouple the capsule from vibration and mechanical shocks.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLow-Profile Swivel Mount:\u003c\/strong\u003e Enables precise aiming across the drum head with minimal clutter.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRoad-Ready Metal Construction:\u003c\/strong\u003e Die-cast zinc housing and spring-steel grille support regular use.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe V BEAT combines an all-metal die-cast zinc alloy body with a corrosion-resistant spring-steel mesh grille. Its 3-pin male XLR connector is gold plated, and the connector and stand-mount interface are arranged in parallel beneath the swivel assembly. This compact layout helps keep the connected cable out of the drummer's line of sight.\u003c\/p\u003e\u003cp\u003eConnect the microphone to a compatible XLR microphone input using a suitable XLR cable, then use the swivel mount to aim it at the desired area of the drum head. Keep both the microphone and cable clear of the drum head, and angle the capsule away from cymbals or adjacent drums when reducing bleed is a priority. For rim-mounted placement and added vertical adjustment, the optional sE Electronics V CLAMP can be used.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669464768582,"sku":"V BEAT","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/710C0R0C3ML.jpg?v=1784504935"},{"product_id":"se-electronics-v-beat-black-dynamic-drum-microphone","title":"sE Electronics V BEAT BLACK Dynamic Drum Microphone","description":"\u003cp\u003eThe sE Electronics V BEAT BLACK is a compact dynamic instrument microphone designed primarily for close-miking snare drums, toms, and percussion. Its low-profile shape helps place the microphone near a drumhead while keeping the setup visually tidy and out of the drummer’s way. It is suited to studio recording, live sound, rehearsal spaces, and touring drum rigs.\u003c\/p\u003e\u003cp\u003eThe microphone uses a supercardioid pickup pattern to focus on the intended drum while reducing pickup from nearby cymbals, drums, monitors, and other stage sources. This makes it useful where drum isolation and controlled bleed are important. Its 30 Hz to 19 kHz frequency range is intended to capture low drum fundamentals as well as attack and transient detail.\u003c\/p\u003e\u003cp\u003eAt the center of the V BEAT BLACK is sE Electronics’ DMC7 X dynamic capsule, fitted with an aluminum voice coil and neodymium magnet. The aluminum coil is designed to support a responsive, detailed character for percussive sources. A 2.0 mV\/Pa sensitivity and 300-ohm electrical impedance allow connection to standard microphone preamps and mixers through XLR.\u003c\/p\u003e\u003cp\u003eAn integrated capsule suspension helps isolate the capsule from mechanical vibration and shock without requiring a separate external shock mount. The built-in swivel mount provides angle adjustment, allowing the microphone to be aimed at different areas of a drumhead. Its parallel XLR connector and stand-mount layout keeps the cable routed beneath the microphone body.\u003c\/p\u003e\u003cp\u003eThe V BEAT BLACK is built with an all-metal die-cast zinc alloy body, spring-steel grille, and gold-plated XLR connector for regular stage and studio handling. A red internal windscreen is fitted, while a spare black internal windscreen is included for a subtler appearance. For rim-mounted setups, it can be paired with the separately available sE Electronics V CLAMP accessory.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic DMC7 X Capsule:\u003c\/strong\u003e Designed for detailed snare, tom, and percussion capture without requiring phantom power.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSupercardioid Pattern:\u003c\/strong\u003e Helps reduce spill from adjacent drums, cymbals, and stage sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIntegrated Capsule Suspension:\u003c\/strong\u003e Helps limit mechanical vibration and handling-related noise at the capsule.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLow-Profile Swivel Mount:\u003c\/strong\u003e Allows precise aiming while keeping the microphone close to the drum.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eParallel XLR Layout:\u003c\/strong\u003e Routes the cable beneath the microphone for a cleaner, compact setup.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRoad-Oriented Metal Construction:\u003c\/strong\u003e Uses a die-cast zinc body and spring-steel grille for durability.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe V BEAT BLACK uses an all-metal chassis made from die-cast zinc alloy, paired with a corrosion-resistant spring-steel mesh grille. Its 61 mm body diameter, 110 mm length, and 347 g weight give it a compact form factor for crowded drum kits. The gold-plated 3-pin male XLR connector provides the microphone output connection.\u003c\/p\u003e\u003cp\u003eConnect the microphone to a mixer, audio interface, or microphone preamp using a standard XLR microphone cable. Mount it to a compatible mic stand or hardware using the supplied thread adapter, then use the swivel mount to aim it toward the preferred area of the snare or tom head. Keep the microphone and cable from touching the drumhead, and securely tighten the swivel after positioning; the optional V CLAMP can provide compact drum-rim mounting and additional vertical adjustment.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669464932422,"sku":"V BEAT BLACK","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/71BVvS1uQZL.jpg?v=1784504978"},{"product_id":"se-electronics-v-kick-dynamic-kick-drum-microphone","title":"sE Electronics V KICK Dynamic Kick Drum Microphone","description":"\u003cp\u003eThe sE Electronics V KICK is a compact dynamic microphone designed for kick drums and other sources that produce substantial low-frequency energy. It provides a focused alternative to larger kick microphones where stage space, drum-port access, or cable management can be limiting. Its supercardioid pickup pattern is intended to prioritize the source in front of the microphone while helping reduce off-axis spill.\u003c\/p\u003e\u003cp\u003eThis microphone is suited to drummers, engineers, rehearsal spaces, studios, and live-sound systems that need a dedicated kick-drum capture option. It can also be used on floor toms, larger percussion instruments, and bass-guitar speaker cabinets. The compact 60 mm by 135 mm body can be positioned inside or outside a kick drum.\u003c\/p\u003e\u003cp\u003eThe V KICK uses a custom DMC7 SB dynamic capsule with an aluminum voice coil and neodymium magnet. Its 20 Hz to 19 kHz frequency range and low-frequency-focused tuning support deep kick fundamentals alongside attack detail. The supercardioid design and selectable voicings provide practical control before applying console EQ or processing.\u003c\/p\u003e\u003cp\u003eTwo recessed rear switches create four available voicing combinations. The left switch changes the overall voicing between Classic and Modern, while the right switch adjusts the high-frequency character between Classic and Modern. This lets an engineer select a warmer, rounded response or a more open, contemporary presentation without changing microphones.\u003c\/p\u003e\u003cp\u003eFor system integration, the V KICK connects through its 3-pin male XLR output to a compatible microphone input or preamp. Its integrated swivel joint supports angle adjustments through a kick-drum port or from outside the resonant head. The all-metal housing, spring-steel grille, and internal capsule suspension are designed for repeated studio and stage use.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCustom DMC7 SB Capsule:\u003c\/strong\u003e Dynamic capsule is tuned for low and loud sound sources, including kick drums.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFour Switchable Voicings:\u003c\/strong\u003e Two rear switches provide four tonal combinations for different drum sounds.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSupercardioid Pickup Pattern:\u003c\/strong\u003e Focuses on the intended source while helping reduce off-axis bleed.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIntegrated Swivel Joint:\u003c\/strong\u003e Allows precise positioning inside or outside a kick drum.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompact XLR Layout:\u003c\/strong\u003e Parallel connector and stand mount help keep cable routing organized.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRoad-Ready Construction:\u003c\/strong\u003e Die-cast zinc housing, spring-steel grille, and gold-plated XLR support regular use.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe V KICK uses an all-metal chassis made from die-cast zinc alloy, paired with a spring-steel mesh grille. Its internal capsule suspension helps decouple the capsule from mechanical vibration, while the beveled grille edge helps keep the microphone from rolling when set down. The microphone measures 60 mm in diameter and 135 mm in length, with a weight of 468 g.\u003c\/p\u003e\u003cp\u003eMount the V KICK on a compatible microphone stand or mounting solution using the integrated swivel joint and included thread adapter. It can be placed through a kick-drum head port or positioned outside the drum; tighten the swivel clamp after adjustment to prevent sagging. Connect its 3-pin male XLR output with a suitable XLR cable, and keep the microphone and cable from touching the drum head.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669465260102,"sku":"V KICK","price":175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/91DzERqrTJL.jpg?v=1784505078"},{"product_id":"se-electronics-v-kick-black-dynamic-kick-drum-microphone","title":"sE Electronics V KICK BLACK Dynamic Kick Drum Microphone","description":"\u003cp\u003eThe sE Electronics V KICK BLACK is a compact dynamic microphone designed for kick drums and other low-frequency instruments. Its low-profile body helps solve placement challenges inside or outside a bass drum, especially where space around pedals, ports, and stands is limited. It is suited to drummers, live-sound engineers, and recording users who need a dedicated XLR kick microphone.\u003c\/p\u003e\u003cp\u003eThe V KICK BLACK uses a supercardioid pickup pattern to focus on the intended source while helping reduce surrounding stage or kit bleed. Its custom DMC7 SB dynamic capsule is tuned for low and loud sources, including kick drums, floor toms, percussion, and bass guitar cabinets. The aluminum voice coil supports a transient-rich response with controlled low-frequency capture and balanced midrange detail.\u003c\/p\u003e\u003cp\u003eTwo recessed rear switches provide four selectable voicings. One switch changes the overall response between Classic and Modern, while the second changes the high-frequency character. This allows the microphone to be adapted for rounded traditional kick tones or a clearer, more contemporary attack without changing microphones.\u003c\/p\u003e\u003cp\u003eAn integrated swivel joint allows the microphone angle to be adjusted for close or more open placement. The parallel XLR connector and stand-mount layout helps keep the cable path compact when positioning the mic in a drum. Its internal capsule suspension is designed to reduce mechanical vibration and handling-related shock transfer.\u003c\/p\u003e\u003cp\u003eThe V KICK BLACK is built with an all-metal chassis, a die-cast zinc alloy housing, and a spring steel grille. A switchable internal windscreen helps reduce unwanted wind and popping effects, and a spare black windscreen is included. Connect it to a compatible microphone preamp, mixer, audio interface, or stage snake using a standard 3-pin XLR microphone cable.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDedicated Dynamic Capsule:\u003c\/strong\u003e Custom DMC7 SB capsule is tuned for kick drums and low-frequency sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFour Selectable Voicings:\u003c\/strong\u003e Dual rear switches provide four tonal response combinations.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSupercardioid Pattern:\u003c\/strong\u003e Focuses pickup on the drum while helping reduce nearby bleed.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompact Swivel Body:\u003c\/strong\u003e Supports flexible positioning inside or outside a kick drum.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInternal Capsule Suspension:\u003c\/strong\u003e Helps reduce vibration transfer without an external shock mount.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRoad-Ready Construction:\u003c\/strong\u003e Metal housing, spring steel grille, and gold-plated XLR connector support regular use.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe V KICK BLACK combines a die-cast zinc alloy chassis with an all-metal housing and spring steel mesh grille. Its 60 mm diameter and 135 mm length keep the microphone compact for drum placement. The gold-plated 3-pin XLR connector and integrated internal suspension are designed for dependable signal connection and reduced mechanical vibration.\u003c\/p\u003e\u003cp\u003eMount the microphone to a compatible stand or boom using the included thread adapter, then connect a standard 3-pin XLR cable to a mixer, microphone preamp, stage box, or audio interface. The integrated swivel joint can be used to aim the capsule toward the beater impact area, resonant head, or port depending on the desired balance of attack and low-end resonance. Keep the microphone and cable clear of the drum head during setup.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669465292870,"sku":"V KICK BLACK","price":175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/81zmXvPBKsL.jpg?v=1784505112"},{"product_id":"se-electronics-v-pack-arena-black-drum-mic-kit","title":"sE Electronics V PACK ARENA BLACK Drum Mic Kit","description":"\u003cp\u003eThe sE Electronics V PACK ARENA BLACK is a complete seven-microphone drum recording and reinforcement kit for full acoustic drum sets. It combines dedicated kick, tom, snare, and overhead microphones in a coordinated all-black package. The set is designed for live performance, rehearsal spaces, and studio drum recording.\u003c\/p\u003e\u003cp\u003eA V KICK Black handles bass drum duties, while three V BEAT Black microphones and three V CLAMP mounts cover toms or additional snare positions. The included V7 X Black provides another dynamic option for snare or other instruments. A factory-matched pair of sE8 small-diaphragm condensers is supplied for stereo overhead capture.\u003c\/p\u003e\u003cp\u003eThe dynamic microphones use supercardioid pickup patterns to focus on the intended drum while helping reduce spill from nearby drums and cymbals. The V KICK Black provides four selectable voicings through two rear switches, allowing its low-end and upper-frequency character to be adjusted. V BEAT microphones use a compact swivel design for accurate aiming around the drum head.\u003c\/p\u003e\u003cp\u003eFor overhead work, the sE8 pair uses handcrafted 1\/2-inch true-condenser capsules, transformerless Class-A circuitry, switchable pads, and switchable low-cut filters. This gives the overhead channels a detailed, balanced capture with useful headroom for close and loud sources. The condensers require 48V phantom power from compatible microphone preamps or an audio interface.\u003c\/p\u003e\u003cp\u003eThe V PACK ARENA BLACK is suited to players, engineers, and venues that need a coordinated drum-miking starting point without assembling each position separately. Its V CASE keeps the microphones, clamps, clips, and adapters together for transport and storage. The case also includes space for an additional pencil condenser microphone, such as a hi-hat mic.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eComplete Seven-Microphone Set\u003c\/strong\u003e Covers kick, toms, snare, and stereo overhead duties.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eV KICK Black\u003c\/strong\u003e Four switchable voicings tailor bass-drum tone.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThree V BEAT Black Mics\u003c\/strong\u003e Compact supercardioid mics for toms or snare.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThree V CLAMP Mounts\u003c\/strong\u003e Mount V BEAT microphones directly to drum rims.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMatched sE8 Overhead Pair\u003c\/strong\u003e Provides stereo condenser capture for cymbals and kit ambience.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProtective V CASE\u003c\/strong\u003e Organizes the kit with room for another pencil mic.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe V KICK and V BEAT microphones use all-metal housings, spring-steel grilles, neodymium magnets, aluminum voice coils, and gold-plated XLR connectors. The V BEAT also incorporates an internal capsule suspension, while the V KICK has an integrated swivel joint for positioning. The sE8 microphones use all-metal chassis construction and include clips, windscreens, and thread adapters.\u003c\/p\u003e\u003cp\u003eUse the V CLAMP mounts to secure each V BEAT to compatible snare or tom rims, then set height and rotation with the clamp and microphone swivel. Place the V KICK inside or outside the bass drum, use the V7 X Black for snare or another close-miked source, and position the sE8 pair above the kit. Connect all microphones with standard 3-pin XLR cables; provide 48V phantom power only for the two sE8 condensers.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669465849926,"sku":"V PACK ARENA BLACK","price":959.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/915utMhza6L.jpg?v=1784505207"},{"product_id":"se-electronics-v-pack-case-drum-microphone-case","title":"sE Electronics V Pack Case Drum Microphone Case","description":"\u003cp\u003eThe sE Electronics V Pack Case is a hard storage and transport case for selected sE V Series drum microphone components. It keeps a multi-microphone drum setup organized in one dedicated enclosure rather than relying on loose pouches or generic cases. This makes it useful for engineers, drummers, venues, and studios that regularly move or store a V Series drum-miking setup.\u003c\/p\u003e\u003cp\u003eIts structured foam interior provides assigned spaces for compatible microphones, clamps, and associated mic clips. The layout is designed around a V KICK, V BEAT microphones, V CLAMP mounts, a V7 X, and small-diaphragm condensers such as the sE7 or sE8. By separating components in foam cutouts, the case helps keep the kit orderly between sessions and during transport.\u003c\/p\u003e\u003cp\u003eThis is a protective accessory rather than an audio component, so it does not change the sound or signal path of the microphones stored inside. Its role is to support dependable microphone deployment by keeping commonly used drum-miking pieces together. That can simplify load-in, setup, teardown, and studio storage for a compatible V Series collection.\u003c\/p\u003e\u003cp\u003eThe case uses a plastic hard-case construction with a fitted inner lining. Its interior is configured specifically for sE V Series drum microphone equipment instead of offering an open, universal compartment. The dedicated arrangement is particularly useful when transporting microphones with their compatible clips and V CLAMP hardware.\u003c\/p\u003e\u003cp\u003eThe V Pack Case can be used as a standalone accessory for an existing compatible microphone collection or as a replacement\/organizational case for V Pack-style setups. Place each component in its intended foam position before closing the case, and keep the case reserved for the listed microphone formats for the most secure fit. No audio wiring, power connection, or signal configuration is required.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eV Series Layout:\u003c\/strong\u003e Foam is shaped for selected sE V Series drum microphone components.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eV KICK Storage:\u003c\/strong\u003e Includes a dedicated position for one V KICK microphone.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eV BEAT Capacity:\u003c\/strong\u003e Accommodates up to three V BEAT microphones.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eV CLAMP Support:\u003c\/strong\u003e Provides space for three V CLAMP mounts.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSmall-Diaphragm Slots:\u003c\/strong\u003e Holds up to three sE7 or sE8-style microphones.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHard Plastic Construction:\u003c\/strong\u003e Plastic shell and fitted lining support organized transport and storage.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe V Pack Case is a hard plastic case with structured internal foam lining. The foam is cut into dedicated positions for the compatible microphones, clamps, and mic clips, helping prevent components from shifting into one another during storage or transport. A single carry handle is specified for portable handling.\u003c\/p\u003e\u003cp\u003eNo mounting or wiring is required. Load the V KICK, V BEATs, V CLAMPs, V7 X, small-diaphragm microphones, and applicable clips into their corresponding foam cutouts, then close the case before moving or storing it. It is best used with the sE V Series equipment listed for the case rather than as a universal-fit microphone case.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669466013766,"sku":"V Pack Case","price":129.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/81qk2KTECxL.jpg?v=1784505244"}],"url":"https:\/\/audiowatt.store\/collections\/drum-microphones.oembed","provider":"Audio Watt Store","version":"1.0","type":"link"}