{"title":"DI Boxes","description":null,"products":[{"product_id":"presonus-nsb16-8-16x8-avb-networked-stage-box","title":"PreSonus NSB16-8 16x8 AVB-Networked Stage Box","description":"\u003cp\u003eThe PreSonus NSB16-8 is a 16x8 AVB-networked stage box designed to place microphone, line-input, and analog-output connections where they are needed on stage. It connects with compatible PreSonus StudioLive Series III digital mixers over an AVB network, reducing the need for a large analog multicore between the stage and mix position. This makes it a practical remote-I\/O solution for live sound, installed systems, theater, worship, broadcast, and mobile production setups.\u003c\/p\u003e\u003cp\u003eSixteen locking combo input connectors accept balanced XLR microphone sources or balanced 1\/4-inch TRS line-level sources. Each microphone input uses a remotely controllable XMAX preamp, allowing input gain and phantom power to be managed from a connected StudioLive Series III mixer or PreSonus Universal Control software. Eight locking balanced XLR outputs provide analog sends at the stage end of the system.\u003c\/p\u003e\u003cp\u003eThe NSB16-8 is built for clean signal handling across a networked production system. Its microphone and line input paths are specified from 20 Hz to 20 kHz at unity gain, while the digital audio section provides 115 dB A-weighted dynamic range at 48 kHz. The result is a remote stage interface suited to microphones, DI boxes, playback devices, monitor feeds, and other balanced audio connections.\u003c\/p\u003e\u003cp\u003eOnboard DSP provides gain compensation for every input when the stage box is shared by multiple mixers on the same AVB network. One mixer is assigned master preamp control, while other connected mixers can make local gain adjustments relative to that master setting. This supports coordinated front-of-house, monitor, and broadcast workflows without requiring separate analog splits for every position.\u003c\/p\u003e\u003cp\u003eTwo locking XLR Ethernet AVB ports form an integrated two-port switch for direct or daisy-chained network configurations. The compact steel enclosure includes stage-friendly handles and can also be converted for rack use with the separately available NSB 16.8 Rack Kit. It is a focused expansion component for StudioLive Series III systems that need more I\/O away from the console.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e16 Locking Combo Inputs:\u003c\/strong\u003e Connect balanced microphones through XLR or balanced line-level sources through 1\/4-inch TRS.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16 XMAX Preamps:\u003c\/strong\u003e Remotely manage microphone gain from a compatible StudioLive Series III system.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEight Balanced XLR Outputs:\u003c\/strong\u003e Send analog output feeds back to the stage with locking XLR connections.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e32x8 AVB Audio:\u003c\/strong\u003e Provides 16 direct channels plus 16 gain-compensated input channels over AVB.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGain Compensation DSP:\u003c\/strong\u003e Supports shared-input workflows across multiple mixers on the same AVB network.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDual AVB Network Ports:\u003c\/strong\u003e The integrated switch supports direct connections and daisy-chained stage-box layouts.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe NSB16-8 uses a rugged steel chassis with integrated handles for stage placement and transport. Its compact enclosure measures 16.7 inches wide by 7 inches high by 4.5 inches deep and weighs 6.2 pounds. Locking input, output, network, and IEC power connections help keep a working system secure.\u003c\/p\u003e\u003cp\u003eConnect the stage box to a compatible PreSonus StudioLive Series III mixer through its AVB network ports using suitable CAT5e or CAT6 Ethernet cabling. Connect microphones or balanced line devices to the combo inputs, then route required output feeds from the mixer to the eight XLR outputs. For rack installations, remove the handles and use the optional NSB 16.8 Rack Kit; the stage box can also be daisy-chained with additional compatible AVB devices.\u003c\/p\u003e","brand":"PreSonus","offers":[{"title":"Default Title","offer_id":45669185814598,"sku":"NSB16-8","price":746.86,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/81CEZXG0l7L.jpg?v=1784480366"},{"product_id":"mackie-mdb-1p-passive-direct-box","title":"Mackie MDB-1P Passive Direct Box","description":"\u003cp\u003eThe Mackie MDB-1P is a single-channel passive direct box designed to connect unbalanced, high-impedance instruments and sources to balanced audio systems. It converts the signal for a balanced XLR output, helping make long cable runs to a mixer or audio interface more practical. A 1\/4-inch Thru connection lets the original source remain connected to an instrument amplifier or compatible effects chain.\u003c\/p\u003e\u003cp\u003eThis DI box is suited to guitars, basses, keyboards, media players, and similar sources with a 1\/4-inch unbalanced output. It is useful for live sound, rehearsal spaces, recording setups, and installed systems where a source needs to feed both a local amplifier and a mixer. Its passive design requires no battery, phantom power, or external power supply.\u003c\/p\u003e\u003cp\u003eThe MDB-1P is engineered for a neutral signal path with a specified 20 Hz to 20 kHz frequency response and 128 dB dynamic range. Its 140 kOhm unbalanced input impedance is designed for high-impedance sources. A stated total harmonic distortion figure of 0.002% from 1 kHz supports clean signal transfer in a properly matched system.\u003c\/p\u003e\u003cp\u003eA switchable -15 dB pad reduces the input level for high-output sources, including instruments with active electronics or high-output pickups. The rear-panel ground-lift switch separates chassis ground from signal ground at the balanced output when needed to address system ground-loop hum. These controls make the unit adaptable without adding active electronics or power requirements.\u003c\/p\u003e\u003cp\u003eThe MDB-1P fits easily into a stage or studio signal chain: connect an instrument to the input, run the XLR output to a mixer or audio interface, and use the Thru jack for an amplifier or instrument-level parallel device. Its compact steel chassis measures 5.8 inches deep, making it practical for pedalboards, stage cases, or desktop recording rigs. It is a focused interface component for systems that need a passive DI connection rather than a powered preamp or audio interface.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePassive Direct Box:\u003c\/strong\u003e Operates without batteries, phantom power, or an external supply.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh-Impedance Input:\u003c\/strong\u003e Accepts unbalanced 1\/4-inch instrument and source signals.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1\/4-Inch Thru Output:\u003c\/strong\u003e Routes the source onward to an amplifier or compatible effects device.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBalanced XLR Output:\u003c\/strong\u003e Connects the converted signal to a mixer or audio interface.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e-15 dB Pad:\u003c\/strong\u003e Reduces high-level input signals to help prevent overload.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGround-Lift Switch:\u003c\/strong\u003e Separates chassis and signal ground to help address ground-loop hum.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe MDB-1P uses a heavy-gauge steel chassis and Mackie's Built-Like-A-Tank construction approach. It is a compact, single-channel DI box with front-panel 1\/4-inch Input and Thru jacks, plus a rear-panel male XLR output and ground-lift switch. The enclosure measures 1.5 inches high, 3.4 inches wide, and 5.8 inches deep.\u003c\/p\u003e\u003cp\u003eUse a shielded 1\/4-inch instrument cable from the source to the Input jack, then connect a standard XLR cable from the output to a mixer or audio interface. Connect the Thru jack to an instrument amplifier, tuner, or instrument-level parallel effects chain when a local feed is needed. Start with the pad disengaged, engage the -15 dB pad for a source with excessive level, and try the ground-lift setting only if hum is present; do not connect an amplifier speaker output directly to the input.\u003c\/p\u003e","brand":"Mackie","offers":[{"title":"Default Title","offer_id":45669387993158,"sku":"MDB-1P","price":79.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/61iyDNXg0wL.jpg?v=1784497319"},{"product_id":"se-electronics-dm3-active-inline-di","title":"sE Electronics DM3 Active Inline DI","description":"\u003cp\u003eThe sE Electronics DM3 is a compact active inline direct box for connecting instruments and other high-impedance sources to a microphone-level XLR input. It is designed for guitar, bass, piezo-equipped instruments, keyboards, synthesizers, drum machines, and similar sources. Its inline layout connects directly to a phantom-powered XLR input, avoiding the need for a separate DI box-to-mixer XLR cable.\u003c\/p\u003e\u003cp\u003eIts 10 MΩ Ultra-HiZ input is intended to minimize loading on passive pickups and piezo sources. This helps preserve the character of instruments that can sound dull or lose level when connected to lower-impedance inputs. The DM3 also provides a dedicated Class-A output buffer for a stable balanced output feed.\u003c\/p\u003e\u003cp\u003eThe DM3 accommodates both low-output instruments and higher-level electronic sources. A recessed, switchable attenuation pad provides 15 dB or 30 dB of input reduction when a source is too hot for the connected preamp or mixer input. Its specified maximum input level reaches 49 dBV with the 30 dB pad engaged.\u003c\/p\u003e\u003cp\u003eFor noise troubleshooting, the DM3 uses a three-position ground-lift switch with Off, On, and On+ positions. The On setting is intended to help break ground loops that cause hum or buzz. The On+ setting is designed to address additional high-frequency noise such as hiss or radio-frequency interference where applicable.\u003c\/p\u003e\u003cp\u003eThis DI is suited to stage, studio, broadcast, and portable recording systems that provide standard 48V phantom power. Its locking 1\/4-inch input helps prevent accidental cable removal during use. The compact cylindrical housing can fit into a small accessory case or pocket and is practical for direct connection to mixers, audio interfaces, preamps, and stage boxes.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e10 MΩ Ultra-HiZ Input:\u003c\/strong\u003e Helps retain the natural response of passive and piezo pickups.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClass-A Output Buffer:\u003c\/strong\u003e Provides a buffered signal for XLR microphone inputs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable Input Pad:\u003c\/strong\u003e Reduces hot input signals by 15 dB or 30 dB.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThree-Position Ground Lift:\u003c\/strong\u003e Offers Off, On, and On+ noise-management settings.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLocking 1\/4-Inch Input:\u003c\/strong\u003e Helps keep an instrument cable connected during use.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e48V Phantom-Powered Operation:\u003c\/strong\u003e Runs from a compatible XLR input without batteries.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe DM3 uses a slim all-metal housing with a tiger-stripe finish and a gold-plated 3-pin male XLR connector. It measures 0.79 inch in diameter and 3.76 inches long, with a weight of 2.47 ounces. Recessed pad and ground-lift switches help reduce unintended setting changes, and the included screwdriver is used to access them.\u003c\/p\u003e\u003cp\u003eConnect the instrument or source to the 6.3 mm (1\/4-inch) TRS input, then plug the DM3's male XLR output into a mixer, interface, preamp, or stage box that supplies 48V phantom power. Use a balanced XLR microphone cable where an extension is required, and engage phantom power at the receiving input. Start with the pad disengaged, then select 15 dB or 30 dB attenuation only if the source overloads the connected input; use the ground-lift settings only as needed to address system noise.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669430460486,"sku":"DM3","price":69.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/61RFdtW6s5L.jpg?v=1784502039"},{"product_id":"se-electronics-dm3-black-active-inline-di","title":"sE Electronics DM3 BLACK Active Inline DI","description":"\u003cp\u003eThe sE Electronics DM3 BLACK is a compact active inline DI designed to connect instrument-level sources directly to a phantom-powered XLR input. It provides a practical way to feed guitars, basses, keyboards, drum machines, synthesizers, and similar sources into a mixer, stage box, or audio interface. Its inline format eliminates the need for a separate DI box and an additional XLR cable between the DI and the input.\u003c\/p\u003e\u003cp\u003eA 10-megaohm Ultra-HiZ input is intended to place minimal load on passive pickups and other high-impedance sources. This helps preserve the natural character of electric guitars, basses, piezo-equipped instruments, and vintage high-impedance microphones. The DM3 BLACK is suited to live stages, home recording, studio tracking, and portable rigs that need a compact DI solution.\u003c\/p\u003e\u003cp\u003eThe DM3 uses sE Electronics DYNAMITE technology and a dedicated Class-A output buffer amplifier. Its frequency range is specified at 10 Hz to 120 kHz within -0.3 dB, while the output noise level is rated at 1 µV JIS-A. The buffered output is designed to provide a stable signal to a microphone preamp or other XLR-equipped input.\u003c\/p\u003e\u003cp\u003eFor high-output sources, the recessed attenuation control provides 15 dB and 30 dB pad settings. The maximum input level is specified as 19, 34, or 49 dBV depending on the attenuation setting. A three-position ground-lift switch includes Off, On, and On+ positions to help address ground-loop hum and, where applicable, additional high-frequency noise or radio-frequency interference.\u003c\/p\u003e\u003cp\u003eThe matte-black DM3 BLACK uses a 6.3 mm locking input jack and a gold-plated 3-pin male XLR output. It is powered by 48V phantom power supplied from the connected XLR input, so it does not use batteries. At 95.5 mm long and 70 g, it is easy to keep in an instrument case or add to a compact stage or recording setup.\u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e10 MΩ Ultra-HiZ Input:\u003c\/strong\u003e Helps retain the character of passive pickups and other high-impedance sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClass-A Output Buffer:\u003c\/strong\u003e Buffers the instrument signal for connection to a microphone preamp or XLR input.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable Input Pad:\u003c\/strong\u003e Selectable 15 dB or 30 dB attenuation accommodates higher-output sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThree-Position Ground Lift:\u003c\/strong\u003e Off, On, and On+ settings help manage ground-loop and interference-related noise.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLocking 1\/4-Inch Input:\u003c\/strong\u003e Helps prevent an instrument cable from being accidentally disconnected.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e48V Phantom-Powered Operation:\u003c\/strong\u003e Draws operating power from a compatible phantom-powered XLR input.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eDesign \u0026amp; Installation\u003c\/h3\u003e\u003cp\u003eThe DM3 BLACK has an all-metal inline housing with a discreet matte-black finish. Its compact cylindrical body measures 20 mm in diameter, and the output uses a gold-plated 3-pin male XLR connector. Recessed pad and ground-lift controls are designed to reduce unintended setting changes.\u003c\/p\u003e\u003cp\u003eConnect an instrument or playback device with a 1\/4-inch instrument cable to the DM3 input, then connect the male XLR output directly to a compatible mixer, interface, preamp, or stage-box input. Enable 48V phantom power on that XLR input before use. Use the pad for overly hot source signals, and select the ground-lift setting only as needed to reduce noise in the particular system.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":45669430493254,"sku":"DM3 BLACK","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0048\/4163\/5910\/files\/61h6700r2fL.jpg?v=1784502076"}],"url":"https:\/\/audiowatt.store\/collections\/di-boxes.oembed","provider":"Audio Watt Store","version":"1.0","type":"link"}